textile science
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Course: | edwinmukengei.gnomio.com |
Book: | textile science |
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Date: | Thursday, 31 October 2024, 1:21 PM |
Table of contents
- 1. INTRODUCTION TO TEXTILES
- 2. Classification of textile fibers
- 3. GENERAL PROPERTIES OF FIBERS
- 4. PROCESSING OF NATURAL FIBERS-natural fibers
- 5. MAN-MADE FIBERS
- 6. FIBER TESTING METHODS
- 7. FIBER BLEND
- 8. YARNS
- 9. THREAD FORMATION
- 10. FABRIC CONSTRUCTION/FORMATION-weaving
- 11. KNITTING
- 12. PROCESSING OF TEXTILES
- 13. IDENTIFICATION OF FABRICS
- 14. CARE AND MAINTANANCE OF TEXTILE PRODUCTS
- 15. LAUNDRY WORK PROCESSES.
- 16. STAIN REMOVAL
- 17. INTERNATIONAL CARE LABELING
1. INTRODUCTION TO TEXTILES
Food, shelter, and clothing are the basic necessities for the survival of human civilization. Textiles play important role in making of clothing and making the shelters more comfortable and attractive. They are also used in the production or processing of many items used in day-to-day living, such as food and manufactured goods. An ideal starting place to gain an understanding for textiles is given by definitions of several basic terms.
1. Fiber
- A unit of matter characterized by flexibility, fineness and a high length to width ratio.
- It is defined as thin, fine and hair like substance, natural or manufactured, with a high length to width ratio and with appropriate properties for being processed into a fabric.
2. Yarn
- An assemblage of fibers twisted or laid together so as to form a continuous strand that can be made into textile fabrics.
- It is defined as a linear form of fibers, twisted as a continuous strand that can be made into a fabric.
3. Fabric
- A piece of material that have been twisted together to form strands that are suitable for garment construction.
- A fabric is produced from a yarn by performing mechanical operations as interlacing or interloping or intermeshing process. At this stage the fabric is referred as a grey cloth.
4. Dying
- It is a coloration of textile substrates for the purpose of improving the aesthetic features. It is a chemical process of applying color to textile substrates like fiber, yarn, fabric or garment by using natural or synthetic dyes.
5. Printing
- It is a chemical process of applying design to the fabrics for further enhancement of aesthetic features by using various techniques.
6. Filament
- A fiber of indefinite length
7. Staple fibers
- Short fibers or fibers of discrete length
8. Filament fibers
- long fibers or fibers of indefinite length
Importance of studying textiles to a fashion Designer
· Acts as a professional career
· Helps designers to make a sensible choice of choosing fabrics that complement their design
· Enables designers to make different type of fabrics under fabric construction methods
· Designers acquire knowledge on how to care for different textile products
· Designers are able to improve the aesthetic value of different fabrics
2. Classification of textile fibers
Textile fibers are classified into two main classes
i. Natural fibers
ii. Manmade fibers
NATURAL FIBERS
They occur naturally and are extracted from natural resources/raw materials. They are further grouped into three classes;
i. Vegetable/plant / cellulosic
Plant fibers are composed of cellulose i.e. the structural material that gives strength to plants and therefore are classified as natural cellulosic fibers. Vegetable fibers are obtained from the following
a. Leaves – sisal, manila, abaca
b. Seeds – cotton, kapok
c. Stem bast – flax, hemp, jute
d. Fruits – coir
e. Husk – coconut
The strands of cellulose fibers in the plants are associated with other natural materials such as lignin, wax, gum and pectin.
The cellulose fibers therefore have to be separated from other materials for it to be useful raw materials for textiles.
ii. Animal / protein fibers
Natural protein fibers are obtained from animal sources like hair and other secretion. Fibers include
a. Covering from such animals as sheep, mohair goat, Cashmere goat, horse, rabbit and camel.
b. Secretions are obtained from the larva, or worm stage, of the silkworm, which spins the cocoon from which silk fibers are obtained and from the spider which spins fine fibers in making its web.
There are some properties of hair fibers and secretions which are quite similar and on the other hand there are properties which are totally different.
There are two types of animal fibers
a. Filament length – a continuous length from silk worm
b. Stable length – short length e.g. Wool & hair obtained from the process of sheering
iii. Mineral fibers
Fibers obtained from minerals e.g. Asbestos, they are of little significance but are used in specialized materials e.g. fine resistance fabrics.
MAN-MADE FIBERS / MACHINE MADE FIBERS
This are fibers that are made by chemical reactions. Classified into two groups;
i. Synthetic
These are textile fibers that are wholly produced from chemical substances. Synthesis (to build up). They are made by combining a chain of smaller molecule to five a larger molecule.
The large molecule is known as polymer and the process is known as polymerization e.g.
AIR + WATER + COAL + PETROLEUM = POLYMER
Example of synthetic fibers; polyester, nylon, acrylic, mod acrylic
ii. Regenerated fibers
This are reborn fibers gotten from natural materials, treated with chemicals to give filament fibers e.g. cotton linters & wood pulp treated with chemicals.
Examples of regenerated fibers.
a. Viscos rayon
b. Acetate rayon
c. Tri-acetate
3. GENERAL PROPERTIES OF FIBERS
i. Tenacity
They must possess sufficient strength to be worked on and processed by machine.
ii. Abrasion resistance
Ability of a fiber to withstand the rubbing in everyday use
iii. Flexibility /Pliability
ü Ability of the fibers to bend without breaking.
ü Fibers must be pliable in order to form yarns, fabrics that can be creased and have quality of draperbility and ability to move with the body.
iv. Elastic recovery
Ability of fibers to recover from strain, coming back to its original shape i.e. Ability of the fiber to return to original length after tension that produced elongation and after the fiber has been released.
v. Elongation
The ability to be stretched or lengthened.
Benefits of stretch in fabric during wear
- Comfort
- Greater freedom of motion
- Ductility i.e. material can change shape without breaking
- Durability
- Stretch fabrics give best fit
vi. Stiffness / rigidity
Opposite of flexibility is the resistance to bending or creasing.
vii. Cohesiveness/Spinning quality
Ability of the fiber to stick together in the yarn manufacturing processes
viii. Uniformity
The fibers must be similar in length and width in the spinning quality and flexibility
ix. Lustre
Refer to the gloss / shine, that fiber possess
Determines the fiber’s brightness/dullness
x. Color
ü Natural color of fibers varies from pure white to grey and black
ü Natural fibers exhibit the greatest color differences
ü Man-made fibers are usually white or off- white as they are manufactured
xi. Moisture regain and absorption
This is the ability of a fiber to take in moisture from air given the standard condition or temperature and moisture. Sometimes called hydrophilic or hygroscopic.
ü Fibers have a certain amount of water as an integral part of their structure
ü Fibers with good moisture regain will accept dyes and finishes more readily than those with low moisture regain
xii. Dye ability
Ability of fibers to readily accept dyes.
xiii. Resiliency
Ability of a fiber to return to shape following compression, bending or similar deformation
xiv. Flammability and thermal reactions
The burning characteristics of fibers are important in determining care and use of textile products.
xv. Thermo-plasticity
Ability of fibers to soften and be molded under application of heat.
xvi. Versatility
Ability of a fiber to produce a wide range of products.
ASSIGNMENT 1: Learners to draw the classification table of fibers
Differences between Natural and Man-Made Fibers
Natural fibers |
Man-made fibers |
· Have a high affinity for dyes |
· Have a low affinity for dyes |
· Fabric wrinkles unless any finishing is given |
· Less wrinkles after washing and wearing |
· Good conductors of heat |
· They melt with hot or ironic touch with hot objects. |
· Less susceptible to mildew hence damp clothes should not be stored. |
· Highly resistant to moths, mildew and insects. |
· High water absorbency: Comfortable for summer wears, good for towel, hand kerchief and diapers |
· Low moisture absorption: Easily washable and easy spot removing. |
· Exists naturally |
· They are made by man |
· Burns freely with smoke and afterglow which forms a grey feathery ash |
· Readily burns and melts giving a distinct plastic burning odor. |
4. PROCESSING OF NATURAL FIBERS-natural fibers
This majorly consist of Cotton, Linen, Silk, wool and jute
COTTON
ORIGIN
The word cotton is derived from the Arabic word qoton or qutun, which means a plant found in conquered land. Cotton is fiber that grows from the surrounding surface of seeds in the pods, or balls of a bushy mallow plant. It is composed basically of a substance called cellulose.
Cotton is still the fiber used mostly in the world. People around the world mostly use cotton as the main fiber. They prefer garment made from cotton than any other fibers. More over cotton is one of the best fiber suitable for our climate. The main raw material used for cotton fabric is cotton pod. Ancient records shows that garments made out of cotton were used by Indians also.
Greek Philosophers refers that Indians were best in growing, spinning and weaving pure cotton fabric between 3000 BC-1500AD. Marco Polo on his voyage to our country states that the world’s finest cotton fabrics were made from India. Cotton fabrics from India, are fine and of outstanding quality. Archeological findings at Mohenjo-Daro suggest that the cotton plant was already domesticated and being used for making textiles over 5000 years ago.
Growth of cotton
· Cotton is planted in the spring, when temperatures reach around 60 degrees, and grows best in fertile, well-drained soil.
· The most favorable conditions for cotton belt are North America, Egypt, India, china and United States
· Cotton grows on bushes of 3-4 feet height
· It takes about six to eight weeks, depending on the weather, after planting for the bloom or flowers to appear and fall off
· When the blossom falls off the ball begins its growth
· Inside the ball are seeds from which the cotton fibers grow. They are also called seed hair
· When the ball is ripe i.e. reach maturity stage, it splits open and the fluffy white cotton stands out from the ball
· The cotton is picked up with the help of machine or by hand
· After harvesting the cotton fibers must be separated from seeds and this is done by large machines known as Gins. This process helps to remove unwanted impurities such as leaves, twigs and stalks. Ginning machine are of two different types:
i. Saw gin – the teeth of the rotating saw pass through a metal grating slits which are too narrow to allow passage of other larger mater.
ii. Roller gin – used for longer type of cotton consisting of roller covered with leather to reach the fiber and cling as the roller revolves a knife set to its surface scrapes away and removes the seed and large impurities.
Cotton bales are then picked in bales weighing about 200kg-250kg, cotton has to be graded readily for scale and this assessment is made by skilled inspectors who consider the staple color and the number of impurities.
The quality of cotton varies according to:
- Variety of plants
- Growing conditions in the area
NOTE: The fluffy white mass of cotton or seed hair which is in the seed is known as Lint. A few days a second shorter and darker growth forms and sticks to the seed, this second growth is known as Linters.
There are two types of picking machines:
i. The picker – pulls the fibers from the balls.
ii. The stripper – pulls the entire ball from the plant.
GROUPS OF COMMERCIAL COTTON
There are three types of cotton classified in their length of fineness
i. Long fine cotton – fibers are 3.3cm-6.4cm long, these are the top quality longer staple cotton and are well known types such as Egyptian and Sea Island. They are not easy to grow, are expensive and used for fine cotton fabrics.
ii. Standard cotton – fibers have staple length of 2cm-3.3cm, this forms bulk of cotton and include American upland cotton. Are used for standard fabrics such as poplin.
iii. Coarse cotton – are fibers with staple length of less than 2cm they form the coarse grade cotton which includes Asiatic and Indian fiber. Are used for low quality fibers sometimes blended with wool for blankets and carpets.
Manufacture/production of cotton
Cotton fibers undergo the following processes before used in clothing construction:
1. Ginning
· The seeds are removed and fibers are pressed into bales
· The process is carried out by a machine
· The seeds removed are used for production of oil, soap and cosmetics
· The fiber at this stage is called LINT
2. Bailing
· Cotton is pressed/compressed into bales
· The bales are wrapped with jute cocking
· The bales are supplied to mills
3. Opening and breaking/picking/bale breaking
· The bales are opened and loosened together, the cotton is beaten to remove impurities.
· Fluffing of fibers which was tightly packed into bales is also carried out
· Layers of fibers from several bales are fed into an opener and emerge like a fluffy mass of 10-15 times as bulky as compared to the bale
· The picking machine continues the loosening and cleaning of the fibers and a thick white sheet is formed which is called A LAP
· Blending and mixing is also done at this point i.e. fibers from different bales are mixed promotional in the blow room.
4. Carding
· Carding machines that have wire-like comps further remove impurities e.g. seeds, stocks, leaves etc.
· While this is happening cotton is drawn into a lap which passes between two cylinders covered with clothing, the clothing is heavy fabric with many specialties bent wires.
· Individual fibers are straightened and made parallel
· Cotton is thoroughly cleaned off all dirt and foreign matter
· There is sorting of long and short fibers and the fibers emerges from the carding rolls as a thin sheet.
Objectives of the carding process
i. To remove impurities and fiber entanglements.
ii. To separate fibers from others in its original toughs.
iii. To mix fibers together to provide uniform distribution.
iv. To form a bulky silver of overlapping, piecing aligned fibers.
v. To remove short fibers in naps (small entangled knotted fibers) forming a compact.
vi. Ball which is not likely to be dis-entangled by drafting.
5. Combing
· It is a continuation of the carding process. If cotton is to be used for making fine materials it’s combed at this stage by fine needled. It removes the short and keeps the rest of the fibers nearly parallel and fluffy.
· The fibers are long staple, fine, uniform strong and of good quality
6. Drawing
· Means bringing together many card silvers which are then fed into two pairs of rollers which further stretch the silvers to decrease diameter. The slivers are fed into drawing rolls at the same time, this is a continuation of blending which began in the opening process.
· The drawing frame consists of four sets of cells with each travelling at a faster speed than the previous set.
· The difference in the speed causes elongation of the sliver and reduction in the diameter.
7. Roving
· This is similar to drawing but the diameter of the sliver reduces further and slight twist is given and wounded on the bobbins that are fed into the spindle. It’s done on a speed frame the silver is now called roving.
8. Spinning &weaving
· More twist is added to the yarns to make it strong and fine, can be doubled at this stage. In factories cotton is spun into yarns on large spinning machines it is fed to the spools which are sent for weaving to the weaving mills.
There are six methods of spinning.
i. Ring spinning
ii. Mule spinning
iii. Cap spinning
iv. Open end spinning
v. Foyer spinning
9. Beaming / winding
The last stage where yarns are wound onto various yarn holders i.e. the spools, bobbins and warp beams in preparation for weaving.
10. Dyeing &finishing
· The woven fabric is dyed with different colors
· Finishing is given to the fabric to improve its appearance
· The bobbins are placed in the spinning frame where they are passed through several sets of rollers running at successively more speed and finally drawn out to yarn of desired sizes.
COTTON IDENTIFICATION
a. Microscopic test
i. Under a microscope, the longitudinal view of cotton fibers look like a twisted ribbon or a collapsed and twisted tube with a rough surface
ii. Under the cross-sectional view cotton fibers are flat, kidney or bean shaped with lumen parallel to the larger direction.
b. Mercerization is carried out where fibers are put in caustic soda to open the lumen and twist the convolutions, this causes swelling of fibers which improves dye intake. Cotton does not have a natural twist. The finishing process makes them swollen straight, smooth and round with a shining surface
Cross sectional view of mercerized is circular with no or less lumen.
Cross sectional view/morphology longitudinal view/morphology.
c. Burning test.
· Cotton ignites and burns quickly, it flares up with a yellow flame, smoke is white or light colored and smells like burnt paper or leave and it leaves a small amount of fluffy grey ash.
NOTE: The test does not apply when cotton is mixed or blended with another fiber because other fibers react differently to burning.
Physical properties
1) Color - Natural cotton is off-white when harvested but can be bleached white, dyed or printed to any color of choice.
2) Lustre -Natural cotton is dull due to the twisted nature of the fiber but it can be modified through mercerization. Mercerization is a process that makes cotton take dye better and increases its Lustre
3) Elongation and elastic recovery- It has poor elongation and elastic recovery properties but is better than linen. Poor elastic recovery contributes to the creasing property of cotton Stability/strength
4) Cotton shrinks after the first wash but doesn’t do so with subsequent washes. Unless it has been pre shrinked during manufacture, it is advisable to shrink them by clumping or immersing them in water before making them. Mercerized cotton is more dimensionally stable than un-mercerized cotton.
5) Resiliency-Has poor resiliency and creases badly without recovery, unless treated with resin to be crease resistant.
6) Absorbency- Cotton is absorbent and regains moisture from the atmosphere.
- It’s water absorbency property contributes to;
a) Lack of static build-up
b) High water-based dye affinity
c) Comfort in wear
d) Longer drying duration
7) Cotton is strong - It’s stronger when wet than when dry and becomes heavier when wet. It is stronger when wet because extra hydrogen bonds are formed, the fiber can hence withstand all stresses of production i.e. weaving, processing, garment construction etc.
8) Warmth - Cotton is warm to the wear as it holds air around the skin of the wearer which acts as an insulator from the cold weather elements.
9) Hygroscopic moisture: Cotton does not hold moisture so well as wool or silk but absorbs it and so feels damp much more quickly and spreads rapidly throughout the material.
Thermal properties
· Cotton fibers have the ability to conduct heat energy, minimizing any destructive heat accumulation hence suitable for night dresses.
· Cotton fibers can withstand high temperatures i.e. hot ironing it’s a good conductor of heat.
· Excessive application of heat energy causes it to scotch and burn i.e. long exposure to sunlight.
Chemical properties
1) Effects on Acids
· Strong acids will destroy the fibers immediately e.g. Hot dilute acids or cold concentrated acids
· Dilute inorganic acids will weaken the fiber and if left dry will rot it.
· After treatment with acidic solutions cotton articles should be thoroughly rinsed in water.
2) Effects on Alkalis
· Cotton has an excellent resistance to alkalis
· It swells in caustic alkalis (NaOH) but does not damage it
· It can be washed repeatedly in soap solution without a problem
3) Effects on organic solvents
· Cotton has high resistance to normal cleaning solvents
· Cotton is dissolved by the copper complexes e.g. cup ammonium hydroxide
4) Effect of bleaching: These have no effects until used in uncontrolled conditions with heat.
5) Effect of sunlight and weather: Ultraviolet rays of sunlight affect the strength of fiber and change the color to yellow when exposed to prolonged period.
6) Affinity to dyes: Cotton takes in dyes better than linen but not as readily as silk and wool.
Biological properties
· Cotton acts as food for micro-organisms which feed on the cloth and damage it, mildew and bacteria damages cotton.
· Resistance to insects: Moths and beetles will not affect or damage the cotton. But the sliver fish eats the cotton cellulose.
Advantages of cotton
i. They are natural fibers free from chemicals
ii. It does not irritate the skin i.e. comfortable
iii. They are a great option for hot weather
iv. Dyes and prints well
v. Drapes well
vi. Strong hence durable
vii. Easy to handle and sew.
Disadvantages of cotton
i. Its flammable (burns easily)
ii. Has low resilience creases badly.
iii. Dump clothes tend to develop mildew, requires airing for storage.
iv. High degree of shrinkage.
v. Weakened by perspiration and the sun
vi. It saturates so quickly and it’s not water proof.
COTTON FABRICS
1. Flannelette and flannel -A soft napped cotton fabric which is warm to wear due to the fact that the nap traps a layer of air between the body and the cold outside
2. Organdie- It is a thin light fabric in plain weave with a very stiff finish. It is made from good quality combed yarn.
3. Muslin- It is cotton made of plain weave. It is made in a wide range of weights from delicate sheers to coarse sheeting
4. Ginger- A clothing fabric usually of yarn-dyed cotton in plain weave
5. Poplin-Has a rib weave and it’s used for night wear, underwear, blouses and babies cloth
6. Gingham-Used for shirts, blouses etc.
7. Terry cloth-Used for toweling i.e. making bath towels, baby napkins, night’s gowns and bed covers
8. Laces –Many are still made from cotton dresses
9. Lawn – has higher count very fine for lining clothes, underwear, blouses, handkerchiefs and petticoats.
10. Percale – are also higher counts used in sheeting fabrics
11. Broad cloth – has finer and closer ribs.
12. Dimitri – has twill weave
13. Jeans
14. Damask – has large woven designs mainly used for table clothes and dresses
15. Cotton jersey – netted cotton fabrics are mainly for men underwear, t-shirts and vests
16. Corduroy – lorded velveteen cloths whereby the weft ply forms the cords or ribs
17. Calico – medium weight fabric used for sheets, aprons, overalls, cushion covers, pillow cases etc.
FINISHES FOR COTTON FABRICS
A fabric finish is applied to a fabric once it has been made to improve its appearance, feel or other properties
Fabric finishes are classified into 2 categories:
Chemical finishes-Chemicals are used followed by curing or drying. It’s also known as wet finish
Mechanical finishes-They usually involve specific physical treatment to a fabric surface to cause a change in fabric appearance. It’s also known as dry finish
The finishes applied may be Temporary, Permanent or Renewable.
Chemical finishes applied to grey
Special finishing techniques are done to improve function and properties of cotton. Example
· Mercerizing - Cotton fibers are treated with a solution of sodium hydroxide, making them stronger, softer and more lustrous
· Crease resistance - Resin-based finish is used to reduce how much the fabric creases
· Stain resistance - A silicone-based spray is used to prevent grease and dirt clinging to the fibers
· Flame resistance – It’s used to slow down the rate of burning of fibers in case of fire
· Water repellency - Silicones are applied to the fabric’s surface to temporarily prevent water being absorbed by the fabrics. PVC can be used to coat the fabric to make it permanently water proof but doesn’t allow the skin to breathe
Mechanical finishes
· Calendaring – It’s used to make one or both surfaces of the fabric smooth and shiny
· Sulfurizing or Pre-shrinking- Prevents a fabric and the produced from shrinking after production
· Napping –Used to make the fabrics soft, warm, and absorbent
· Singeing – It’s designed to burn off the surface fibers from the fabric to produce smoothness.
· Embossing – Used to add decoration on cotton fabrics
Cotton blends
Among the various types of blends available in market today are polyester, cotton terycotton, silk, linen cotton, viscose rayon and cotton- nylon
Reasons of blending are:
· To facilitate processing.
· To improve properties like dimensional stability.
· To produce better performance.
· To improve texture, hand or feel appearance of fabrics.
· To produce multi-color fabrics.
· To reduce cost.
Characteristics of cotton fibers and products
· Comfortable to wear
· Resists build up static electricity
· Wrinkles easily
· Can withstand heat, detergents and bleach
· Can be damaged by mildew
· Can be damaged by prolong exposure to sunlight
Uses of cotton fibers and fabrics
· Used in hospitals for bandages, gloves, surgical purposes
· Cotton is used to make varieties of sewing threads
· Used to make household products like mops and wipes
· For making furnishing e.g. carpets
· Garments are also made from cotton for men, children and women.
- Children wear since they are warm and dry fast
- Uniforms and dresses since they are strong.
- Underwear because they dry rapidly, absorbent and warm.
· The inside seed is used as cooking oil
· For making furnishings e.g. carpets
Care of cotton fabrics
· Wash by friction method (rubbing &squeezing) using soapy water unless loosey colored or given a special finish that will be damaged by heat.
· Sterilize the fabric by boiling in hot water
· Rinse in cold water to freshen the fabric
· Drip dry to minimize creasing
· Iron with hot iron
LINEN FIBERS
Growth / cultivation
Flax is a bast fiber obtained from the stems or stalks of the flax plants. Flax is an annual plant that is grown for its fiber, seeds or both. Flax is the oldest fiber on record, first grown by the Egyptians having along the banks of the Nile. Other sources lay claim to the earliest usage of flax to be in the Stone Age. The term “linen” is often misused, being applied to fabrics that simply look like linen, or being used as a general term for sheets, towels, and tablecloths.
Linen is a natural yarn or fabric which comes from the fibers of the stalk of the flax plant ("most useful linen"). Flax plant requires a temperate climate and adequate rainfall. It has a single slender stem, with no branches apart from those bearing its flowers. The plant is sown in April, produces delicate blue flowers in June and is harvested in August. The violet blue flax flower is a sign of the finest fibers
Other varieties of flax have a pinkish white blossom and produce poorer fibers and yarns. There are three degrees in the ripening of the flax grown to produce linen: green, yellow and brown
· Flax that is pulled too early is green in color - Produces very fine but weak fibers.
· Overripe flax is brown - The stems are strong but brittle but produce too high proportion of undesirable short fibers ("'tow").
· When the flax is yellow, the fibers are long and supple, and therefore ideal for further processing
The growing season takes about 85-100 days. When the flowers are ready the plants are pulled up by the roots. The fibers then have to be separated from the other tissues in the stem and this is carried out by a fermentation process called Retting.
Major producers are USSR, Portland Belgium, France, Holland, Romania, Northern Island and Netherlands.
Manufacture /production/processing of Linen (Flax)
1) Pulling and rippling
This as a process aimed at removing the seeds and seed pods from the plants i.e. the stalks are combed by spikes called Ripples to remove the leaves and seeds.
Fibers may be pulled by hand or use of mechanical pullers, roots are pulled intact as the fibers extend below the ground, after drying the plant is ripped i.e. it’s pulled through special thrashing machine that removes the seed pods on force. This is done by thrashing where by whereby hand thrashing is employed in small scale farm.
2) Retting process
Sun, dew and rain help detach the fibrous skin from the central wood, the stems take on a beautiful russet hue.
To obtain the fibers from the stalk the outer wood portion must be rotted away. It’s known as Retting. It’s the process that softens and separates the fibrous core of the plant from the outer layer which is composed of woody matter
· Retting is carried out in the following ways:
i. Dew retting
ii. Pool retting
iii. Tank retting
iv. Stream retting
v. Chemical retting
i) Dew retting
It involves spreading of flax on the ground where it’s exposed to the action of dew and rain to bring about fermentation and provides favorable conditions for bacteria activities
This natural process gives uneven results but provides the strongest and durable linen, it requires 4-6 weeks
ii) Pool / dam/ river retting
It is a process whereby flax is packed in shelves and immersed in a pool of stagnant water and bacteria in the water rot away the outer stalk covering. Time required is 2-4 weeks for the woody cork to soften. Produces good quality fibers
iii) Tank retting
It utilizes large tanks in which the flax is stacked and the tank is filled with water under controlled temperatures of 22-33 degrees Celsius which increases the speed of bacteria action. It requires 4-5 days.
Its uniform in strength and light in color, it gives very lustrous fibers
iv) Stream retting
The flax is stacked along banks of slow moving streams, it’s a slow retting process but reduces the unpleasant smell associated with dew and pool retting. Produces good quality flax
v) Chemical retting
Special Chemicals e.g. dilute sulphuric acid are put in banks and stalks are submerged/immersed in a few hours, it is done used to loosen the flax from the stalks. It is usually limited to experiments because chemicals weaken the fibers.
3) Breaking and scutching process
After retting is complete, the fibers are rinsed and dried, Stalks are bundled together and passed between fluted rollers in a breaking machine that brake the outer woody covering into fragments without damaging the fibers running through the stem.
The fibers are then scutched to separate outer covering into usable fibers. Scutching is the process of dressing flax.
Scutching involves scrapping a small wooden knife down the length of the fibers as they hang vertically, pulling the broken woody bits away from the fibers
Breaking flax fibers scutching process
4) Hackling
It is a combing process to straighten and parallelize the fibers. This separates short fibers called TOW found in table linen and dish cloths, from the long fibers known as LINE used in the fine table clothes, handkerchiefs etc. and parallel fibers called SLIVERS.
It uses a hackle which is a bed of pins which are usually used to comb the fibers for drawing and aligning purposes
Hackling process
5) Spinning process
The flax fibers are drawn into required thickness of yarns and twist is impacted for extra strength. The twisted yarns are then wounded onto bobbins or spool to be used in fabric construction processes.
Flax fibers are span either wet or dry, wet spinning is considered to give the best results.
6) Weaving
Linen yarn is generally woven into sheets. This is a process of interlacing the wefts and warps at right angle to form fabric in a loom
LINEN/FLAX IDENTIFICATION
1) Microscopic property
Under a microscope linen looks like having sided cylindrical filaments with fine pointed edges. The filament show nodes at intervals, it looks like bamboo stick having joints that result into a little unevenness. The central canal/Lumen casts a shadow giving a slightly darker effect down the Centre
Cross-sectional view clearly show lumen and the thick outer wall of a polygon shape. The immature fibers may be oval and have larger lumen than mature fibers.
Longitudinal view Cross –sectional view Linen fibers
2) Burning test
Linen takes longer to ignite, produces ashes that are very brittle, smells like burning grass
Linen is easily extinguished by blowing on it as you would a candle.
Physical Properties
· Lustre-Flax fibers have a high nature lustre with a high shin
· Tenacity –flax fibers are durable and easy to maintain because of their high fiber strength
· Pliability/flexibility-flax has low flexibility and this may reduce serviceability where frequent bending is required in use
· Elastic recovery and elongation-It has very little elacisity
· Color –flax fibers are yellowish to grey in color
· Resiliency –They have low resiliency,they are stiff and posses little resiliency however finishes can be applied to offset this disadvantage
· Moisture regain-flax has a standard moisture regain of 12%
3) Thermal properties
· Flax is highly resistant to decomposition by dry heat and withstand temperatures of upto 150 degrees celcius
· Prolong exposure above 150 degrees celcius will result to gradual discoloration
· However fabrics may be ironed safely with temp.of 260 degrees celcius
4) Chemical properties
· Effects of Acids-linen is damaged by highly densified acids but low dense acids does not affect it if it is washed instantly after aplication
· Effects of Alkalis-Linen has an excellent resistance to alkalis.that is,it is not affected by the strong alkalis
· Effects of Bleaching Agents-Cool chlorine and hypo-chlorine bleaching agents does not affect the Linen fiber properties
· Effects of organic solvents-linen has high resistance to normal organic solvents
· Dyes –it is not suitable to dye but can be dyed by direct and vat dyes
5) Biological properties
· Effects of micro organism-linen is attacked by fungi and bacteria
- Mildew feed on linen hence rotting and weakening the materials
· Effects of insects-linen is not attacked by moth grubs or beetles
LINEN FABRICS
1) Damask – It usually comes in one color and is often used for linen napkins, linen tablecloths, linen table runners and other home textiles
2) Toweling –This are all types of Linen that are used to produce towels and comes in different sizes.
3) Sheeting linen- It is a heavy fabric made wide so that it can be used to manufacture sheets. It is also a lovely fabric for suits, dresses and other linen clothing.
4) Loosely woven linen- The fabrics are designed to be highly absorbent. They are commonly used for diapers and sanitary towels
5) Glass toweling- This type of linen fabric has a loose weave that makes it more absorbent and better suited for cleaning purposes, but also slightly less durable
6) Linen suiting-comes in twill weave,used mostly for drapery
Finishes applied to linen/flax
The ultimate step in fabric processing, finishing includes treatments designed to change the appearance of the yarn or linen fabrics and giving them the values sought by consumers in terms of comfort, aesthetics and functionality. Four categories are distinguished: bleaching, dyeing, printing and finishing.
· Beetling
- A mechanical treatment that uses beetlers/fallers to give fabrics a flattened effect
- Its also used to add flexibity and smoothness
· Calendering –Used to impact different degree of lustre to the fabric
· Mercerizing –Used to add lustre and smoothness of linen fibers
· Sizing
- A solution of starch or resin is used to fill up spaces between yarns
- Applied to increase weight,body and luster
Advantages of linen fabric:
- Excellent strength gains strength when wet
- Hydrophilic: absorbs water and dries quickly
- Cool in warm weather
- Washable
- Withstands very high temperatures when washing and ironing
- No static, pilling, or lint problems
- Unique texture from the thick-and-thin pattern of the fibers
Disadvantages of linen fabric:
- Like cotton it wrinkles very easily
- Fair abrasion, low durability
- Poor drape and elasticity
- Expensive
Characteristics of linen products
· Linen is affected by mildew when exposed to moisture
· Withstand very high temperatures therefore hot iron can be used to iron Linen item
· Its resistance to alkalis but strong acids affect linen
· Has natural stifffeness and becomes crisp when it’s dry
· It lacks pliability and therefore cracks easily if folded on the same place many times
· Its absorbent and water spreads quickly over the surface of the fabric.
· Its lustrous
· Linen resists soiling
· They are resistance to moths
· No resiliency
· Its stronger when wet than when dry
Uses of linen fabrics
· They are used for wears e.g dresses and suits
· Used for household uses such as table clothes, napkins, runners, pillow cases, drapes and curtains.
· Used in hospitals for patients clothing
· Industrial uses linen for lace, sewing threads, leather items, shoes and boots.
· Linen comes from the stalk of flax plant which is a plant fiber used especially for making ropes
· Linen can be easily dyed and the color does not fade when washed
· Linen seed produces linseed oil for food, explosives, petrolium, medicine.
ASSIGNMENT :Discuss FIVE (5) ways of caring and storing of Linen/flax products
OTHER PLANT FIBERS
1. Coir (from Malayalam kayar, cord) is a coarse fiber extracted from the hairy outer shell of a coconut. There are two sorts. White coir, harvested from unripe coconuts, is spun to yarn that is used in mats or rope. Brown coir, from fully ripened coconuts, is thicker and stronger than white coir. It is used in mats, brushes, and sacking. Pads of brown coir sprayed with latex (rubberized coir) are used as upholstery padding in cars. The coir fiber is relatively waterproof and is one of the few natural fibers resistant to damage by salt water.
2. Hemp comes from the weed Cannabis sativa. The hemp fibers, like those of flax, are freed from the stalk by a retting process. The properties of hemp resemble those of cotton. It is used for rope and coarse fabric, and is a potential reinforcement for natural fiber–reinforced composites.
3. Jute is a long, soft, shiny vegetable fiber made from the stems of plants in the genus Corchorus, family Malvaceae. It is one of the cheapest of the natural fibers and is second only to cotton in the amount produced and variety of uses. It is spun into coarse, strong threads and woven to make sack-cloth, hessian, or burlap. There is interest in using jute as a reinforcement in composites, replacing glass.
4. Kenaf (Hibiscus cannabinus) is a fast growing stem-fiber used to make industrial textiles, ropes, and twines. Emerging uses of kenaf fiber include engineered wood, insulation, and clothing-grade cloth, and as a reinforcement in polymer-matrix composites.
5. Palmyra palm (Borassus) is a genus of fan palms, native to tropical regions of Africa, Asia, Sand New Guinea. Palm fiber (sometimes called vegetable horsehair) is derived from its leaves. The fibers are springy and strong, making it good for stuffing furniture and mattresses.
6. Ramie (Boehmeria nivea) comes from the stem of a flowering plant in the nettle family. It is one of the strongest natural fibers. It is used for cordage and thread and is woven into fabrics for household furnishings (upholstery, canvas) and clothing, frequently in blends with other textile fibers.
7. Sisal fibers
With the botanical name Agave sisalana, is a species of flowering plant native to southern Mexico but widely cultivated and naturalized in many other countries. It is valued for cordage because of its strength, durability, ability to stretch, affinity for certain dyestuffs, and, like coir, it is resistant to deterioration in saltwater. The higher-grade fiber is converted into yarns for the carpet industry. Sisal is now also used as a reinforcement in polymer-matrix composites.
It yields a stiff fiber used in making rope and various other products. The term sisal may refer either to the plant's common name or the fiber, depending on the context. The sisal fiber is traditionally used for rope and twine, and has many other uses, including paper, cloth, footwear, hats, bags, carpets, geotextiles, and dartboards. It is also used as fiber reinforcements for composite fiber-glass, rubber and cement products.
8. Kapok fiber
(Ceiba pentandra), also called Java cotton, ceiba, or Java kapok, seed-hair fiber obtained from the fruit of the kapok tree or the kapok tree itself. The kapok is a gigantic tree of the tropical forest canopy and emergent layer.
Common throughout the tropics, the kapok is native to the New World and to Africa and was transported to Asia, where it is cultivated for its fiber, or floss. The kapok’s huge buttressed trunk tapers upward to an almost horizontal, spreading crown where large, compound leaves are made up of five to eight long, narrow leaflets. In full sun, the kapok can grow up to 4 metres (13 feet) per year, eventually reaching a height of 50 metres (164 feet).
The kapok is deciduous, dropping its foliage after seasonal rainy periods. Flowering occurs when the tree is leafless, thereby improving access for the bats that feed on the sugar-laden nectar of kapok blossoms. In doing so, the bats unwittingly pollinate the tree’s flowers. The flowers open at night and have five petals that are white or pink on the outside. Only a few flowers on a given branch will open on any particular night during the two or three weeks that the tree blooms.
· Kapoks do not bloom every year, and some may go 5–10 years without flowering. When the tree does bloom, however, it is prolific, producing up to 4,000 fruits measuring up to 15 cm (6 inches) long. Eventually these pods open on the tree, exposing the pale kapok fibers to the wind for dispersal. The fibers, in which over 200 seeds are loosely embedded, is sometimes referred to as silk cotton and is yellowish brown, lightweight, and lustrous.
· In harvesting kapok fiber, the pods are either cut down or gathered when they fall, then broken open with mallets. The seed and fiber, removed from the pods by hand, are stirred in a basket; the seeds fall to the bottom, leaving the fibers free. The seeds may be processed to obtain oil for making soap, and the residue is used as fertilizer and cattle feed.
SILK FIBERS
Introduction
Silk is a natural protein fiber produced by the larvae of a moth to form cocoons. It’s the only natural fiber that is produced in filament form. It’s also referred to as “queen of fibers” due to its luxurious appearance
Sericulture or silk farming is the rearing of silkworms for the production of raw silk. Silk farming began in China in 2640BC, and later spread to Korea and Japan, Westward to India and Persia then to Spain, France and Italy. Today’s major producers of silk are China, India, and Japan
There are two types of silk namely:
1) Mulberry /cultivated silk- It’s creamy white or yellowish white in color
2) Wild silk-It’s color range from brownish to golden yellow in color
Bombyx mori silkworms are used for producing cultivated silk and are typically grown in a controlled environment.
· Tussah, Eri, and Muga are wild silk varieties. Wild silk production varies by species and cultural practices in which the larvae are allowed to feed in their natural habitat and are then collected to spin cocoons in controlled environment.
· Silk such as peace silk and ahimsa silk (produced without killing the silkworm) are marketed as eco-friendly fibers. This type of silk is produced using wild and cultivated silk cocoons from which the moth has emerged. Fabrics produced with cultivated and wild silk fibers are available in a variety of fabric weights and constructions, and are used for apparel and home interiors.
Rearing of silk
- The silk moth lays eggs
- The eggs hatch and the larvae feed on mulberry leaves
- When the silkworms are about 10,000 times more heavily than when they hatched then they become ready for spinning a silk cocoon
- The silk is produced in two glands i.e. in the silkworms head and then forced out in liquid form through openings called spinnerets
- The larvae extrude two strands of silk fiber that are held together by a natural gum.
- The filaments are made of a protein known as fibroin, and the gum is a protein known as sericin. Silk products from which sericin has not been removed are known as raw silk
Examples of silkworm life cycle
Production/Manufacture/Processing of silk
Involves the following steps:
1) Sorting
Cocoons for breeding are separated from those to be used for spinning.
2) Reeling
It’s the process of unwinding the filament from the cocoon, the operation prevents defects in the raw silk.
As the filament of single cocoon is too fine for commercial use, three to ten strands are usually reeled at a time to produce the desired diameter of raw silk thread. Several cocoons are placed in hot water to soften the gum and the surfaces are brushed lightly to find the ends of the filaments then collected, threaded through a guide and wound on to a wheel called ‘reel’.
3) Throwing
The process of twisting strands of different thickness in order to increase their strength or hold them together to form a ‘Thrown silk’.
This yarn later goes to weaving or knitting industry based on the type of yarn produced. The silk looks dull and it is harsh to touch because it still contains the gum. It is therefore called Raw silk.
4) Spinning
The Short ends of silk fibers from the outer and inner edges of the cocoons and those from broken cocoons are spun into yarns forming the spun silk
5) Degumming
Raw silk is boiled in soap and water until the gum is removed. This process is known as De-gumming. Sericin or gum is not usually removed until after the cloth is woven because it serves as warp sizing that protects the yarns from mechanical injury during weaving.
Sericin remains on the fiber during reeling, throwing and before finishing processes are applied. The presence of gum or Sericin increases the tendency for the silk to water spot on the fabrics during ironing. The gum is removed by boiling the fabric in soap and water.
6) Finishing
Silk fabrics require very few finishes because they have natural luster, softness and drape ability. They are woven then they are either printed or dyed.
7) Weighting of silk
This is the addition of solutions or metallic salts or tin compounds to the silk fiber in controlled environments to replace the weight lost during the de-gumming process.
When silk is boiled to remove the excess of natural gum or sericin, it loses weight. This loss of weight is replaced through treatment by metals like tin, aluminum in water solutions which are not removed by washing. Weighted silk is not durable because sunlight and perspiration weakens fibers. Heavy weighting causes silk to crack.
VARIOUS TYPES OF SILK
There are three types of silk yarns
1. Reeled silk
There are five types of silk that are classified under reeled silk, they are;
i. Thrown yarn – this is a single yarn made of several strands or reeled silk spun together.
ii. Organzine yarn – these yarns re used for making warp threads where strength is required e.g. fabrics for draperies, upholstery and sheeting.
iii. Tram yarn – used for making fabrics with high tensile strength. It is a ply yarn where final twist of the single yarn lie in the same direction. It is mostly used for making weft threads.
iv. Duppion yarn – this is double silk made from knotted cocoons. This gives a textured effect to the yarn. It is used to make fancy fabrics e.g. shantung and duppion.
v. Tussah yarn / wild silk – this is made from uncultivated silk got from wild silk worms that feed on the leaves of oak trees. It is brown in color, more uneven and coarser.
2. Raw silk
Silk that has not had any degumming.
3. Spun silk
Yarns made from short fibers of broken cocoons or short ends of reeled silk. It requires more twisting and is less expensive than reeled silk.
4. Waste / Noil silk
These are got from the waste of spun silk, they are dull, rough and lifeless used for making artillery bags. This are bags used by army men when they go out to fight. They are sometimes called waste silk.
SILK IDENTIFICATION
1) Microscopic structure /Test
a) Longitudinal view
ü Silk fibers are straight and smooth.
ü Raw silk looks like irregular elliptical ribbons with transparent rod like structures
ü Wild silk/Tussah has a flattened, coarse, thick and broader fiber having fine wavy lines all across its surface.
ü Cultivated silk is narrower with no marks on it
b) Cross-sectional view
ü It is triangular with rounded corners
ü It is composed of fibroin, consisting of two filaments called brin which is held together by Sericin
2) Burning Test
ü Silk burns slowly and will have trouble staying lit and produces an orange flame
ü It produces smoke and smell of a burning hair/feather and leaves black residue and small balls that are brittle on the edges.
Physical properties
i) Strength
- Silk is the strongest natural fiber hence reduces the problem of wear from abrasion. The strength of the spun silk yarns depends on the length of silk staple.
- It is weaker when wet than when dry.
ii) Cleanliness and wash ability
- Silk is a hygienic material because its smooth surface does not attract dirt. It can also be easily cleaned by mild soaps and dry cleaning
iii) Color
Easily dyed therefore available in different colors. The color of the silk is dependent primarily on the species of silkworm and its diet prior to spinning its cocoon. Cultivated silk is off-white, whereas the color of wild silk ranges from off-white to dark brown.
iv) Resilience
- Silk retains their shape and have moderate resistance to wrinkling
v) Drape ability
- Silk has a pliability and suppleness’ that aided by its elasticity and resilience gives it excellent drape ability
vi) Luster
- Silk fibers, especially cultivated silk, are lustrous hence quite prestigious and attractive. Silk Noil is dull.
vii) Absorbency
- The good absorptive property of silk also contributes to it being used in warmer atmosphere
viii) Quite elastic – therefore its crease resistant
Chemical properties
i) Reaction to Alkalis
- Silk can be damaged if the concentration and temperature is high. A mild soap or detergent in lukewarm water is advisable
ii) Reaction to Acid
- Concentrated mineral acids will dissolve silk faster than wool
- Organic acids do not harm silk
iii) Affinity for dyes
- Silk has good absorbency and thus has good affinity for dyes
iv) Resistance to perspiration
- Perspiration weakens and yellows silk fabric
v) Reaction to bleach
- Strong bleaches contain sodium hypochlorite will deteriorate silk. Mild bleaches like sodium carbonate and hydrogen peroxide may be used with normal caution
Thermal properties
· Heat conductivity: Since silk is a protein fiber. It is a non-conductor of heat like wool. Hence it is used for winter apparel
· Effect of light: Continuous exposure to light weakens silk faster than wool.
· Silk ignite and continue burning when there is a source of flame
· After removal from flame it will scatter and eventually extinguish itself
· Gives a crisp brittle ash and gives off oduor like that of burning hair/feather
Biological properties
· Resistance to mildew: silk will not be affected by mildew unless left for some time in damp state
· Resistance to insects: silk may be attacked by the larvae, clothe moth or carpet beetles
SILK FABRICS
a. Chiffon-This is a shear fabric which drapes beautifully and it’s warm and light in weight
b. Foulard –it’s a twill woven fabric used for scarves and dresses
c. Net –used for bridal wear as it drapes well
d. Poult –This is rather a stiff silk fabric
e. Velvet –Has a beautiful sheen and always very light.
a. FINISHES APPLIED TO SILK
Finishing processes that enhance the appearance of fabrics and add their serviceability are given to silk fabrics. They include:
i. Singeing – used to add smoothness to the fabric
ii. Bleaching – very little is required when silk is completely degummed
iii. Steaming – used to form pile weaves
iv. Pressing – Removing wrinkles from finished fabric by passing it through rollers
CHARACTERISTICS OF SILK FABRIC
· It’s lustrous
· Silk is absorbent
· It’s expensive
· Damaged by chemical exposure
· Loses strength when wet
· Good dye ability with rich colors
· Has a good drape
Favourable Properties: Silk has rich subdued Lustre, is porous, which allows the skin to breathe, provides warmth without the weight or itch of wool. It is one of the strongest natural fiber but loses strength when wet.
Unfavourable Properties: Silk is sensitive to heat. A warm iron should be used. The fiber has poor resistance to prolonged exposure to sun light and can be attacked by moth. Curtains and draperies should be protected from direct light as silk weakens faster than cotton or wool. Silk is damaged by alkalis but resistant to acids.
USES OF SILK
1. Silk is an expensive luxury fabric e.g. evening wear, wedding dresses and other garments for special occasions.
2. Apparel e.g. shirt, blouses, jersey, stockings, underwear, ties and dresses
3. Lace and other trimmings or decorations used on garments and furnishings.
4. Silk is used primarily in apparel and home furnishing items because of its appearance and cost.
5. Silk is extremely versatile and can be used to create a variety of fabrics from sheer chiffons to heavy beautiful brocades and velvets.
6. Due to its absorbency it is appropriate for warm weather wear.
7. Because of its low conductivity it is used for cold weather wear, also in furnishing
8. Silk is often blended with other fibers to add soft luster for furnishing fabric.
9. Expensive hands made rugs are made from silk.
ASSIGNMENT Determine FIVE (5) ways of caring for silk fabrics.
WOOL
Introduction
It’s a protein fiber and most common of animal hair fibers. Its composed of a protein called Keratin which contains Sulphur as well as Carbon hydrogen and Nitrogen present in every protein. Most of the wool used for textiles comes from sheep
Other sources are alpaca goat,Rabbit and any fury animal
GROWTH AND PRODUCTION
The best type of wool is referred to as Merino wool which is soft,fine and comes from Merino sheep. Wool can be sheared from living animal or pulled from the hide that has been slaughtered for meat.
Sheard wool is called clip/fleece wool and is considered quality/superior. Slipe wool is inferior in quality to fleece wool hence lacks elasticity and lustre
Sheering is done with power sheer onces a year. Sheered wool has clean cut ends and primarily wool grading is done while they are still in pieces because it becomes important in determining the cost.After grading the pieces are shipped to the mill/factory to be processed in yarn and fabrics
Producers of wool are Australia,South Africa,United States of America and Agentina
The quality of wool fibers is determined by:
- Breed
- Climate
- Food
- General care
- Sheep health
Cold weather produces a harder and heavier fiber
Exclusive moisture dries out the natural grease
Insufficient or poor food retards growth.
WOOL PROCESSING
1) Sorting
· Its done by hand
· Wool is graded according to finest of individual fibers and also according to their length and color
2) Scouring/washing
· Wool fibers contain grease,dirt and other substances which must be washed or scoured
· Its carried out in hot soapy water to remove natural grease and sweat
3) Rinsing
· The fiber is rinsed thoroughly until all traces of soap are removed and dryed thoroughly
4) Carbonizing
· Its emersing wool in dilute sulphuric acid to enable vegetable matter such as the seeds and leaves to become dry and powdery to be crushed in later stages
5) Oiling
· Wool is unmanageable after scouring and therefore is treated with various oils including animal,vegetable and minerals or blended to keep it from becoming brittle
· This is also done to lubricate it for spinning operation.
· Wool may be spun into two types of yarns and the processes vary as follows
v Woollen processes/system
v Worsted processes/system
Wollen process/System
6) Carding
· The wool is passed via the machine rollers covered with sharp steel wires.
· The wires disentangle with sharp separate malted fibers(i.e fibers that have clinged together) and mixing them.
· The process help in removing persisting impurities e.g. dirt and short fibers are removed.
· Fibers are straightened and parallelized i.e fibers are arranged in an uniform manner to form a sliver
7) Spinning
· The mass of carded wool(sliver) is drawn out and twisted/span into wollen yarns as soft and fluffy.
· The yarn spun are soft,thick and fluffy made of short fibers and are suitable for knitting and production of bulky material
· The bulky materials undergo via a process of milling/Folling which is a pre-shrinking process for wollen materials
· The pre-shrinking process make the material stable,firm,non stretching & non-shrinking
Worsted process/system
10) Carding
· The fleece is passed through combs that strengthens and aligns the fibers
· It strengthens the wool fibers an aligns them in one direction
11) Combing
· This process involves passing wool fleeces through combs which strengthens fibers further.
· Shorter fibers are removed from the fibers and the strengthened ones are straightened to make them parallel
· Any unwanted material are removed
· Short fibers are called NOILS while the long fibers are called TOPS
12) Drawing /Drafting
· In drawing the slivers are doubled and redoubled,drafted or drawn into a roving
· The sliver is made more compact and thin
13) Roving
· After the fibers are taken to the roving process where slight twist is imparted
14) Spinning
· The Tops are span to yarn or threads by twisting
· The yarns are usually smoother,stronger,longer,lustrous and firmer
· They are used for weaving fine suitings and dress materials
· In worsted yarns,fabers are more organised and lie closely together along the direction which is more and highly twisted.
Differences between woollen and worsted yarns
|
Woollen |
Worsted |
Fiber characteristics |
Short ,Coarse,Thick,fluffy |
Long ,Smooth,Fine,lustrous |
Processing |
Carding only slight twist/slack twist |
Carding and combing highly twisted |
Yarn characteristics |
Soft ,fancy,loosely twisted thus rough,weak,thick |
Fine & Compact,smooth surface,strong,lustrous |
Uses |
Tweed weaving Knitting |
Waeving fine suitings Dress materials. |
CLASSIFICATION OF WOOL
1) Type of wool
i. Merino wool
Merino sheep produce the best quality wool which is originated from Spain. The fiber grow from 5cm – 10cm long, are fine, soft and full of crimp therefore they make warm fabrics (shorter and finer the fiber, the better the quality)
They are not very strong compared to the other types of wool fibers. They are used for making top quality fabrics where softness and warmness are valued.
iii. Crossbred wool
This is got from British breeds that are crossbred with Merino sheep. They are reared for both meat and wool production. This fibers range from 8cm – 20cm long but thicker than that of Merino sheep. The fiber is not as soft and crimp as merino but are stronger, more resilient and more lustrous, they are ideal for making apparel.
2) Type of woolen yarn
i. Worsted wool
· Made from long fibers which run parallel to each other
· They are highly twisted to give them added strength
· They produce firm, smooth and strong yarns which are lustrous
ii. Woolen
· They are made of short fibers
· They are softer, fluffier, warm and less twisted than worsted wool
3) Classification by fleece
i. Lamb’s wool: The first fleece sheared from lamb about six to eight months old. This is fine in quality and soft texture.
ii. Hogget wool: Wool obtained from sheep of 12 to 14 months old that has not been previously shorn.
iii. Pulled wool: Pulling woolen from slaughtered sheep for the meat to be eaten
iv. Cottee wool: Very poor grade of wool.
v. Weather wool: Any fleece clipped after the first shearing is called wether wool.
WOOL IDENTIFICATION
1) Microscopic structure
a) Longitudinal view-Under microscopic view wool has a rough and fluffy surface with cross markings due to the overlapping scales.
b) Cross-sectional view-Wool is oval to circular shape with variation in diameter
Longitudinal structure of wool Cross-sectional structure of wool
The cross-section of wool shows 3 layers called the epidermis/cuticle which is composed of scales
The major is the cortex which is composed of cortex cells and in the middle is the medulla.
Physical structure of wool
Four distinct regions of wool
The Outer Sheath or Epicuticle: This is the outer most layers, and is a thin, water-repellent membrane. It is the only non-protein part of the fiber, and it protects the fiber like a covering of wax. The membrane repels water, and in this sense acts as a water proof coating on the fiber. Wool fabrics will repel the water that falls on them during a short rain shower.
The scale cell layer: beneath the epicuticle there is a layer of flat, scale-like cells, which overlap like the shingles on a roof or fish scales. The free ends of the scales point towards the tip of the fiber.
Cuticle
· It’s the outermost layer of wool fiber
· Has a membrane over scale cells
· It plays an important part in wool shrinkage
· There is also a thin watery repellant membrane which gives protection and repels water
· However, they are mainly small and microscopic pores in that epi-cuticle through which water vapor may pass in wool
Cortex
· It makes up the bulk of the wool fibers
· It forms the main body of the wool fiber
· It consists of millions of long spindle shaped cells held together by a strong binding material
· It’s the basic arrangement on the material composing the cortex give strength and elasticity
· It consists of intermediate cells that hold color pigment.
Medulla
· It is the inner most layer of wool
· It consist of large spiral shape air fitted cells
· Wool fibers have characteristics of elasticity to wool
· Fibers to hold together when twisted into yarns
· This waviness gives characteristics of elasticity to wool
· Fibers which can be stretched out and then relax to crimp form like spring
2) Burning Test
· Wool burns with an irregular flicker, extinguishing itself quickly when the flame is removed, it smells of burning feathers and leaves a black crushable ball.
· The odor given off may be compared to the smell of burning hair/feather
3) Chemical test
It dissolves in boiling sodium hydroxide (NaOH) solution and hardened by water.
Physical properties
1. Luster-wool has medium luster
2. Color –it varies from off white, brown to green depending on the breed of the sheep
3. Tenacity –wool is weak however if yarns and fabrics of optimum weight and time is produced the end product wears well and retains shape
4. Elastic recovery and elongation-wool has excellent elasticity and extensibility as it may extend more than 70% when wet however recovery is superior
5. Resiliency –It’s exceptionally good and it readily springs back to shape after crushing and rinsing
6. Moisture regains-The ability to absorb makes it comfortable in humid and cold atmosphere.
7. Length –wool fibers range from 2.5-1.5 cm long for staple fibers then 15-30 cm for long fibers
Chemical properties
1. Effects of acids-It’s resistant to acids however higher concentration of acids may decompose wool
2. Effects of alkalis-Wool is sensitive in alkali and it will dissolve in dilute caustic soda solution
3. Effects of oxidizing agent-It’s affected by oxidizing agent as hypo chloride bleaches which damage protein fiber
4. Organic solvents-Most of organic solvents used in cleaning and stain removal are safe and don’t damage wool fibers.
5. Effects of sunlight-Ultra-violet rays of the sun cause fiber degradation and if exposure is prolonged it causes discoloration on the fibers
6. Static charges-wool builds up static charges within wool yarns and fabrics.
Biological properties
· They are damaged by moths unless they are given moth-proof finish
· They are resistant to bacteria
· It’s affected by mild
Wool fabrics
· Gabardine-worsted closely twill woven fabrics used for coats, suits and rain coats
· Knitted jersey-Used for dresses and suits
· Tweed –used for jackets and coats
· Tartan – A checked, twill-weave, medium-weight woolen fabric that comes in a wide variety of color schemes
· Flannel – Medium-weight, strong wool fabric with a plain or twill weave. It has a napped finish on one or both sides so is soft and cozy to the touch. Often used for suits, jackets, skirts and trousers.
· Cashmere – a very soft, fine fabric that’s comfortable and warm to wear. It’s made from the fleece of the Kashmir goat, and is often used for scarves
Treatments given to wool fabrics
a) Perching –Examining cloth for defects while it is run over two rollers
b) Burling –Removing loose threads and knots
c) Mending –Darning flaws and defects if there are any
d) Shearing –Cutting and shaving for a uniform surface
e) Singeing and steaming-Used for hard finish of worsted fabrics
Characteristics of wool products
Disadvantages
a. Stretches out of proportion when wet
b. Picks dirt fast
c. It’s fed on by moths and carpet beetles
d. It’s weakened by strong exposure to sunlight
e. Harmed by strong alkalis, such as strong detergents and hence it is best to dry clean or wash with mild soaps with a very gentle action, otherwise shrinkage or loss of shape may occur.
f. It shrinks badly
Advantages
a. Wool fiber is warm
b. It is absorbent thus absorbs moisture
c. It’s resistant to bacteria
d. It drapes well due to its liability
e. It’s resistant to acids
f. It’s durable due to their elastic strength
g. Wool fiber burns slowly with spluttering and once removed from flame it is self-extinguishing.
Uses of wool
· Used for making all types of apparel e.g. dresses, coats, jersey, knitted fabrics, boots and shoes.
· Blankets
· Upholstery e.g. Carpets, seat covers.
NOTE: Due to high demand and insufficient supply of new wool. Wool is usually recycled or reused. This is done by undoing garments made of wool. Shoddy wool is got from loosely woven or knitted fabrics that don’t suffer much damage when being undone. Mungo wool is got from heavily milled, felted or closely woven clothing. More damage is usually caused by reprocessing, therefore, reprocessed wool is poorer quality but is normally blended with new wool for making cheaper fabrics.
Care for wool fabrics
· It can be dry cleaned and pressed easily but laundering is difficult unless the fabrics have been treated to be washable but care must be taken
· It requires warm water and hot water and the temperatures should remain constant throughout washing
· Agitation should be minimal to reduce the effect of felting
· If bleaching is necessary use hydrogen peroxides.
ASSIGNMENT: learners to research and write notes on JUTE as a natural fiber (30 marks)
ASBESTOS (A MINERAL FIBER)
Origin
Asbestos is a naturally occurring rock, made from several different minerals. The unique feature is the fact that rocks are formed when the minerals crystallize in the form of fibers, instead of in the normal way. Much of the asbestos today is obtained from Canadian rocks which are crashed in order to extract the fibrous crystals.
It is a minor fiber. This means it is produced in small quantities. It is produced from mineral rocks found in Canada, Italy and South Africa.
PROCESSING OF ASBESTOS
ü Once the rock is mined, it is crushed and screened so as to separate the asbestos from rest of the rock.
ü The fibers extracted during the screening are cleaned and graded by length.
ü The purified asbestos fiber is carded and collected as a narrow ribbon or roving. These roving can be spun into yarns on convectional machinery.
ü The fibers may be blended with 5% to 20% of cotton or rayon.
Properties of asbestos
i. It is quite fine and lustrous, and maybe either soft or stiff
ii. It has a high tensile strength and excellent dimensional stability; that is it does not shrink or stretch.
iii. It accepts dye readily, but has poor color fastness and poor absorbency.
iv. It has excellent fire resistance as it does not burn even in the fiercest flame.
v. It is also resistance to chemicals and sunlight.
vi. Highly resistant to acids and alkalis.
USES OF ASBESTOS
i. Its ability to resist burning therefore Used for firefighting clothes and equipment i.e. fire proof protective clothing.
ii. Theatre curtains
iii. Conveyor belts for hot materials
iv. Electric insulation
Note: the asbestos yarn has little strength
4.1. more info on processing of natural fibers
Man-made fibers can be modified at any stage during the production process (with additives such as pigments) or immediately afterwards (by drawing, crimping or the application of finishes) to suit the end product. The fibers can be created to match the requirements of the textile. Once engineered to fit a given application, fiber characteristics are identical from batch to batch. Alternatively if a desired result cannot be achieved by modifying one type of man-made fiber, different types can be modified to give the required performance.
GENERAL PRINCIPLES
All man-made fibers are produced from polymers. These substances are solids at normal temperatures. The polymers which are the starting products for man-made fibers may well be in form of chips, small particles of perhaps one to two millimetres in diameter and two to three millimetres in length.
In order to make filaments from these polymers, their physical shape must be altered, and the polymer chips must be converted to a liquid form. This is necessary as the polymer needs to be forced or extruded through fine holes to form filaments.
The process of producing a man-made fiber is often termed ‘spinning’. This leads to confusion with the purely mechanical process of assembling staple fibers into a yarn, which is called ‘spinning’. The process of producing a man-made fiber will therefore be described as ‘extrusion’.
There are three methods of extruding fibers: Melt extrusion, Solvent-dry extrusion and Wet extrusion. The method used for each fiber depends upon the ease of conversion of the polymer from solid to liquid state.
· If the polymer can be converted to a liquid form easily just by heating, then melt extrusion can be used.
· If polymer is chemically damaged by heating but can be dissolved in a suitable solvent which will later evaporate, then dry extrusion is used.
· If polymer cannot be heated or dissolved in an evaporative solvent, wet extrusion must be used.
The molecules in the extruded filaments are likely to be randomly orientated within the fiber. For the fiber to have good tenacity and a reasonable low extension at break, the molecules need to be lined up along the fiber axis. In order to do this, a further process known as stretching or drawing is needed. This increases the tenacity and decreases the extension-at-break.
The production of manmade fibers usually includes the following processes:
i. Preparation of polymer (polymerization, chemical modification, etc.)
ii. Preparation of the spinning fluid (polymer melt or solution)
iii. Spinning (extrusion, solidification, and deformation of the spinning line or filament)
iv. Drawing (due to a higher linear speed at the take-up roll relative to that at the die; drawing is used to increase the degree of molecular orientation and improve the tensile strength, modulus of elasticity and elongation of the fibers)
v. Heat treatment
vi. Textile processing (twisting, oiling, dyeing, etc.).
Three processes for man-made fiber production
1. Melt extrusion
This is the simplest fiber production processes. It is used for the production of Polyester, Polyamides, Propylene and Polymers such as nylon, polyethylene, polyvinyl chloride, cellulose triacetate
The polymer is melted and extruded through the fine holes of a spinneret (metal plate with small holes drilled through it). The number of holes in the spinneret determines the size of the yarn, as the emerging fibers are brought together to form a single strand. The molten polymer passes through the holes in the spinneret plate and emerges into a steam of cool air which causes it to solidify. The solidified bundle of filaments is passed around a rotating roller and then forwarded to a collecting device.
The melt extrusion process can therefore be split into three stages heating, extrusion and cooling.
Drawing
The fibers is not yet suitable for use because the polymer molecules are not highly oriented along the fiber axis. To orient them, the fiber is drawn forming areas of crystalline order. In this process the fiber is in a plastic rather than a molten state.
2. Solvent-dry extrusion
If a polymer will not meet the conditions for melt extrusion, an alternative method of converting the solid polymer to a liquid state must be used. If it is possible to use a volatile solvent, that is a solvent which is highly reactive, then the polymer can be extruded into warm air to evaporate the solvent away. This is known as solvent-dry extrusion and is the least used for major fiber production techniques.
The polymer solution is extruded through a spinneret into heated gas so that the solvent is rapidly evaporated from the filaments. The filaments drop through the hot gas steam for five to six metres to a rotating roller and are then fed to the wind-up device.
Cellulose acetate, cellulose triacetate, acrylic, modacrylic, aromatic nylon, and polyvinyl chloride are made by dry spinning.
After treatments
Filaments must be washed to remove any remaining solvent from the extrusion stage. Drawing can also be carried out at this stage, in either air or liquid.
3. Wet extrusion
1. If the polymer does not melt without decomposition and will not dissolve in a volatile solvent, it must be dissolved in a non-volatile solvent to change it from solid to liquid state. There are two steps in wet extrusion: physical process and chemical regeneration. In this the polymer solution (i.e., polymer dissolved in a solvent as in dry spinning) is spun into a coagulating solution to precipitate the polymer (solidify them). This process has been used with acrylic, modacrylic, aromatic nylon, and polyvinyl chloride fibers.
AFTER TREATMENTS
As for solvent-dry spinning, the filaments of viscose must be washed to rid them of any chemicals from the coagulating bath. The filaments are dried then suitable spin finishes are applied.
SYNTHETIC FIBERS
Introduction
They are made up of substances which do not normally form fibers but are synthesized. To synthesize is to build new molecular structures by adding small molecules to give a large, long molecule. This process is known as polymerization. And the large molecule formed is known as polymer.
Made fibers from synthetic polymers are created using polymerization of various chemical inputs to create polymers. Polymerization is the process of combining many small molecules into a large molecule – a polymer. Polymers are simply large molecules composed of repeating structural units. Polymers used for synthetic fibers are produced from intermediates (which in turn have been produced from crude oil) and applying a catalyst. Polymers are the building blocks of synthetic fibers
NYLON (A POLYAMIDE)
ü Is the oldest synthetic fiber, It belongs to the polyamide group polyamides are formed with a recurrent amide group (-CO-NH-) as part of the polymer chain. There are different types of nylons distinguished by the chemical structure of the individual polymer.
ü The original form of nylon is known as 6.6 because it has six carbon atoms.
o Examples of nylon fabrics:
· Brocade
· Damask
· Gabardine
· Lace net
· Satin
· Knitted fabrics (jersey)
It is produced in USA and UK in both filament and staple form
PRODUCTION OF NYLON
It is produced in the following ways:
1. POLYMERIZATION
ü The raw materials are heated , causing the short chain molecules to combine to make long molecules until fibers are formed
ü These fibers are cooled whereby they solidify into a hard ribbon like from.
ü They are then cut into chips ready for spinning.
2. SPINNING
ü The polymer chips are heated to a molten mass.
ü They are passed through tiny holes in a spinneret, cooled and solidified into filament form.
ü They are then twisted together to form a yarn.
3. DRAWING
ü The yarn is stretched or drawn so as to reduce the thickness and lengthen the filaments. This increases the strength and changes the appearance of the fiber from dull and opaque to shiny and clear.
ü If staple fibers are needed the filament fibers are cut and a crimp is added.
Properties of nylon
1. Has a cool, clammy feel when in filament form, however this feel can be altered by creating filaments which are three-sided. In nature to give a smoother and softer fabric.
2. It is lustrous, transparent and has high tensile strength.
3. It is very strong and durable, both wet and when dry.
4. It has high resistance to abrasion and is very elastic, meaning it easily comes back to its original form after any stretching, pull or bending. For this reason it needs little or no ironing.
5. It is also mildews, moth and flame resistance and has low resistance to sunlight.
6. It has good resistance to alkalis but is disintegrated by strong acids.
7. It has very low absorbency i.e. hydrophobic for this reason it dries quickly however, it also makes it build up electrostatic electricity making it very uncomfortable to wear as it clings on the body.
8. It is thermoplastic, this means it is sensitive to heat. This quality is exploited to permanently set pleats in garments.
9. It is easy to wash and doesn’t burn readily, it is one of the safest textile fibers.
10. It is very versatile, it’s produced into various types of yarns from very sheer to very stout.
11. It blend well with cotton, wool, rayon and silk giving them added strength.
12. It also dyes well and has good color fastness however, this quality makes it pick up color or grease from other garments when laundering
NOTE: A distinct disadvantage of nylon made from spun yarns is that it pills badly. Pilling is the formation of a small balls of fiber on the fabric on the fabric due to friction.
Spun yarns are the staple fibers that are cut from the filament fibers in order to produce short fibers.
Advantages of nylon
a. Lightweight
b. Strong and durable
c. Abrasion resistance
d. Easy to wash and dries easily
e. Resist shrinkage and wrinkles
f. Insulating properties
Limitations of nylon
a. Builds up electrostatic electricity making it very uncomfortable to wear as t clings on the body
b. Poor resistance to sunlight
c. Picks up oils and dyes in wash
d. Thermoplastic i.e. sensitive to heat
Identification test for nylon
1. BURNING TES
· Nylon draws away from the flame before igniting.
· It drips and melts in flame producing white smoke.
· It forms a hard bead and smells of fresh celery, chemical or acid.
· It is self-extinguishing.
2. CHEMICAL TEST
It is soluble in formic acid and carbolic acid (90% phenol).
3. MICROSCOPIC TEST
The longitudinal view shows long, smooth filaments
Cross-sectional view shows circular, spotted structures.
Fiber structure may be varied to give different fiber properties e.g. a triobal filament maybe created to produce fabric with more glitter.
USES OF NYLON
1. Used in general apparel, which is sportswear, stockings, foundation garments, overalls, rainwear, lingerie, blouses, skirts and shirts.
2. Used for trimmings such as ribbons and lace.
3. Used in making furnishing such as carpets, bed-sheets, curtains and upholstery.
4. It is also quite useful for industrial uses in making industrial making tires, ropes, tarpaulins and conveyor belts.
5. Widely used in hosiery and household furnishings.
6. Mainly used for outer wear and swim wear fabrics, ski pants and active sportswear.
7. Used for lining material in coats, jackets because of excellent durability however it is expensive
TERYLENE (A POLYESTER)
Terylene is one of the polyesters in the market today. Polyesters are derived from petroleum by products namely; ethylene, glycol and terephalic acid.
Polyester fiber are produced in filament, staple and low lengths.
Other types of polyesters are: Dacron, kodel and vycron.
PRODUCTION OF TERYLENE
Its production is similar to that of Nylon.
Properties of Terylene
1. Shrink resistance and extremely strong, It is popular for apparel fabrics
2. It is cool to wear and quite resilient.
3. It is also crease resistance therefore it needs little or no ironing and is good for travelling.
4. It has a high abrasion resistance.
ACRYLIC (A POLYACRILONITRILE)
Acrylic is produced from acrylonitrile; which is got from either petroleum or natural gas.
True acrylics have over 85% of acrylonitrile while mod acrylics have between 35% - 85%
PRODUCTION OF ACRYLIC
Are production in a similar manner to other synthetics?
Orlon is dry spun and produced in both filament and staple forms, whereas acrilan and courtelle are wet spun and produced in staple form only.
Properties of acrylic
i. Lustrous and has a warm, soft handle
ii. Does not irritate the skin
iii. Light weight, strong and durable
iv. Crease, shrink and stretch resistant.
v. Moth and mildew resistant
vi. It is Thermoplastic
vii. Damaged by alkalis but resist acids.
viii. It is not damaged by sunlight or abrasion
ix. Has low moisture absorbency, therefore Dries quickly
x. It builds up electricity and may even produce sparks for this reason it is used in an operating room as it can ignite ether a gas that is used to make patients sleep so that they do not feel pain during operation.
Identification test
1. Burning test
· Melts in flame, rolls, twists and forms droplets of hot, molten plastic.
· May or may not continue to burn after the flame is removed.
· Produces an acid or chemical oduor
· Forms a hard, thick, black beaded edge.
2. Chemical test
Dissolves in 80% sulphuric acid.
3. Microscopic test
Longitudinal view – shows a fiber which looks look like fine glass rods
Cross-sectional view – shows circular structures
Uses of acrylics
1. Used in making of general apparel such as coats, suits, dresses, blouses and underwear.
2. Used to make carpets, blankets and bed spreads, lining fabrics and limited fabrics
MODACRYLICS
They are modified acrylics. They contain between 35-85% acrylonitrile. Their characteristics are similar to those of acrylics but they are fire resistant, self-extinguishing, do not drip and are easier to dye.
Examples of mod acrylics include Dynel, teklan and kanekalon.
Uses of mod acrylics
Because of their fire resistant characteristic, mod acrylics are widely used for making children’s nightwear, racing drivers, overalls, fireside rugs, electrical insulations, furnishings, public buildings, wigs and hair pieces.
POLYOLEFIN FIBERS
These are fibers that are made from 85% ethylene or propane gas. They are produced by melt spinning and are used for household and industrial purpose due to their low moisture absorbency.
Examples of polyolefin are polypropylene and polythene
Properties of polythene
1. Polyolefin are rot proof
2. Color fast in sunlight
3. Light weight
4. Very strong
5. Relatively cheap
6. Have low moisture absorbency
7. They are not affected by either alkalis or acids but are affected by sunlight.
Uses of polyolefin
· Used for making deck chair covers, ropes, packing papers, fishing nets, filter cloths and carpet backing.
ACTIVITY: why do you think polythene is not popular for making apparel fabrics?
Let us now learn about some fibers that are used minimally in the textile industry, they have much lower production rate but are important all the same. They are referred to as minor fibers.
MINOR FIBERS
SPANDEX (AN ELASTOMERIC FIBER)
Elastomeric fibers are got from polyurethane which is derived from petroleum by products. They have a high elasticity power of between 450%-700% and have complete and instant recovery.
They are often blended with other fibers so as to give them the preferred texture and appearance e.g. spandex, Lycra (UK & USA) and spanzelle (USA).
Properties of spandex
1. Spandex fibers can stretch up to 500%-800% of their length before breaking.
2. They high recovery rate once released therefore, they are used for sportswear such as swim suits.
3. Superior dye ability with brilliant colors.
4. Very good resilience and highly flexibility; Very good abrasion resistance. Good dimensional stability in wet condition; however some types shrink with the exposure to the high temperature.
5. They resist perspiration, this makes them ideal for sportswear and underwear
6. Good resistance to household bleaches and most acids but are damaged by hot alkalis as it causes rapid deterioration. It is resistant to dry cleaning solvents;
7. They dry quickly, easy to launder and blend well with nylon and Terylene.
Spandex in Consumer Use
i. Lycra in swimwear, innerwear and active sportswear means providing fitting clothes with comfort and freedom of movement.
ii. It also improves the quality of Knitted / Woven fabrics as it prevents bagging and accelerates wrinkle recovery.
iii. Lycra in swimwear, innerwear and active sportswear means providing fitting clothes with comfort and freedom of movement.
iv. Make home furnishings such as bed sheets, curtains and seat covers.
v. It also improves the quality of Knitted / Woven fabrics as it prevents bagging and accelerates wrinkle recovery.
POLYVINYL CHLORIDE FIBERS (P.V.C)
These fibers are not used for clothing purposes because they are very sensitive to heat and therefore, cannot be ironed. However, they may be used to bond some needle constructed fabrics.
Properties of P.V.Cs
1. P.V.C are moth, mildew, and chemical and flame resistant but sensitive to heat.
2. They are non-absorbent
Uses of P.V.Cs
a. Are used for industrial purposes such as protective clothing, tarpaulins (lorry covers) and filter cloths
b. They are used for home furnishing such as seat covers, desk chairs and carpets.
MAN-MADE OR REGENERATED FIBERS
We have looked at fibers that occur in either animals or plants as well as fibers that are processed from chemicals that is synthetic fibers. Although synthetic fibers are man-made the “the man-made” refers to all fibers that are processed from both natural raw materials and chemicals. They are produced by the chemical treatment of certain raw material, the main raw materials are wood pulp, cotton linters, petroleum extracts and by products of coal. Other fibers are made from proteins like milk, soya beans as well from maize meal and a natural rubber base.
They can be divided into two main groups namely viscose rayons and acetate or triacetate rayons
VISCOSE RAYONS
It’s the first man-made fiber formally called artificial silk. It was developed by scientists who tried to copy the silk worm by producing a liquid secretion which can solidify into filament. It is mainly produced from cellulose of spruce and eucalyptus trees as well as cotton linters, petroleum extracts and by products of coal e.g. are crepe, damask, flannel, gabardine, jersey, satin, taffeta and velvet
Processing of viscose rayon
It’s processed in the following steps
i. Source
The eucalyptus and spruce trees are felled and the bark is removed. This is done in pulp mills, the cellulose is extracted, pressed and cut into sheets.
ii. Steeping
The cellulose is steeped into caustic soda, which converts it into alkali cellulose which is then shredded into crumbs and left to oxidize.
iii. Xanthation
The alkali cellulose is treated with carbon disulphide to give sodium cellulose xanthate
iv. Dissolving
The sodium cellulose xanthate is dissolved in caustic soda (NaOH) to form the spinning solution known as viscose which is left to ripen or to ferment.
v. Filtration
Any undissolved particles are removed by filtration
vi. Wet spinning and extrusion
The viscose is forced through fine holes in a jet (a spinner) into a coagulating bath of sulphuric acid and salts. This process produces the original cellulose in filament form.
If fine staple fibers are required the filaments from several jets are drawn together and the low is cut into fibers of desired length.
vii. Washing
The yarns are washed to remove all traces of chemicals then they are dried
viii. Twisting and winding
The yarns are given a twist and wound on to bobbins
Spruce |
Logs |
Shredded |
Cooked with |
Caustic soda |
Made into sheets of wood-pulp |
( |
Alkali cellulose |
) |
The sheets are shredded |
And mixed with carbon |
Disulphide |
The mix is tipped into a |
Caustic soda bath, |
Forming viscose |
Spinneret |
Acid-bath |
Fibers or filaments |
Spool of |
Rayon yarn |
Properties of viscos rayon
i. Rayon is smooth, absorbent and cool to wear as it is a good conductor of heat for this it is quite comfortable to wear.
ii. It is fairly strong but is weaker when wet
iii. It dyes and is highly color fast when spun dyed
iv. It drapes well
v. It burns readily
vi. It is affected by static electricity
vii. Its damaged by acids and alkalis and especially by acetone for this care should be taken during laundry-work and especially when removing stains
viii. It is also damage by friction, twisting and wringing therefore, it should be washed by kneading and squeezing method and should not be tumbled dried.
ix. It may also shrink or stretch unless its specially treated
Identification test for viscose rayon
i. Burning test
Viscose rayon burns easily, flaming, smells of burning paper (like cotton) and leaves grey ash.
ii. Chemical test
It dissolves in acetone (nail vanish remover)
iii. Microscopic test
Longitudinal view shows long smooth fibers
Cross sectional view shows deep striations
Uses of viscose rayon
1. It’s quite versatile and therefore it may be used for all wearing apparel and industrial clothing
2. Household furnishing such as table linen, curtains, carpets, blankets and bedspreads
ACETATE RAYON
It is produced from cotton linters and wood pulp treated with acetic acid. It is the nearest substitute to silk e.g. are satin, taffeta, brocade and knitted fabrics used for making lingerie.
Processing of acetate rayon
i. Source
Cellulose is got from wood pulp and cotton linters, it is treated with acetic acid to make the polymer more active.
ii. Acetylation
More acetic acid is used to replace the hydrogen atoms of the hydroxyl group by the acetyl group to form cellulose acetate, some of the acetyl groups are removed.
iii. Ripening
The cellulose acetate solution is allowed to ripen until acetylation is complete
iv. Precipitation
The cellulose acetate is precipitated by adding water
v. Drying
It is washed, dried and made into white flakes
vi. Spinning
The spinning solution is made by dissolving the flakes in acetone with the addition of a little water.
vii. Filtration
The solution is filtered and pumped through a spinneret, the filaments are solidified by a current of warm air this is known as dry spinning.
Filament and staple yarns can both be produced this way
NB: Acetate can be spun dyed whereby the dye stuffs are added to the acetate solution before it is spun. This ensures the color is inside the fiber thus giving greater color.
Properties of acetate rayon
i. It has an attractive rich appearance
ii. It has very good draping quality
iii. It is absorbent, soft and smooth, it dyes well and blends well with other fibers
iv. Resistant to moth and mildew
v. Thermoplastic heat set pleats are permanent
vi. Shrink and crease resistant
vii. It is slightly weaker when wet
viii. Builds up static electricity when ironing
ix. It also fades color due to sunlight exposure
x. Weakened by long exposure to acids, alkalis and sunlight
xi. Dissolves in acetone
Identification test for acetate rayon
i. Burning test
It melts, rolls and twist to form a thick, black beaded edge. It has low melting point and produces a chemical acidic odour.
ii. Chemical test
It dissolves in acetone
iii. Microscopic test
Longitudinal view shows long smooth fibers like striated rods while the cross-sectional view shows bulb like structures.
Uses of Acetate Rayon
i. Quite versatile and attractive for this they are used for all wearing apparel including lingerie (underwear) and children wear
ii. Furnishing and draperies
iii. Hand knitting yarns as well as cigarette filter tips.
TRIACETATE RAYON
It’s made from wood pulp and oil treated with acetic acid and acetic anhydride. It’s a similar composition to that of acetate rayon but triacetate rayon has not less than 92% acetated hydroxyl group ions e.g. are tricel and arnel.
Processing of Triacetate Rayon
It’s similar to that of Acetate Rayon only the flacking is done the flakes are dissolved in methylene chloride plus alcohol.
The yarn is dry spun but it must be given an anti-static treatment before it is wound on to a package. It is produced in both filament and staple yarns.
Properties of Triacetate Rayon
i. Burning test – the edge melts, rolls, twists and forms droplets of molten plastic. It may or may not continue burning once flame is removed.
It produces a chemical or acidic odour and forms a hard black mass.
ii. Chemical test – it gets swollen by acetone
It dissolves in methylene chloride.
Uses of Triacetate Rayon fabrics
a. Used to make general apparel such as blouses, dresses, scarves, suits, ties, slacks and lingerie
b. Make rainwear
c. Make ribbons and interlining for quilts
METALIC FIBERS
They are made from metal, metal coated with strong polyester, clear plastic or cellulose acetate, a core completely covered by metal. They are produced by slitting very thin sheets of the metal into narrow ribbons since they are quite weak and soft they are used as a wrapping around a strong fiber.
The color is put in the adhesives, which stick the plastic to the metal. Different colored yarns of aluminium are often used because gold and silver tend to discolor. Polyester may be used as a coating for Aluminium fiber.
Metallic fibers are used to add richness, luxury or glitter to fabrics. Latex is an example of a metallic fiber.
Larex metallic fiber
Latex
Properties of Metallic fibers
1. Metallic fibers are quite expensive
2. Weak and soft
3. Quite durable, light and smooth
4. Washable and dry cleanable
5. They crease easily
6. Fairly good elasticity and elongation
Uses of metallic fibers
1. Metallic fibers are used for making apparel
2. Making furnishing fabrics such as those used in car upholstery, theater curtains, spectacle frames as well as radio and television sets.
GLASS FIBERS
This is ordinary glass made into yarns, glass is made up of silica (sand) and limestone. The fibers lack elasticity and flexibility necessary for general clothing, therefore they are used for industrial and household purposes only
Properties of Glass fibers
i. Glass fibers are strong but non absorbent
ii. They do not stretch but are easy to wash
iii. They are flame and wrinkle resistant
iv. They withstand sunlight
v. They resist mildew and cold acids but they are damaged by alkalis.
vi. They break easily
vii. They produce sharp ends on the fabric for this reason they are unsuitable for clothing.
Uses of Glass fibers
i. Glass fibers are useful because of their fire resistant ability hence used to make curtains, firefighting clothes, insulating electrical equipment, fire screen spectacles as well as in fabrics for making restaurant table cloths
ii. In industries plastics are reinforced with glass to make fabrics that are stronger than steel
Reinforced plastic
4.2. processing of sisal
5. MAN-MADE FIBERS
MAN MADE FIBER PRODUCTION
Man-made fibers can be modified at any stage during the production process (with additives such as pigments) or immediately afterwards (by drawing, crimping or the application of finishes) to suit the end product. The fibers can be created to match the requirements of the textile. Once engineered to fit a given application, fiber characteristics are identical from batch to batch. Alternatively if a desired result cannot be achieved by modifying one type of man-made fiber, different types can be modified to give the required performance.
GENERAL PRINCIPLES
All man-made fibers are produced from polymers. These substances are solids at normal temperatures. The polymers which are the starting products for man-made fibers may well be in form of chips, small particles of perhaps one to two millimetres in diameter and two to three millimetres in length.
In order to make filaments from these polymers, their physical shape must be altered, and the polymer chips must be converted to a liquid form. This is necessary as the polymer needs to be forced or extruded through fine holes to form filaments.
The process of producing a man-made fiber is often termed ‘spinning’. This leads to confusion with the purely mechanical process of assembling staple fibers into a yarn, which is called ‘spinning’. The process of producing a man-made fiber will therefore be described as ‘extrusion’.
There are three methods of extruding fibers: Melt extrusion, Solvent-dry extrusion and Wet extrusion. The method used for each fiber depends upon the ease of conversion of the polymer from solid to liquid state.
· If the polymer can be converted to a liquid form easily just by heating, then melt extrusion can be used.
· If polymer is chemically damaged by heating but can be dissolved in a suitable solvent which will later evaporate, then dry extrusion is used.
· If polymer cannot be heated or dissolved in an evaporative solvent, wet extrusion must be used.
The molecules in the extruded filaments are likely to be randomly orientated within the fiber. For the fiber to have good tenacity and a reasonable low extension at break, the molecules need to be lined up along the fiber axis. In order to do this, a further process known as stretching or drawing is needed. This increases the tenacity and decreases the extension-at-break.
The production of manmade fibers usually includes the following processes:
i. Preparation of polymer (polymerization, chemical modification, etc.)
ii. Preparation of the spinning fluid (polymer melt or solution)
iii. Spinning (extrusion, solidification, and deformation of the spinning line or filament)
iv. Drawing (due to a higher linear speed at the take-up roll relative to that at the die; drawing is used to increase the degree of molecular orientation and improve the tensile strength, modulus of elasticity and elongation of the fibers)
v. Heat treatment
vi. Textile processing (twisting, oiling, dyeing, etc.).
Three processes for man-made fiber production
1. Melt extrusion
This is the simplest fiber production processes. It is used for the production of Polyester, Polyamides, Propylene and Polymers such as nylon, polyethylene, polyvinyl chloride, cellulose triacetate
The polymer is melted and extruded through the fine holes of a spinneret (metal plate with small holes drilled through it). The number of holes in the spinneret determines the size of the yarn, as the emerging fibers are brought together to form a single strand. The molten polymer passes through the holes in the spinneret plate and emerges into a steam of cool air which causes it to solidify. The solidified bundle of filaments is passed around a rotating roller and then forwarded to a collecting device.
The melt extrusion process can therefore be split into three stages heating, extrusion and cooling.
Drawing
The fibers is not yet suitable for use because the polymer molecules are not highly oriented along the fiber axis. To orient them, the fiber is drawn forming areas of crystalline order. In this process the fiber is in a plastic rather than a molten state.
2. Solvent-dry extrusion
If a polymer will not meet the conditions for melt extrusion, an alternative method of converting the solid polymer to a liquid state must be used. If it is possible to use a volatile solvent, that is a solvent which is highly reactive, then the polymer can be extruded into warm air to evaporate the solvent away. This is known as solvent-dry extrusion and is the least used for major fiber production techniques.
The polymer solution is extruded through a spinneret into heated gas so that the solvent is rapidly evaporated from the filaments. The filaments drop through the hot gas steam for five to six metres to a rotating roller and are then fed to the wind-up device.
Cellulose acetate, cellulose triacetate, acrylic, modacrylic, aromatic nylon, and polyvinyl chloride are made by dry spinning.
After treatments
Filaments must be washed to remove any remaining solvent from the extrusion stage. Drawing can also be carried out at this stage, in either air or liquid.
3. Wet extrusion
1. If the polymer does not melt without decomposition and will not dissolve in a volatile solvent, it must be dissolved in a non-volatile solvent to change it from solid to liquid state. There are two steps in wet extrusion: physical process and chemical regeneration. In this the polymer solution (i.e., polymer dissolved in a solvent as in dry spinning) is spun into a coagulating solution to precipitate the polymer (solidify them). This process has been used with acrylic, modacrylic, aromatic nylon, and polyvinyl chloride fibers.
AFTER TREATMENTS
As for solvent-dry spinning, the filaments of viscose must be washed to rid them of any chemicals from the coagulating bath. The filaments are dried then suitable spin finishes are applied.
SYNTHETIC FIBERS
Introduction
They are made up of substances which do not normally form fibers but are synthesized. To synthesize is to build new molecular structures by adding small molecules to give a large, long molecule. This process is known as polymerization. And the large molecule formed is known as polymer.
Made fibers from synthetic polymers are created using polymerization of various chemical inputs to create polymers. Polymerization is the process of combining many small molecules into a large molecule – a polymer. Polymers are simply large molecules composed of repeating structural units. Polymers used for synthetic fibers are produced from intermediates (which in turn have been produced from crude oil) and applying a catalyst. Polymers are the building blocks of synthetic fibers
NYLON (A POLYAMIDE)
ü Is the oldest synthetic fiber, It belongs to the polyamide group polyamides are formed with a recurrent amide group (-CO-NH-) as part of the polymer chain. There are different types of nylons distinguished by the chemical structure of the individual polymer.
ü The original form of nylon is known as 6.6 because it has six carbon atoms.
o Examples of nylon fabrics:
· Brocade
· Damask
· Gabardine
· Lace net
· Satin
· Knitted fabrics (jersey)
It is produced in USA and UK in both filament and staple form
PRODUCTION OF NYLON
It is produced in the following ways:
1. POLYMERIZATION
ü The raw materials are heated , causing the short chain molecules to combine to make long molecules until fibers are formed
ü These fibers are cooled whereby they solidify into a hard ribbon like from.
ü They are then cut into chips ready for spinning.
2. SPINNING
ü The polymer chips are heated to a molten mass.
ü They are passed through tiny holes in a spinneret, cooled and solidified into filament form.
ü They are then twisted together to form a yarn.
3. DRAWING
ü The yarn is stretched or drawn so as to reduce the thickness and lengthen the filaments. This increases the strength and changes the appearance of the fiber from dull and opaque to shiny and clear.
ü If staple fibers are needed the filament fibers are cut and a crimp is added.
Properties of nylon
1. Has a cool, clammy feel when in filament form, however this feel can be altered by creating filaments which are three-sided. In nature to give a smoother and softer fabric.
2. It is lustrous, transparent and has high tensile strength.
3. It is very strong and durable, both wet and when dry.
4. It has high resistance to abrasion and is very elastic, meaning it easily comes back to its original form after any stretching, pull or bending. For this reason it needs little or no ironing.
5. It is also mildews, moth and flame resistance and has low resistance to sunlight.
6. It has good resistance to alkalis but is disintegrated by strong acids.
7. It has very low absorbency i.e. hydrophobic for this reason it dries quickly however, it also makes it build up electrostatic electricity making it very uncomfortable to wear as it clings on the body.
8. It is thermoplastic, this means it is sensitive to heat. This quality is exploited to permanently set pleats in garments.
9. It is easy to wash and doesn’t burn readily, it is one of the safest textile fibers.
10. It is very versatile, it’s produced into various types of yarns from very sheer to very stout.
11. It blend well with cotton, wool, rayon and silk giving them added strength.
12. It also dyes well and has good color fastness however, this quality makes it pick up color or grease from other garments when laundering
NOTE: A distinct disadvantage of nylon made from spun yarns is that it pills badly. Pilling is the formation of a small balls of fiber on the fabric on the fabric due to friction.
Spun yarns are the staple fibers that are cut from the filament fibers in order to produce short fibers.
Advantages of nylon
a. Lightweight
b. Strong and durable
c. Abrasion resistance
d. Easy to wash and dries easily
e. Resist shrinkage and wrinkles
f. Insulating properties
Limitations of nylon
a. Builds up electrostatic electricity making it very uncomfortable to wear as t clings on the body
b. Poor resistance to sunlight
c. Picks up oils and dyes in wash
d. Thermoplastic i.e. sensitive to heat
Identification test for nylon
1. BURNING TES
· Nylon draws away from the flame before igniting.
· It drips and melts in flame producing white smoke.
· It forms a hard bead and smells of fresh celery, chemical or acid.
· It is self-extinguishing.
2. CHEMICAL TEST
It is soluble in formic acid and carbolic acid (90% phenol).
3. MICROSCOPIC TEST
The longitudinal view shows long, smooth filaments
Cross-sectional view shows circular, spotted structures.
Fiber structure may be varied to give different fiber properties e.g. a triobal filament maybe created to produce fabric with more glitter.
USES OF NYLON
1. Used in general apparel, which is sportswear, stockings, foundation garments, overalls, rainwear, lingerie, blouses, skirts and shirts.
2. Used for trimmings such as ribbons and lace.
3. Used in making furnishing such as carpets, bed-sheets, curtains and upholstery.
4. It is also quite useful for industrial uses in making industrial making tires, ropes, tarpaulins and conveyor belts.
5. Widely used in hosiery and household furnishings.
6. Mainly used for outer wear and swim wear fabrics, ski pants and active sportswear.
7. Used for lining material in coats, jackets because of excellent durability however it is expensive
TERYLENE (A POLYESTER)
Terylene is one of the polyesters in the market today. Polyesters are derived from petroleum by products namely; ethylene, glycol and terephalic acid.
Polyester fiber are produced in filament, staple and low lengths.
Other types of polyesters are: Dacron, kodel and vycron.
PRODUCTION OF TERYLENE
Its production is similar to that of Nylon.
Properties of Terylene
1. Shrink resistance and extremely strong, It is popular for apparel fabrics
2. It is cool to wear and quite resilient.
3. It is also crease resistance therefore it needs little or no ironing and is good for travelling.
4. It has a high abrasion resistance.
ACRYLIC (A POLYACRILONITRILE)
Acrylic is produced from acrylonitrile; which is got from either petroleum or natural gas.
True acrylics have over 85% of acrylonitrile while mod acrylics have between 35% - 85%
PRODUCTION OF ACRYLIC
Are production in a similar manner to other synthetics?
Orlon is dry spun and produced in both filament and staple forms, whereas acrilan and courtelle are wet spun and produced in staple form only.
Properties of acrylic
i. Lustrous and has a warm, soft handle
ii. Does not irritate the skin
iii. Light weight, strong and durable
iv. Crease, shrink and stretch resistant.
v. Moth and mildew resistant
vi. It is Thermoplastic
vii. Damaged by alkalis but resist acids.
viii. It is not damaged by sunlight or abrasion
ix. Has low moisture absorbency, therefore Dries quickly
x. It builds up electricity and may even produce sparks for this reason it is used in an operating room as it can ignite ether a gas that is used to make patients sleep so that they do not feel pain during operation.
Identification test
1. Burning test
· Melts in flame, rolls, twists and forms droplets of hot, molten plastic.
· May or may not continue to burn after the flame is removed.
· Produces an acid or chemical oduor
· Forms a hard, thick, black beaded edge.
2. Chemical test
Dissolves in 80% sulphuric acid.
3. Microscopic test
Longitudinal view – shows a fiber which looks look like fine glass rods
Cross-sectional view – shows circular structures
Uses of acrylics
1. Used in making of general apparel such as coats, suits, dresses, blouses and underwear.
2. Used to make carpets, blankets and bed spreads, lining fabrics and limited fabrics
MODACRYLICS
They are modified acrylics. They contain between 35-85% acrylonitrile. Their characteristics are similar to those of acrylics but they are fire resistant, self-extinguishing, do not drip and are easier to dye.
Examples of mod acrylics include Dynel, teklan and kanekalon.
Uses of mod acrylics
Because of their fire resistant characteristic, mod acrylics are widely used for making children’s nightwear, racing drivers, overalls, fireside rugs, electrical insulations, furnishings, public buildings, wigs and hair pieces.
POLYOLEFIN FIBERS
These are fibers that are made from 85% ethylene or propane gas. They are produced by melt spinning and are used for household and industrial purpose due to their low moisture absorbency.
Examples of polyolefin are polypropylene and polythene
Properties of polythene
1. Polyolefin are rot proof
2. Color fast in sunlight
3. Light weight
4. Very strong
5. Relatively cheap
6. Have low moisture absorbency
7. They are not affected by either alkalis or acids but are affected by sunlight.
Uses of polyolefin
· Used for making deck chair covers, ropes, packing papers, fishing nets, filter cloths and carpet backing.
ACTIVITY: why do you think polythene is not popular for making apparel fabrics?
Let us now learn about some fibers that are used minimally in the textile industry, they have much lower production rate but are important all the same. They are referred to as minor fibers.
MINOR FIBERS
SPANDEX (AN ELASTOMERIC FIBER)
Elastomeric fibers are got from polyurethane which is derived from petroleum by products. They have a high elasticity power of between 450%-700% and have complete and instant recovery.
They are often blended with other fibers so as to give them the preferred texture and appearance e.g. spandex, Lycra (UK & USA) and spanzelle (USA).
Properties of spandex
1. Spandex fibers can stretch up to 500%-800% of their length before breaking.
2. They high recovery rate once released therefore, they are used for sportswear such as swim suits.
3. Superior dye ability with brilliant colors.
4. Very good resilience and highly flexibility; Very good abrasion resistance. Good dimensional stability in wet condition; however some types shrink with the exposure to the high temperature.
5. They resist perspiration, this makes them ideal for sportswear and underwear
6. Good resistance to household bleaches and most acids but are damaged by hot alkalis as it causes rapid deterioration. It is resistant to dry cleaning solvents;
7. They dry quickly, easy to launder and blend well with nylon and Terylene.
Spandex in Consumer Use
i. Lycra in swimwear, innerwear and active sportswear means providing fitting clothes with comfort and freedom of movement.
ii. It also improves the quality of Knitted / Woven fabrics as it prevents bagging and accelerates wrinkle recovery.
iii. Lycra in swimwear, innerwear and active sportswear means providing fitting clothes with comfort and freedom of movement.
iv. Make home furnishings such as bed sheets, curtains and seat covers.
v. It also improves the quality of Knitted / Woven fabrics as it prevents bagging and accelerates wrinkle recovery.
POLYVINYL CHLORIDE FIBERS (P.V.C)
These fibers are not used for clothing purposes because they are very sensitive to heat and therefore, cannot be ironed. However, they may be used to bond some needle constructed fabrics.
Properties of P.V.Cs
1. P.V.C are moth, mildew, and chemical and flame resistant but sensitive to heat.
2. They are non-absorbent
Uses of P.V.Cs
a. Are used for industrial purposes such as protective clothing, tarpaulins (lorry covers) and filter cloths
b. They are used for home furnishing such as seat covers, desk chairs and carpets.
MAN-MADE OR REGENERATED FIBERS
We have looked at fibers that occur in either animals or plants as well as fibers that are processed from chemicals that is synthetic fibers. Although synthetic fibers are man-made the “the man-made” refers to all fibers that are processed from both natural raw materials and chemicals. They are produced by the chemical treatment of certain raw material, the main raw materials are wood pulp, cotton linters, petroleum extracts and by products of coal. Other fibers are made from proteins like milk, soya beans as well from maize meal and a natural rubber base.
They can be divided into two main groups namely viscose rayons and acetate or triacetate rayons
VISCOSE RAYONS
It’s the first man-made fiber formally called artificial silk. It was developed by scientists who tried to copy the silk worm by producing a liquid secretion which can solidify into filament. It is mainly produced from cellulose of spruce and eucalyptus trees as well as cotton linters, petroleum extracts and by products of coal e.g. are crepe, damask, flannel, gabardine, jersey, satin, taffeta and velvet
Processing of viscose rayon
It’s processed in the following steps
i. Source
The eucalyptus and spruce trees are felled and the bark is removed. This is done in pulp mills, the cellulose is extracted, pressed and cut into sheets.
ii. Steeping
The cellulose is steeped into caustic soda, which converts it into alkali cellulose which is then shredded into crumbs and left to oxidize.
iii. Xanthation
The alkali cellulose is treated with carbon disulphide to give sodium cellulose xanthate
iv. Dissolving
The sodium cellulose xanthate is dissolved in caustic soda (NaOH) to form the spinning solution known as viscose which is left to ripen or to ferment.
v. Filtration
Any undissolved particles are removed by filtration
vi. Wet spinning and extrusion
The viscose is forced through fine holes in a jet (a spinner) into a coagulating bath of sulphuric acid and salts. This process produces the original cellulose in filament form.
If fine staple fibers are required the filaments from several jets are drawn together and the low is cut into fibers of desired length.
vii. Washing
The yarns are washed to remove all traces of chemicals then they are dried
viii. Twisting and winding
The yarns are given a twist and wound on to bobbins
Spruce |
Logs |
Shredded |
Cooked with |
Caustic soda |
Made into sheets of wood-pulp |
( |
Alkali cellulose |
) |
The sheets are shredded |
And mixed with carbon |
Disulphide |
The mix is tipped into a |
Caustic soda bath, |
Forming viscose |
Spinneret |
Acid-bath |
Fibers or filaments |
Spool of |
Rayon yarn |
Properties of viscos rayon
i. Rayon is smooth, absorbent and cool to wear as it is a good conductor of heat for this it is quite comfortable to wear.
ii. It is fairly strong but is weaker when wet
iii. It dyes and is highly color fast when spun dyed
iv. It drapes well
v. It burns readily
vi. It is affected by static electricity
vii. Its damaged by acids and alkalis and especially by acetone for this care should be taken during laundry-work and especially when removing stains
viii. It is also damage by friction, twisting and wringing therefore, it should be washed by kneading and squeezing method and should not be tumbled dried.
ix. It may also shrink or stretch unless its specially treated
Identification test for viscose rayon
i. Burning test
Viscose rayon burns easily, flaming, smells of burning paper (like cotton) and leaves grey ash.
ii. Chemical test
It dissolves in acetone (nail vanish remover)
iii. Microscopic test
Longitudinal view shows long smooth fibers
Cross sectional view shows deep striations
Uses of viscose rayon
1. It’s quite versatile and therefore it may be used for all wearing apparel and industrial clothing
2. Household furnishing such as table linen, curtains, carpets, blankets and bedspreads
ACETATE RAYON
It is produced from cotton linters and wood pulp treated with acetic acid. It is the nearest substitute to silk e.g. are satin, taffeta, brocade and knitted fabrics used for making lingerie.
Processing of acetate rayon
i. Source
Cellulose is got from wood pulp and cotton linters, it is treated with acetic acid to make the polymer more active.
ii. Acetylation
More acetic acid is used to replace the hydrogen atoms of the hydroxyl group by the acetyl group to form cellulose acetate, some of the acetyl groups are removed.
iii. Ripening
The cellulose acetate solution is allowed to ripen until acetylation is complete
iv. Precipitation
The cellulose acetate is precipitated by adding water
v. Drying
It is washed, dried and made into white flakes
vi. Spinning
The spinning solution is made by dissolving the flakes in acetone with the addition of a little water.
vii. Filtration
The solution is filtered and pumped through a spinneret, the filaments are solidified by a current of warm air this is known as dry spinning.
Filament and staple yarns can both be produced this way
NB: Acetate can be spun dyed whereby the dye stuffs are added to the acetate solution before it is spun. This ensures the color is inside the fiber thus giving greater color.
Properties of acetate rayon
i. It has an attractive rich appearance
ii. It has very good draping quality
iii. It is absorbent, soft and smooth, it dyes well and blends well with other fibers
iv. Resistant to moth and mildew
v. Thermoplastic heat set pleats are permanent
vi. Shrink and crease resistant
vii. It is slightly weaker when wet
viii. Builds up static electricity when ironing
ix. It also fades color due to sunlight exposure
x. Weakened by long exposure to acids, alkalis and sunlight
xi. Dissolves in acetone
Identification test for acetate rayon
i. Burning test
It melts, rolls and twist to form a thick, black beaded edge. It has low melting point and produces a chemical acidic odour.
ii. Chemical test
It dissolves in acetone
iii. Microscopic test
Longitudinal view shows long smooth fibers like striated rods while the cross-sectional view shows bulb like structures.
Uses of Acetate Rayon
i. Quite versatile and attractive for this they are used for all wearing apparel including lingerie (underwear) and children wear
ii. Furnishing and draperies
iii. Hand knitting yarns as well as cigarette filter tips.
TRIACETATE RAYON
It’s made from wood pulp and oil treated with acetic acid and acetic anhydride. It’s a similar composition to that of acetate rayon but triacetate rayon has not less than 92% acetated hydroxyl group ions e.g. are tricel and arnel.
Processing of Triacetate Rayon
It’s similar to that of Acetate Rayon only the flacking is done the flakes are dissolved in methylene chloride plus alcohol.
The yarn is dry spun but it must be given an anti-static treatment before it is wound on to a package. It is produced in both filament and staple yarns.
Properties of Triacetate Rayon
i. Burning test – the edge melts, rolls, twists and forms droplets of molten plastic. It may or may not continue burning once flame is removed.
It produces a chemical or acidic odour and forms a hard black mass.
ii. Chemical test – it gets swollen by acetone
It dissolves in methylene chloride.
Uses of Triacetate Rayon fabrics
a. Used to make general apparel such as blouses, dresses, scarves, suits, ties, slacks and lingerie
b. Make rainwear
c. Make ribbons and interlining for quilts
METALIC FIBERS
They are made from metal, metal coated with strong polyester, clear plastic or cellulose acetate, a core completely covered by metal. They are produced by slitting very thin sheets of the metal into narrow ribbons since they are quite weak and soft they are used as a wrapping around a strong fiber.
The color is put in the adhesives, which stick the plastic to the metal. Different colored yarns of aluminium are often used because gold and silver tend to discolor. Polyester may be used as a coating for Aluminium fiber.
Metallic fibers are used to add richness, luxury or glitter to fabrics. Latex is an example of a metallic fiber.
Larex metallic fiber
Latex
Properties of Metallic fibers
1. Metallic fibers are quite expensive
2. Weak and soft
3. Quite durable, light and smooth
4. Washable and dry cleanable
5. They crease easily
6. Fairly good elasticity and elongation
Uses of metallic fibers
1. Metallic fibers are used for making apparel
2. Making furnishing fabrics such as those used in car upholstery, theater curtains, spectacle frames as well as radio and television sets.
GLASS FIBERS
This is ordinary glass made into yarns, glass is made up of silica (sand) and limestone. The fibers lack elasticity and flexibility necessary for general clothing, therefore they are used for industrial and household purposes only
Properties of Glass fibers
i. Glass fibers are strong but non absorbent
ii. They do not stretch but are easy to wash
iii. They are flame and wrinkle resistant
iv. They withstand sunlight
v. They resist mildew and cold acids but they are damaged by alkalis.
vi. They break easily
vii. They produce sharp ends on the fabric for this reason they are unsuitable for clothing.
Uses of Glass fibers
i. Glass fibers are useful because of their fire resistant ability hence used to make curtains, firefighting clothes, insulating electrical equipment, fire screen spectacles as well as in fabrics for making restaurant table cloths
ii. In industries plastics are reinforced with glass to make fabrics that are stronger than steel
Reinforced plastic
5.1. nylon production
5.2. polyester production
6. FIBER TESTING METHODS
Fiber Testing
It is an important part of textile production, distribution, and consumption. It is the process of determining the properties of different kinds of Textile substances.
Purpose of fiber testing
1) Performance requirement - It involves verification that a particular product confers to the national standards hence certification mark. This is to the interest of the consumer and textile industry. So as:
· To ensure consumer protection and safety
· To ensure good quality of raw material e.g. test the average fiber length so as to adjust the spinning machine accordingly.
2) Product and production quality control - Examines the quality of the product attributes and ensures the products meet the specification requirements and in the production control wastes and breakage minimized
· Helps in production, planning and organization as well as machinery replacement
· Ensures good quality material is produced
3) Research –It is used in the development of new methods, product and appropriate technology in use for testing
Fiber Testing Conditions
· Most fibers are hydroscopic in nature i.e. they absorb the moisture from an environment and conversely loose water in a dry atmosphere
· There are many physical features of a fiber that are affected by the amount of moisture they absorb and this are dimensions, tensile strength, elastic recovery, electrical properties, resistance moisture constant and regain rigidity
· According to the Kenya bureau of standards on condition for testing is that all textile articles should be conditioned for sufficient time to reach moisture equilibrium
· It’s said to be rigid when a sample or specimen during free exposure to moving air controlled at specified condition change in weight of the sample weighed successfully at interval of 2 hrs. In less than 0.05%
· Fiber testing involves scrutiny of characteristics/attributes that certain textile possess. Tests that may be carried out involves both optical and reactive investigations of fiber testing
· Testing is an important activity because it’s used to ascertain if the quality is good enough for the fiber to be put into textile use
· Since most fibers are hygroscopic in nature, the relative humidity and atmospheric temperature affect both their mechanical and physical properties and therefore allow the textile material to remain in conditioning room for sufficient time to allow it reach the moisture equilibrium
· Fiber testing is done by bringing the material to relatively low moisture content between 10-25% relative humidity with temperatures not exceeding 50 degrees Celsius
· Standard atmosphere for textile testing should be relative humidity of 65% and temp. of 20%
· The atmosphere in which physical tests are done on textile fibers are of a relative humidity of 65% minus or plus 2 with temperatures of 20 plus or minus 2 degrees Celsius
Sampling of fibers
Sampling operation must be done with great care and must be well understood by satisfying the following three main conditions
· Must be representative of all population to test items in the lot in order for the results to inferred
· Sample must be randomly selected to avoid biasness. If the sample is biased it should be indicated when the data is reported
· Must be obtained in a form suitable for the measuring instrument being used and the type of test being carried out
Properties to be tested
In testing the textiles you need to focus on the following properties:
1) Properties relating to the usage e.g. Tensile strength, tear strength, burst strength, resistant to abrasions, dimension stability, stretch recovery and pulling
2) Properties related to aesthetic acceptability e.g. drape, easy care, and appearance, retention and color fastness
3) Properties important in garment manufacture e.g. sew ability, free from static electricity, seam slippage
4) Properties relating to special application e.g. Water proof, resistance to acid, resistant to toxic acid, flame resistant
Fiber identification tests
There are basically 5 methods for identification. They include:
1) Thermal reaction
2) Staining test
3) Microscopic analysis
4) Solubility
5) Visual examination
1) Thermal test
The aim of this test is to identify the thermal reaction of textile. This shows the behavior of textile samples at various temperatures which determine the use and care of particles that remain from it, it’s also important for fiber identification in general categories. The behavior of the sample is noted as temperature is increased
2) Staining test
It takes advantage of the fact that dye stuffs and other chemicals not usually for dyeing, stain fibers differently. One of the most popular methods is Shyla stain where the sample is thoroughly wetted then immersed in the stain for one minute and washed with cold water
3) Microscopic analysis
Both longitudinal and cross-sectional view are examined. This examination is important for the combination with other fibers. Fiber shape and surface contours are among the important features that are noted. Cross sectional also contributes to characteristics e.g. hand feel, surface texture, body and covering power
4) Solubility analysis/test
A large number of tests could be noted under this section. The variables to be observed include: swelling and dissolution, dissolution without swelling, disintegration, color reactions and change, dimensional change etc.
It’s important because chemical reaction are utilized in the manufacture of fibers, cleaning and chemical finishing and in textile dyeing. Some of the chemicals used is Sulphuric acid, nitric acid, caustic soda and sodium hypochlorite. Caustic potassium of 5% will dissolve wool and silk but won’t dissolve cotton. Concentrated hydrochloric acid 30-40% dissolves silk and colors jute red-brown but does not dissolve wool
5) Visual examination/Analysis/Test
It’s done without the use of any visual aids, variables observed include Texture, luster, and natural color.
This does not provide any reliable information but can be used for general categorization. Other tests must be used alongside visual examination to be certain of the conclusions
How to identify fiber properties
a) Fiber length
· This vary considerably in natural fibers in their physical characteristics in a given sample due to different conditions under which they are grown or produced
· Variation in terms of co-efficient variation may be as high as 40% for cotton and about 50% for wool
· Man –made fibers may be produced in any length to meet the requirements of spinners and to soot the existing machine design
Methods of measuring fiber length
i. Hand stapling method
- It’s done by manipulating a turfed fiber between the thumb and the 1st finger to align the fibers and therefore allow official assessment of the fiber length distribution
- Its subjective and therefore unreliable
ii. Shirley Comb Sorter method
- A turfed is prepared with all fibers aligned to one end
- The fibers are then separated in order of decreasin length with their lower lengths aligned along the horizontal base line e.g. cotton fibers of standard mass are taken
- The fibers are manipulated by tweezers and a depressor on a bed of combs which are hitched side by side and spaced ¼ inch apart
- The combs are dropped successfully exposing the tips of the longest fibers which are pulled out by tweezers and arranged on a velvet pad in a decreasing order of length
iii. Fabric strength
- Samples of fabric tests should be taken at least one yard from the piece and for general the samples should be obtained along the centerline.
- 10 strips should be tested both warp and weft ways and at times it’s important to compare strength of strip at warp and selvedges
iv. Twist
- It’s a measure of spiral turns given in a yarn in order to hold the constituent fibers as threads together.
- The direction of the twist may be either ‘S’ or ‘Z’ twist
- An increase in twist results to an increase in strength but there is an optimum point beyond which an increase of twist causes decrease in strength
- The number of turns per inch usually depends on type of fiber and the yarn count.
Tools, materials and equipment used in fiber testing
1. Microscope Slides and Coverslips
2. Microscope Slide Boxes
3. Teasing Tools
4. Water
5. Stains
6. Mounting Media
7. Marking Pens
8. Reference Samples
9. Chemicals
10. Heating source
11. Different samples of fabrics and fibers
12. Measuring tools
13. Thermometers etc.
Safety measures to observe during fiber testing
1. All employees performing the testing activities should always wear safety glasses with side shields.
2. The experiments should be performed in a well-ventilated and lit area.
3. Workers must avoid smoking while working with fiber optics.
4. Food and beverages should be kept out of the work area.
5. Workers can wear disposable aprons to keep fiber particles off their clothing.
6. Before leaving the work area, an employee should always check their clothing for pieces of stray fiber, and if any are found, they can remove it with double-sided tape.
7. A worker should wash their hands thoroughly before touching their eyes, and contact lens
8. Workers should also read all instructional material before handling chemicals.
9. A disposable container that can be tightly closed must be used for fiber scraps.
10. When finished with a fiber optic job, all cut fiber pieces should be disposed of properly along with any used chemicals and containers.
11. The work area should be thoroughly cleaned when job is completed.
6.1. testing methods
6.2. fabric testing
7. FIBER BLEND
Fiber blending is a common method to produce new textile materials by combining properties of individual fiber components together. There are many fiber blends available in the market. Some examples are cotton – polyester, nylon – spandex, wool – rayon, etc. They serve a wide range of properties to suit different applications.
A blend is a fabric with two or more fibers, which are put together before or during spinning so that each yarn is made up of different fibers that cannot be mechanically separated, these yarns are thin and are used to make up a fabric. E.g. warp yarns could be made up of cotton and wool fibers whereas the weft yarns could be made up of cotton and rayon fibers.
This is a cotton/wool/rayon blend therefore, mixtures can be mechanically separated while blends cannot be mechanically separated
Types of Fiber Blends
Blending can be classified into different categories based on the textile fiber composition or way of blending used. The following are some common combinations of different fiber types:
|
Blending nature |
Type |
Examples |
A |
Natural– Natural |
Cellulosic – Cellulosic |
Cotton – Ramie |
Protein – Protein |
Wool – Cashmere |
||
B
|
Natural – Regenerated |
Cellulosic - Regenerated |
Cotton - Rayon |
Protein - Regenerated |
Wool – Rayon |
||
C
|
Natural – Synthetic |
Cellulosic - Synthetic |
Cotton – Polyester, Cotton – Spandex |
Protein - Synthetic |
Wool – Polyester, Wool – Acrylic |
||
D |
Synthetic – Regenerated |
― |
Polyester – Rayon |
E |
Synthetic – Synthetic |
― |
Nylon - Spandex |
Apart from composition, classification of blended fabrics can be based on the way the fibers are blended.
|
Blending Nature |
Type |
Examples |
A |
Staple - Staple |
Yarn |
Cotton - Ramie |
B |
Core spun (Staple – Filament Blends) |
Yarn |
Cotton – Polyester Core Yarn |
C |
Bi-Constituent or Tri-Constituent |
Synthetic Filament |
Acrylic – Acrylic Filament |
D |
Blended Fabric |
Fabric |
Polyester Warp / Cotton Weft |
|
|
Several types of bi-constituent or tri-component fibers with different textile materials A, B and C are fused together to form a single fiber
Advantages of Fiber Blending
The following is the summary of the advantages of fiber blending.
· Low cost by using a cheap fiber with expensive one
- Besides contributing to comfort and functionality, blends can produce economical materials.
- Camel hair can be blended with sheep wool. Camel hair provides warmth without adding weight, and it is finer and more expensive than cotton, so a camelhair-sheep wool blend produces a lighter and warmer blend than sheep wool alone.
- Cotton is frequently blended with polyester; the blend is more economical than a 100% cotton product.
- Cashmere (an expensive wool) and sheep wool are sometimes blended together to make the product cost-effective.
· Blends help to create a variety of aesthetic effects.
- Plated fabric - Blending is also used to create many weaving and knitting structures, such as plated fabrics
- Cross-dyed fabrics - Blends are also used for cross-dyed fabrics. When dyeing fabric with two different classes of dyes in a blend, it is possible to dye both parts in completely different colors. It is called "cross-dyeing.
· Quick development time
· Advantages of different fiber components can be combined and manifested
· Enhancement of particular advantages of a fiber component and improve fabric performance
· Minimize, reduce or cover up the demerits of a fiber component
· Permit application of certain finishes and give different textures or appearances
· Give a chance to fine tune various properties to suit different applications by changing fiber composition
8. YARNS
Yarn is a long continuous length of interlocked fibers, suitable for use in the production of textiles, sewing, crocheting, knitting, weaving, embroidery, or rope making.
Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for hand or machine embroidery.
Y |
arns contribute significantly to fabric and product performance. Fabric producers must select from among a wide variety of yarns. Their selection may affect hand, appearance, drape, durability, comfort, and many other performance dimensions. For example, yarns with high twist create the texture in true crepe apparel and furnishing fabrics. Yarns with low twist are napped in flannel fabrics and blankets.
Yarn may enhance good fiber performance or partially compensate for poor fiber performance. The effectiveness of a finish may depend on the yarn choice. There are many different yarn types available. Factors that are used to identify and classify yarns include fiber length (staple/filament), yarn twist, yarn size, and yarn regularity/irregularity along its length. This chapter explains yarn identification, classification, and performance.
Yarn forms depending on;
a. The number of fibers twisted together.
b. The number of filaments laid together without twist.
c. The number of filaments laid together with more or less twist.
d. The single mono filament. e.g. Silk
TYPES OF YARNS:
Yarns can be made either from short staple length fibers or from filament fibers. There are two types of yarns, i.e., spun yarns and filamentous yarns.
Yarns can be classified based on length of fibers and number of parts present. Yarns are broadly classified as staple/spun yarns or continuous filaments. Spun yarns consist of short fibers assembled and bound together by twist to produce the required characteristics such as strength, handle and appearance.
Yarns |
Spun yarns |
Filament yarns |
Smooth-filament |
Yarn |
Textured-bulk |
Yarn |
Napping |
Average |
Voile |
Crepe |
Crepe |
Low |
Low |
|
|
(a) Staple and Filament
Characteristics of Spun Yarns and Filament Yarns
|
Spun Yarn |
Filament Yarn |
1. |
Yarns made from short length fibers |
1. Yarns made from long length filament |
|
And the fabrics are like cotton and wool. |
Fibers and fabrics are like silk. |
2. |
Short fibers twisted into continuous |
2. Long continuous, smooth, closely |
|
strand, has protruding ends |
Packed strand. |
|
1. Dull, fuzzy look |
1. Smooth, lustrous |
|
2. Lint |
2. Don not lint |
|
3. Subject to pilling |
3. Do not pill readily |
|
4. Soil readily |
4. Shed soil |
|
5. Warm (not slippery) |
5. Cool, slick |
|
6. Loft and bulk depend on size and twist |
6. Little loft or bulk |
|
7. Do not snag readily |
7. Snagging depends on fabric construction |
|
8. Stretch depends on amount of twist. |
8. Stretch depends on amount of twist |
3. |
Are absorbent |
3. Absorbency depends on fiber content |
4. |
Size often expressed in yarn number |
4. Size in denier |
5. |
Various amount of twist used |
5. Usually very low or very high twist |
6. |
Most complex manufacturing process |
6. Least complicated manufacturing process |
TYPE OF YARNS
CLASSIFICATION OF YARN ACCORDING TO FIBER LENGTH
1. SPUN YARNS – spun yarn is composed of short-staple fibers that are twisted or otherwise bonded together, resulting in a fuzzy yarn with protruding fiber ends. Better-quality and more-expensive spun yarns are produced from longer-staple fibers
E.g.
i. Napping twist
· This type of yarn is also called the Low twist
· The low twist results in lofty yarns which are allowed for formation of napping fabric
· Napped fabrics are bulky and provides warmth when used in garments
ii. Average twist
· Its frequently used for yarns made of staple fibers and is very seldom used for filament yarns
· The amount of twist that gives warp yarns maximum strength is referred to as standard warp twist
iii. Hard twist(voile twist)
· This are yarns given 30-40 turns per inch to form a twist
· The hardness of the yarn results when twist brings fibers closer together and more compact
iv. Crepe yarns
· This may be single or two fold yarns which are highly twisted
· Crepe is a French word meaning crinkle
· The high twist causes the yarns to bend
· They make the yarn so lively and kinky
· The twist must be set before it can be woven or knitted
· Crepe yarns are used in fabrics like chiffons
Staple fiber yarns have a vast range of fiber yarns to be classified in a number of ways i.e. by construction (single, plied, cabled, multiple, fancy) and by spinning method, which is much more detailed method of classification.
Classification of spun yarns by spinning method
i. Ring spun yarns
These are produced on the ring and traveler system from a wide variety of fibers types. This is the most popular system of staple yarn production, as it utilises a wide range of fiber types, fiber finenesses and fiber lengths. The component fibers are twisted around each other to set up frictional forces between the fibers to impart strength to the yarn.
ii. Rotor spun yarns
Like ring spun yarns, they consist of fibers bound together by twist. Rotor spun yarns are generally only produced from short staple fibers. There are a number of differences in quality between ring and rotor yarns. In general rotor yarns are more regular but weaker than comparable ring spun yarns.
iii. Twistless yarn
These are yarns produced from staple fibers where the consolidation of the fiber is by means of some form of adhesive.
iv. Fascinated yarns
These are yarns consisting of a parallel bundle of fibers bound into a compact structure by surface wrappings at irregular intervals of staple fibers. Air-jet yarns are a typical example.
v. Warp spun yarns
These yarns consist of a parallel bundle of staple fibers bound into a compact structure by another yarn, usually continuous filaments. They can be produced using both long and short staple fibers.
vi. Core spun yarns
Core yarns are charcterised by having a central core wrapped with staple fibers. These are produced in a single operation by simultaneously feeding a yarn and staple fibers through the delivery rollers of a spinning frame.
A wide range of core yarn can be produced, e.g. cotton with filament core, hair fibers with cotton core and various fibers with an elastomeric core.
vii. Self-twist yarns
Self-twist yarns are two-ply yarns produced in a single operation. During manufacture, each component is twisted in alternating direction in short segments. The two components are subsequently put together in such a way that they twist together (self-twist) to form the final yarn. Self-twist are predominantly produced from long staple fibers.
viii. Friction spun yarns
These yarns are produced on spinning systems which use two rotating rollers to collect and twist individual fibers into a stable yarn structure.
2. FILAMENT YARNS
A filament yarn is composed of long fibers grouped together or slightly twisted together. Smooth-filament yarns have straight, almost parallel fibers. Uniformly bulky yarns are called textured-bulk-filament yarns or just textured-bulk yarns.
They are loosely twisted yarns made from natural silk or manmade filament fibers. They are fine and smooth, more pliable and more uniform in diameter than spun yarns. They are lustrous and shiny in appearance. Filaments can be separated when untwisted and can be counted. They produce high seam and yarn slippage. They are Stronger than spun yarns of the same diameter and fiber content.
i. Monofilament Yarn - It is a single strand of filament yarn and cannot be separated as it is an indivisible component.
ii. Multi Filament Yarns - Yarns are composed of two or more filament strands twisted together to form one yarn. When untwisted, each filament can be counted Combed worsted yarn
They are divided into two types:
1) Continuous filament
2) Textured continuous filament
1) Continuous filament/smooth
They are primarily man-made continuous filament yarn may be produced in either monofilament or multifilament form. They are smooth and silk-like as they come from spinneret
Their smooth nature gives them more luster than spun yarns. They resist pilling and fabrics made from them tend to shed soil easily
Standard-filament yarns are known as ‘flat’ filament yarns, in contrast to textured yarns.
2) Textured continuous yarns
· They are man-made continuous filament yarns that have been modified by subsequent processing to introduce durable crimps, coils or other distortions into the filament or with high twist or low twist
· The addition of twist increases bulk texturing giving slippery filaments the aesthetic property of spun yarns by altering the surface characteristics and creating space between the fibers
· The thermal and moisture absorption is also improved
YARN CLASSIFICATION ACCORDING TO THE NUMBER OF PARTS IN YARNS
v COMPOUND YARNS
These are quite simple yarns with more than one strand. Sometimes they are referred to as complex or multiple yarns
v Single yarn, Ply Yarn and Cabled yarns
a) Single yarn
A number of fibers are twisted together into a continuous length, the yarns consists of one kind of fiber
· This type of yarn is the one usually found in most standard fabrics for clothing and household use and purposes
|
|
|
|
|
Z |
- |
Twist ply yarn |
|
b) Ply yarn
Two or more than two single yarns are twisted together to form a ply yarn. The yarns are known as multiple strand yarn. If two single yarns are twisted together the resulting yarn is known as two ply yarn
c) Cord /cable
It’s made by a third twisted operation in which ply yarns are twisted together. Folded and cabled yarns can be produced from staple yarns, continuous filament yarns or a combination of both.
Some type of sewing threads and some ropes belong to this group. Cords are seldom used in apparel fabric but also used in industrial weight fabrics
d) Double yarn
A yarn in which two or more single yarns are twisted together in a single operation e.g. two-fold, three-fold, four-fold.
These are used for ornamental effect as the low twist yarns produce luster and softness
Single, Ply and Cord Yarns |
Cord Yarn |
Single Yarn |
Ply Yarn |
Cord yarns are |
A single yarn is made |
A ply yarn is made by |
Directly from fibers. |
Second twisting operation |
Composed of two or more |
Which combines two or more |
Ply yarns combined for |
Singles. Each part of the yarn |
Is simple cord yarns, the |
Called a ply. The twist is |
Singles used to make the |
Inserted by a machine called |
Ply yarns and the ply yarns |
“Twister. The ply yarn is also |
Used to make the cord are |
Known as folded yarn. |
Simple yarns. |
v Novelty yarns/Fancy yarns
- Fancy Yarns Fancy yarns are yarns that deliberately have unlike parts and that are irregular at regular intervals. The regular intervals may be subtle or very obvious.
- Fancy yarns may be single, plied, or cord yarns. They may be spun, filament, or textured yarns—or any combination of yarn types. They are called fancy yarns or novelty yarns because they produce an interesting or novel effect in fabrics made from them.
- Their structure may be complex and consist of several yarn plies combined into one yarn. Fancy yarns are classified according to their number of parts and named for the effect that dominates the fabric. Usually more common in furnishing fabrics than in apparel fabrics, fancy yarns also are used by artists and crafts people to create interest in otherwise plain fabrics of many fiber types.
Characteristics;
· It’s characterized by irregular twists and loops
· They are usually ply yarns of different kinds of fibers or of different colors
· They are also constructed from simple yarn by varying the amount of twist
· For its construction at least one or two single yarns are used
· Fancy yarns add permanent interest to plain fabrics at a lower cost.
· Fancy bulky yarns add crease resistance to a fabric, but they may make the fabric hard to handle.
· The durability of fancy yarn fabrics depends on the size of the ply effect, how well it is held in the yarn, the fiber content of the various parts, and the firmness of the fabric structure.
· These types of yarns are mostly used for drapery, upholstery fabrics
Fancy yarns |
Single yarns |
Ply yarns |
Tweed |
Slub |
Ratiné |
Spiral |
Knot |
Snarl |
Bouclé |
Slub |
|
|
Yarns. |
Types of novelty
1) Slub yarn
· This is a yarn made with thick and thin placing by varying the amount of twist in the yarn at regular intervals
· They are found in drapery and upholstery fabrics
The slub effect is spun into the yarn.
2) Spiral or corkscrew
Have two or more plies. The plies may differ in color, twist, size, or type. A two-ply fancy yarn may have one spun ply combined with a filament ply. The two parts may be delivered to the twister at different rates of speed. These yarns are used in furnishings and apparel.
3) Thick and thin yarns
· They are made from filament like slub prepared from staple’s
· The pressure forcing the spinning solution is varied in the filament where produces thick yarns in some places and thin yarns in some
4) Boucle yarns
· They are characterized by a projecting from the body of the yarn at fairly regular intervals
· They are three ply yarns
· The effect yarns forms irregular way surface and binder ties it to the base
5) Loop ,curl and Gimp yarn
· It’s the same as boucle but the effect yarn is regular, semicircular appearance while in loops
Loop yarn
6) Snarl or spike yarn
· It’s made by twisting together two ply yarns that differ in size, type or twist
· These two parts may be delivered to the twister at different rates of speed
· This is made in the same way as a loop yarn, but using a highly twisted effect yarn which forms snarls rather than loops.
7) Chenille yarn
· It means caterpillar in French
· The yarn has a cut pile effect which is bound to the core on the loom warps
· They are arranged in groups (2-6) which are interlaced in a cross weaving manner
· Weft is inserted in a normal manner and these are cut into wrap way threads
8) Metallic yarns
· These are primarily decorative
· The plastic coating on it resists tarnishing but care must be taken while pressing as pure metals are soft
a. Bouclé
b. Eyelash
c. Flammé
d. Ladder
e. Ribbon
f. Slub yarns
9) Fleck
Small amounts of fibers of either different colors or luster or both, are introduced into the yarn. This gives it a spotted and short streaky appearance.
10) Cloud
A two-color yarn, in which both yarns take it in turn to obscure or cloud the other, giving the appearance of an intermittent color change
11) Knop (button)
This features prominent bunches of one or more of the component yarns at regular or irregular intervals
12) Eccentric
This is basically an undulating gimp yarn, produced by binding an irregular yarn in the opposite direction to the initial twist, creating graduated semi-circular loops.
CLASSIFICATION ACCORDING TO THE TWIST DIRECTION
YARN TWISTING
· Twist is the spiral arrangement of the fibers around the axis of the yarn, Twist binds the fibers together and gives the spun yarn strength and It is away to vary the appearance of fabrics
· The amount of twist inserted in a yarn defines the appearance and the strength of the yarn
· The amount of twists is referred to as TURNS PER INCH(TPI) or TURNS PER METRE
Twist direction
Twist can be inserted in either of two directions, clockwise or anticlockwise. The usual designation for twist direction is to use the letters S or Z.
A single yarns has S twist if when it is held in a vertical position, the fiber inclination to the axis of the yarn forms the centre of the letters S.
Similarly, the yarn has Z twist if the fiber direction forms the centre of the letter Z.
The majority of single yarns are spun with twist in the Z direction, S twisted yarns are often called revers twisted by the spinner. The twist characteristics, that is the way the yarn behaves, is totally unaffected by the direction of twist in single yarns.
Twist factor
The angle of twist is the factor that determines how the yarn will behave.
· Yarns with low twist level will have a lower angle of twist, and will be relatively soft, bulky yarns.
· Yarns with higher twist angle will be strong, lean and hard yarns while
· Over-twisted yarns will have very high twist angle, they will be very hard, weaker and twist lively, that is they will snarl easily under tension.
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Factors that determine result in yarn twist
· Quality of fabric used
· Count of yarn to be spun
· Fineness of the fiber being spun
· The softness of the fabric into which is the yarn is to be converted
· The length of fibers
· The dimensions of the yarn
· The meant use
Physical properties and performance characteristics of different yarns:
Yarn type |
General yarn properties |
Staple yarns : Carded cotton, Combed cotton, Woolen , Worsted, Linen |
Excellent handle, good covering power, good comfort rating; reasonable strength; reasonable uniformity |
Continuous filament yarns : Natural, Non-synthetic, Synthetic |
Excellent uniformity; excellent strength; can be very fine; fair handle; poor covering power |
High bulk yarns : Staple, Continuous filament |
Good covering power with light weight; good loftiness of fullness |
Stretch yarns : Continuous filament |
High stretch ability; good handle and covering power |
Special end-use : Tire cord, Rubber/elastic Core yarn, Cabled, Coated |
Purely functional; designed to satisfy a specific set of conditions. |
Novelty yarns : Fancy yarns, Metallic, |
Excellent decorative features or characteristics |
Yarn count/yarn numbering system
Different yarn numbering systems are used for cotton, linen, wool, and silk or synthetic yarns. Traditionally yarns have been bought and sold by weight rather than length. To further complicate matters, each yarn manufacturing system (cotton system, wool system, etc.) had its own unique measuring / numbering system to describe the weight (hence size) of the yarn produced. The various systems can be categorized as either direct yarn numbering systems, or indirect systems.
Is the measurement of yarns sizes and thickness or can be defined as yarn coarseness and fineness
· There are two systems of yarn counting based on either fixed weight or fixed length
· These systems are:
1) Direct system of yarn count
2) Indirect system of yarn count
=1 |
Yds |
840 |
l |
bs=1S |
Numbering system |
Matric No. |
English No. |
Direct |
Indirect |
Denier |
Tex |
m |
900 |
= |
1 |
Gms=1 Denier |
1 |
Tex = 1gm/km |
50 |
/1=50 single yarns |
1) Direct system of yarn count
It’s based on weight of a yarn per unit length
Direct yarn numbering systems quantify the weight per a standard length of yarn. As the weight of the yarn increases, so does the numerical value assigned. Silk and most synthetic yarns are measured using the direct system. One unit of measure is called denier. The weight of a yarn using this system is expressed as the number of grams (weight) per 9000 meters (length). The higher the denier of a yarn, the greater its weight (per given length of yarn), therefore the higher the denier, the heavier and often thicker the yarn.
· We have various systems of yarn counting. This are:
i. Text
The tex system is defined as the weight in grams of one thousand metres of the material
· The smaller the text the finer the yarn
ii. Denier system
Denier is a direct system, defined as the weight in grams of nine thousand metres (9000m) of the material
It is usually used for monofilament and multifilament yarn
· Its weight in grams of 9000 meters of yarns
2) Indirect system of yarn count
This is based on length per unit weight
With indirect yarn numbering systems, the weight / length relationship is reversed. The larger the number assigned to a given yarn, the lighter (and generally thinner or finer) the yarn. While there are several different indirect systems, each based on one or another of the different yarn manufacturing systems (e.g. cotton, wool,…) the most commonly used today is the measurement system from the cotton system. Because cotton, wool, and linen yarns typically are plied (two or more individual yarns are twisted together to form a stronger, thicker yarn), the yarn numbering system derived from these manufacturing systems indicates the number of ply.
· In this system there are different yarn counts. This are:
i) Cotton count
· It is the number of hanks each 840 yards in length which weigh one pound each
· Mostly used for cotton spun yarns
· Hank is a yarn package
ii) Metric Count
· This is the number of km (100m) of yarn weighing one kilogram
· The smaller the metric count the thicker the yarn
iii)Woolen count
· This is the number of hanks each measuring 256 yards in length which will weigh one pound
· Used to measure wool
· The smaller the count the thicker the yarn
iv)Worsted count
· Is the number of count each measuring 560 yards in length which weigh one pound
· Mainly used on worsted spun yarns
· The greater the count the finer the yarns or the smaller the counts the thicker the yarns
YARN FORMATION PROCESSES
The twisting process by which fibers are formed into a yarn is referred to as spinning. Spinning includes all the processes required to prepare and clean the fibers from the opening of the bale to the twisting of the yarn in its preparation for the textile loom.
1. Cleaning
All natural fibers must be cleaned and separated before processing. Seeds (e.g. cotton) must be removed, dirt and other foreign matter must be removed (plant and animal fibers). Processing fibers without properly or thoroughly cleaning them causes very poor quality yarn not suitable for apparel. Bales of raw fiber are opened and fed into machines that separate dirt and debris from fiber.
2. Opening and Picking/ Cleaning
In order to produce a uniform product, the fibers from numerous bales be blended, or thoroughly mixed together, and from this composite, the final yarns will be produced. The masses of fibers from these numerous bales will be fed into a machine called a blending feeder. As these masses of fiber are loosened and thoroughly mixed, some remaining heavy impurities such as dirt, remnants of seeds, leaves or stems, are removed by a line of machine known respectively as pickers, breakers, intermediates and finishers each in succession being a somewhat more refined cleaner of the raw fibers. From these machines, the fabric emerges as a lap, a loose, formless roll.
3. Carding :
The lap is unrolled and drawn onto a revolving cylinder covered with fine hooks or wide bristles. These wide bristles pull the fibers in one direction, separate those which are individually tangled together and form them into a thin film. This process is known as carding. The thin film is drawn into a funnel shaped opening which molds it into a round rope like strand approximately an inch in diameter; this is called the sliver.
4. Combing : Untangling, Straightening and laying fibers parallel to achieve order
The comber is a refining device by which the paralleling and straightening of the individual fibers is carried to a more exact degree. The longer fibers are again formed into a sliver, known as the comb sliver.
5. Drawing :
In the drawing operation, further blending is accomplished by working together several slivers and drawing or pulling them out in the drawing frame without twisting but reducing the several slivers to a single one about the same diameter as each of the components. (Drawing out of straightened fibers to achieve the thickness of the yarn required)
6. Roving :
The combined or condensed combed sliver is taken to the slubber of a series of machines called roving frames. In order to give yarn strength, the sliver must be further elongated and some twist must be imparted to hold the individual fibers together more tightly. The sliver is pulled (drawn) and twisted down to a roving, the size of an ordinary pencil.
Left: slivers feeding into roving frame
7. Spinning :
Spinning is a continuation of the roving and on the spinning frame many spools containing the roving pass through the ring spinning mechanism which further draws and twists to a yarn of the required size and twist and winds it on bobbins preparatory to the weaving operation. Different methods may be used for spinning, but ring – spinning and open – end spinning are the most common. After spinning, yarn is wound onto a thick cardboard or plastic cone, or onto a bobbin, depending upon how it will be used.
Left: Ring spinning frame producing cotton yarn
Right: Cone of yarn
Spinning methods
The insertion of twist into a strand of fibers is the conventional method used to generate forces necessary to prevent the fibers slipping past one another. It is this resistance to fiber slippage which gives rovings, slubbings and yarns their actual strength
Types of spinning include:
1) CAP of spinning
2) Flyer spinning
3) Mule spinning
4) Ring spinning
1) CAP of spinning
· In this type of spinning the cap like a dome is stationary
· A bobbin is slipped in the cap and the bobbin is slipped over a spindle
· The cap is pressed onto the tip of the spindle
· As the bobbin is revolved it drags the roving around the edge of the cap
· In relation to the speed of rotation the roving emerging from the first pair of drafting roller is pulled and twist is inserted
· It produces hairy yarn because of the friction created as the yarn laps around the edge of the cap
2) Flyer spinning
· A spindle is fitted in the bobbin loosely
· The flyer is pressed on the tip of the spindle which causes which causes it to rotate rapidly pulling the bobbin around with it as they collect the yarn being span
· In relation to the speed of rotation the roving emerging from the 1st pair of drafting roller is twisted
· Flyer spinning is used to reduce rovings’ in worsted and woolen yarn manufacture.
3) Mule spinning
· The roving emerges from slow pair of drafting rollers
· Drafting of the roving occurs as the rotating bobbin and the spindle travel more away from the rollers
· Drafting and twisting are completed at the end of the travel then a fuller wire pushes the strands of the yarns downward so that the spindle carriage moves back towards the drafting rollers
· The yarns are then wound on the bobbin
4) Ring spinning
· It’s a very high method of yarn manufacture
· Is the most common method of twist insertion and it’s the most dominant method of doubling plying yarn
· It produces a hairy yarn but very commonly used because of the high rate of production and relatively low cost of manufacture
· It has 2 economic advantages
i. Produces too small yarn package
ii. Its labor intensive
· About 98% of yarn manufacture is produced by ring spinning
· The rotating bobbin with the aid of the traveler inserts twist on the yarn
· As the traveler slightly lags behind the bobbin the yarn is wound on the bobbin
5) Open spinning
· This is an economical method of manufacturing mainly cotton and other short fibers yarns
· It produces medium to thick yarns
· As the name suggest an open end is created in the flow of fibers
· The yarn being produced has one end free
Single fibers are separated and then rotated and joined to the open end of the twisted yarns which also rotates
Principles of open end spinning
· Fibers in sliver form are fed to an opening device which is usually a single spiked roller
· This opens the sliver completely so that fibers can be fed forward individually. This is where the break occurs in the spinning system
· The fibers are transported from the opening unit by an air stream
· They are collected in the inner surface of a cup-shaped rotor
· The rotor revolves at a high speed
· During each revolution a thin layer of fiber is deposited in its inner circumference
· This inner circumference is called collecting groove
· The fibers are held in the collecting groove by centrifugal force as a multi-layered strand
· The strand is pulled from the collecting groove s it is withdrawn to form the yarn
· Twist is inserted by the rotation of the rotor
· The completed yarn is withdrawn through the yarn tube by the yarn take off rollers
Advantages of open end spinning
· It requires limited labor
· Cost of power is reduced
· There is utilization of short waste fibers (requires recycling)
· Bigger packages
· Saves time
· Have good quality yarns without knots
Disadvantages of open end spinning
· A hard twisting is produced. (It has a dry handle)
· It is not versatile. (Cannot have many uses)
· Weak yarns are produced (Some yarns may not be strong)
· Dirty yarns hence they were not cleaned during combing process
· The operator needs to be highly skilled
Suitable fibers for spinning must have the following features
· Adequate strength
· Pliability
· Cohesiveness
· Strength
TEXTURING
One way of processing man-made filaments to produce a yarn similar in properties to one made from natural fibers is to cut up filaments in short lengths (staple fibers) and spin them on convectional staple spinning machines. This method is widely used to produce 100% staple yarns and also man-made/natural fiber blends.
This process of cutting up continuous filament yarn only to reassemble it in another yarn form seemed illogical. And therefore in the 1950s new methods were developed to add crimp and deformation (texture) to continuous filament yarns in order to confer on them some properties similar to those of yarns made from natural fibers. This process is known as texturing
Texturing methods
1. False twist texturing
Consists of inserting a very high twist into a continuous filament yarn, setting this twist by a heat treatment and then completely untwisting the yarn. Because of the stable state of the yarn in its full twisted heat-set condition, the untwisted yarn behaves like an assembly of springs. When the tension is reduced, each filament tend to bulk up into a mass of tangled filaments.
2. Post-texturing process
Many items of clothing, especially outer wear, require bulk and warmth provided by the false twisted yarns but not the excessive stretch. Before use in woven or knitted structures, the textured yarn can be stabilised usually by a second heat treatment, which has the effect of reducing stretch and giving increased bulk.
3. Stuffer-box texturing
It is based on the principle of heat setting filaments which are held in a confined space in a compressed state (deformation) and then withdrawing them in a crimped form. This method gives yarn a high bulk, soft handle and less stretch than false twist yarns
This method is widely used to crimp man-made staple fibers
4. Air-jet texturing
Filament yarns are fed over tiny blast of air that forces the filament into loops. This type of yarn is called air-textured or air-entangled
5. Knit De knit
A flat yarn is knitted, the knitted fabric is heat set and the fabric is then unravelled. The crimp frequency and shape can be varied by changing the needle gauge and fabric structure.
Fabric produced in this method has pronounced sparkle, bouncle-type texture, good stretch and recovery and good handle
6. Gear crimping texturing
Filament yarns are passed through closely meshed gears, Intermeshing gears introduce a two-dimensional crimp to filaments. Heat can be used to permanently set the crimped filaments.
Advantages of texturing
a. Higher bulk
b. Increased warmth
c. Greater water absorption
d. Good draping capacity
e. Higher covering power
f. Better dimension stability
g. Higher air permeability
Disadvantages
a. Increased hairiness
b. Reduced strength and abrasion resistance
9. THREAD FORMATION
It’s the process of constructing sewing threads, the performance of textile fabrics and clothing is strongly influenced by the properties of the yarns from which they are made. Sewing threads require certain yarn properties.
Sewing thread-It’s a special kind of yarn that is designed/engineered to pass through a sewing machine rapidly. It’s used to form stitches without breaking or becoming distorted during production of the thread
PROPERTIES /CHARACTERISTICS USED IN THREADS
· Tensile strength- This is the tension at which a thread breaks, expressed in g/kg. Yarn strength depends on the quality of the fibers, the yarn regularity and the twist. Folding increases the strength.
· Tenacity – This is the relative strength obtained by twisting it’s tensile strength by the thickness of the structures
· Loop strength- It’s the load required to break a length of thread of which is looped through another thread of the same
· Elongation – It’s the amount by which a thread is extended at its break point
- It’s expressed as a percentage of its original length
· Elasticity –It’s that property of thread that enables it to recover to its original length after extension
· Shrinkage –It’s the amount which a thread contracts after washing/heating
· Moisture regain-It’s the weight of moisture in a fiber/Thread
- It’s expressed as a percentage weight of completely dry material
· Regularity - Smooth fabrics should be sewn only with very regular yarns. In spun yarns, this is achieved by repeated doubling and drafting, and by combing out the short fibers.
CHARACTERISTICS OF A GOOD SEWING THREAD (REQUIREMENTS)
- Good tensile strength to grip the seam firmly during wear and wash. The tensile strength should be higher than that of the fabric so that it won’t rupture during the stretch at the seams. Also, it would mean minimum thread breakage during sewing.
- Higher initial modulus of thread guarantees the minimum of thread deformation during shock loading while sewing in the machine. The sewing thread should be moderately stiff to form the loops for stitch formation.
- Smooth surface without any abnormalities in the thread results in a minimum of friction between the needle and sewing thread while sewing at high speed.
- Uniform thickness of the sewing thread provides for smooth passage of the thread through the needle and the fabric. Also, it causes less movement of the thread while passing through the machine.
- Good elasticity facilitates the thread to recover its original length instantly after the tension has been released. It should be similar to that of the fabric being sewn, thus the requirement for woven and knitted fabric will be different. Also, it greatly influences the strength and quality of the stitched seam.
- Good color fastness of the thread makes it resistant to the various chemical and physical agents the thread is exposed to during manufacturing and during its useful life especially during washing, perspiration, sublimation, etc. This ensures no bleeding of the color into the garment. Also, it should be dyed evenly and uniformly.
- Lower shrinkage characteristics of the thread are very important as it can cause a critical defect in the garment in the form of puckering at the seams. Cotton thread usually undergoes washing shrinkage while synthetic thread suffers from thermal shrinkage during ironing.
- Resistance to chemicals as the sewing thread may be subjected to various chemicals during washing, bleaching, dry cleaning, etc.
- Higher abrasion resistance provides a good sewing performance and makes the thread more durable meaning it would return to its original shape after the tension is removed maintaining its physical properties. Nylon and polyester offer the best resistance to abrasion.
FACTORS AFFECTING THE FUNCTIONS OF SEWING THREAD
Factors affecting aesthetics
The appearance of the thread in terms of color, Lustre, fineness/thickness should be considered while selecting a thread. Apart from these hue and shade matching, color fastness, stitch selection and uniformity of stitch formation affects the aesthetics of the stitch.
Factors affecting the performance
Thread performance is measured by the ability of the thread to withstand physical and chemical effects on the seam or during stitching in the sewing machine. Thread performance in the garment can be evaluated from its
· Seam Strength
· Abrasion resistance
· Elasticity
· Chemical resistance
· Flammability
· Color fastness
CLASSIFICATION OF SEWING THREAD
Sewing thread can be classified in the following three ways:
· Fiber type
· Construction
· Finish
Classification based on fiber type:
· Natural: the sewing thread is made from natural fibers. Mostly cotton is used for sewing thread but due to various disadvantages relating to the strength of the thread, it is mixed with polyester to make it stronger. Other natural fibers are very rarely used for manufacturing sewing thread.
· Synthetic: the sewing thread is made up of synthetic man-made fibers. These have several advantageous characteristics compares to natural fibers as higher tenacity, better resistance to chemicals, and higher abrasion resistance. Also, it is resistant to rot, mildew, insect, bacteria, and moisture.
Classification based on thread construction
a. Spun threads
They can be made from both natural as well as synthetic fibers. Spun polyester is the most frequently used sewing thread in the garment. Due to its hairy yarn surface, it provides better lubrication properties and a much smoother hand. Also, its shrinkage is very low compared to a cotton thread. Its sewing performance is also very good but is lesser than the strength of continuous filament yarn. These are mostly used in seaming of shirts, trousers, knitwear, jackets, etc.
1. Cotton threads
· Soft cotton threads
· Glazed cotton thread: The glazed process gives the thread a hard finish that shields the thread from abrasion and improves ply security.
· Gassed thread: Gassing process also known as singing process and it is used to burn off the protruding short fibers to give a lustrous finish. It is done by moving the cotton thread over a flame at a higher speed to reduce the hairy fibers on the surface of the thread.
· Mercerized cotton thread: The cotton yarn is treated with caustic soda with 16%-18% concentration under pressure to improve the strength and luster.
· Cotton threads are mostly used for sewing cotton threads that are to be post dyed.
1. Linen thread
2. Silk thread
3. Spun synthetic –fiber threads
4. Spun blended sewing threads
a. Core Spun Threads:
It is a mixture of both staple fibers and filaments. The most commonly used core spun sewing thread has a multiple-ply structure, with each ply comprising a core polyester filament wrapped by the cotton or polyester staple fibers. The strength of the thread is provided by the filament and sew ability through cotton or polyester fiber wrap. It is mostly used in topstitch of shirts, blouses, trousers etc.
b. Filament threads
These are stronger than spun threads. They are same fiber and size
· They are of various types such as:
Ø Continuous filament thread:
It is produced by extruding the filaments from the synthetic polymer and is given a twist to improve the strength. The strength of these threads is stronger than spun threads for the same thread size.
Ø Monofilament threads:
Monofilament sewing thread is produced from a single continuous fiber with a specific fineness. They are strong, uniform, and cheap but its use is very limited due to their low flexibility and rough feel. These are mostly used in the sewing of hems, draperies, and upholstered furniture.
Ø Multifilament thread:
These are mostly produced from nylon or polyester and are used where there is a requirement of higher strength. It comprises two or more continuous filaments twisted together to give more strength. It is mostly used in leather garments, shoes, and industrial products. These are again can be classified in lubricated, bonded, and braided threads.
Ø Smooth multifilament
Usually made from nylon or polyester and where high strength is a primary requirement. It consists of two or more continuous filaments which are twisted together. It’s commonly used to sew shoes, leather garments and industrial products
c. Textured thread:
Textures are given to continuous filament yarn to provide softness and bulk. These are then slightly twisted and heat set to make it permanent. These threads give high seam coverage, high extensibility but they are subjected to snagging. The types of textured sewing threads are
§ False twist textured filament threads
§ Air textured filament threads
§ Air-jet intermingled filament threads. These are mostly used in seams that are in contact with the body like that in underwear, swimwear, etc.
d. Embroidery threads:
These are mainly required for decorative purposes and thus color and luster are the two main requirements for embroidery thread. These are mostly made from mercerized cotton, silk, viscose rayon, and polyester fiber. Threads for machine embroidery are usually of polyester or rayon less often cotton or silk.
e. Technical threads:
These are specially developed for technical/industrial uses to be used in adverse climatic, industrial conditions, and also for heavy-duty applications. These are generally made from aramids, glass, ceramics etc.
Classification base on the finishes
The classification is done based on the type of finish applied over the thread. These are being done for mainly two purposes:
Ø To enhance the sew ability of the thread – Certain finishes improve the thread strength, lubrication property, and abrasion resistance.
Ø To accomplish a specific functional requirement – these are special finishes such as fire retardant, water repellent, anti-fungal, anti-static, etc. which are coated over the sewing thread.
Thus, sewing thread is one of the most important accessories in a garment, and to make it properly a total compatibility check should be performed. Even a small thread failure can fail the garment in a quality check thus making a total loss in investment for making the garment.
Factors in thread Selection:
Garment design, type, quality, end use, and life expectancy.
Desired strength and durability.
Fabric weight and type.
Stitch and seam type, number of stitches/inch, machine speed, and needle size.
Cost
Terms used in thread construction
a. Twist
The number of turns per unit length, too little twist will cause the thread to be loose and break and too much twist can cause looing and snarling
A good sewing thread must be moderately twisted
b. Twist direction
Twist can be impacted in S or Z direction. The direction of the twist does not affect the thread but it can affect its performance when it’s used on a machine when it’s not sorted
c. Ply
Yarns with many components are twisted together to form ply thread, the most commonly used are 2, 3 and 4 ply threads
d. Cord
Threads that are twisted together to give corded thread, the most commonly use are 4,6 cord thread
e. Size
The overall thickness of the thread is referred to as ‘Gist’ or Ticker’ Number or Count’ Depending on the required strength of seam, thread should be as fine as possible
Thicker threads have more strength, finer threads are to be blended into the fabric surface and less subjected to abrasion than seams with heavier threads. Finer threads perform better with finer needles and distort the fabric less than heavier
f. Needles
A sewing needle, used for hand-sewing, is a long slender tool with a pointed tip at one end and a hole (or eye) to hold the sewing thread. The earliest needles were made of bone or wood; modern needles are manufactured from high carbon steel wire and are nickel- or 18K gold-plated for corrosion resistance. High quality embroidery needles are plated with two-thirds platinum and one-third titanium alloy. Traditionally, needles have been kept in needle books or needle cases which have become objects of adornment. Sewing needles may also be kept in an étui, a small box that held needles and other items such as scissors, pencils and tweezers.
Uses of different threads
· Used in leather industry
· In apparel industry
· For firemen clothing
· Hot metal industry
· Defense and police
· Used in hospitals for surgical purposes
· Used in stitching
10. FABRIC CONSTRUCTION/FORMATION-weaving
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Different stages of textile production |
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INTRODUCTION
Fabrication or fabric construction is a way of producing fabrics and each of the several or various fabric construction techniques used to produce leather fabrics creates a structure with distinctive aesthetic and structural features .Because these features affect the serviceability of the fabric as well as its installation and maintenance requirements, they influence the suitability of the fabric for various ends use applications.
Fabric is the material that is used to make clothing or household articles. The third successive stage in the making of a fabric is understanding the various methods of creating fabrics
Methods used for fabric formation
· Weaving
· Knitting
· Bonding
· Felting
· Netting
· Lamination
· Macramé etc.
Weaving
It is the interlacing of two sets of yarns at right angles to each other. The lengthwise ones being warps or ends and the crosswise ones being wefts or picks or filling.
The edges where warp yarns are closely packed are referred to as selvedges
Weaving is an ancient accomplishment that dates as far back as 4,000 BC. In countries such as Egypt, Europe, Asia and South America. Where expertly woven samples of the basic weave were found. Weaving is the second stage of developing fibers into fabrics. Weaving probably became unknown before spinning. Primitive man may have observed interlaced grasses and twigs in the nest of birds and thus discovered how he could make clothing for himself with basket etc. or he may have seen bushes naturally interlaced as they grew. Spinning developed when man discovered that the raw materials could be improved before they were woven. In the course of time very simple looms were made and which were hand operated. The modern power loom used in textile industry today still contains essentially the same parts and performs the same operations as the simple hand operated loom.
Machine used for weaving is called a loom. There are simple looms e.g. tappets, cardboards, paper, straw, round, free form loom & complicated looms e.g. dobby and jacquard
Loom
The loom is the machine that produces woven textiles by interlacing warp and filling yarns at right angles to each other. The primitive weaving on a loom was a fairly simple procedure. The lengthwise yarns called the warp were separated and secured at each end of the loom to remain taught. A device called a reed which resembled a loom with long teeth was fixed at the weaving end to keep the warp yarns separated and was used to push each filling yarns into place.
The crosswise yarns called the fillings, picks or weft were wound around a stick woven over and under alternative yarns to form the interlacing and then pushed together with the reed to form a firm cloth. The early improvements in this procedure were the heddle (headle) and the shuttle. The heddle was a wooden bar device which could raise alternative yarns of the warp creating a triangular opening called the shed through which the filling could more easily be pasted. The shuttle an improvement of the ball of filling wrapped around a stick was a smooth bent shaped device powered at both ends which held a removable spindle wound with filling yarns. The shuttle could then be thrown through the shed. The heddle would be turned to reverse the position of the warp yarns and the process repeated. This procedure with the addition of the power automation, size and speed is still followed and is the basis of the textile industries capacity to supply fabrics of all types for billions of customers.
Simple tappet loom
It consist of the following
1) Rollers
· Has rollers on both ends on which warp threads are wound at one end and the cloth is wound on the other end
2) Healed /heddles
· This are wooden strips in a wooden frame through which the warp yarns are threaded in search a manner that the yarn goes through holes in the strips and spaces between the strips
· The process of threading the warp yarns is called denting or drawing in
· The heald is lowered and raised to create passages known as sheds for the weft yarns to be passed through during weaving
3) Shuttle
· A shuttle carries the weft yarns from one edge of the loom to the others
· Weft yarn is wound on a prim which is placed on a shuttle
· The machine is automatic such that when one prim is wound of the weft yarn the process of weaving doesn’t stop but the prim is removed and a new one is replaced automatically
4) Reed
· Resembles a metal grill
· It pushes weft yarns to the felt of the cloth that is already formed after the yarns have been passed through the shades
· When the shuttle shades one weft yarn through the shades it’s said to be a pick
· The process of pushing the weft yarns upward by the reed is known as beating up
Preparation for Weaving
In the weaving operation, the lengthwise yarns which form the basic structure of the fabric are called the warp and the crosswise yarns are called filling. Weft or proof. The fillings yarns undergo little strain in the weaving process. In preparing them for weaving it is necessary to only spin them to the desired size and give them the amount of trust required for the type of fabric for which they will be used. Warp yarns must go through some operations to prepare them to withstand the strain of weaving process. This operation does not improve the quality of yarns. The operation involved in preparing the warp yarns are;
1. Spooling:
The yarn is wound on larger spools or cones which are placed on a rack called creel. From this rack the yarns are wound on a warp beam which is similar to a huge spool. An interrupted length of hundreds of warp yarns result all lying parallel to another.
2. Wrapping:
Involves wrapping of yarns around a beam from packages of yarns to a creel/stand. The sized yarns are then wound on a final warp beam and are ready for the loom. The warp beam prepared now is then mounted on looms
The No. of yarns in a warp depends on:
i. Yarn thickness (count)
ii. Fabric design
iii. Fabric width
iv. The structure of the fabrics
3. Sizing/Slashing
Sizing involves application of adhesive to the warp before weaving. A lubricant and other substances may be added and the mixture is called size. The size may include starch, tallow (animal fat used for making wax) and paraffin wax and gelatin
The slasher machine covers every yarn with a starch coating to prevent breaking during the weaving process. The sized yarns are passed over large steam heated copper cylinders that remove the moisture and set the size.
They are then wound on the final warp beam and are ready for loom
4. Drawing:
The warp yarns are drawn through the heald eyes individually. The heald eyes connect the individual warp yarns to the shafts available for shedding. The distribution of the individual war yarns among the heald shafts depends on the weave chosen for the Fabric. Drawing is a time consuming process and difficult to be made automatic. Even today, it is mostly done manually.
5. Denting:
After drawing though the heald eyes, the warp yarns have to be drawn through the dents in the reed as well. Denting controls whether a fabric will be woven as a dense One or a less dense light fabric.
Action of weaving
In any type of weaving four steps are fundamental. However the preliminary step is threading warps through the eyes of the heddle. The four steps involved are:
1. Shedding: - this is separating warps yarns or the shuttle to pass through by raising or lowering the harness. In the simplest weave construction, the heddle harness plane raises or lowers certain groups alternate warp yarns so that the fillings yarns alternate in passing under one loop of warp yarns and over another.
2. Picking: - this is inserting the weft yarn or picks with a shuttle as the harness raise the heddle which in turn raises the warp yarns. The filling yarn is inserted through the shed by a small carrier device called a shuttle. A shuttle contains a bobbin of filling yarns which undergo through a hole in the side as the shuttle moves across the width. A single crossing of the shuttle from one side of the loom to the other is known as a pick.
3. Battering: - is the pushing or beating of the weft or filling yarns firmly in place by means of the reel. All warp yarns pass through the heddle eyelets and through the openings in another frame that resembles a comb known as a reed. With each picking operation, reed pushes automatically or battens each weft yarn against the portion of the fabric that was already formed. This third weaving operation gives the fabric a firm compact construction and ensures uniform spacing of the filling yarns and good crosswise yarns in the fabric.
4. Taking up and letting off – with each shedding, picking and battering operation the newly constructed fabric must be wound on the cloth beam. This process is known as taking up. At the same time, the warp yarns must be released from the warp beam, and is known as letting off.
GENERAL FEATURES FOUND IN WOVEN CLOTH OR FABRIC
1. The selvedge – a self-edge. As the shuttle moves back and forth the width of the shed, it weaves a self-edge on each side of the fabric which is usually ¼” to 3/8” wider or even wider. The selvedge prevents the fabric from raveling (fraying).
It is usually made more compact during waving and stronger than the rest of the fabric. Done by using heavier warp yarns or by using stronger weave e.g. plain selvedges, constructed of as simple plain weave with the same size of yarn as the rest of the fabric but the threads are packed more closely together. This kind of selvedge is fairly durable and firm.
· Tape selvedges – sometimes constructed with a plain weave but are often made of the blanket weave which makes it flatter weave, made of heavier yarns or ply yarns which provide greater strength.
· Split selvedges – made by weaving a narrow width fabric twice its ordinary width with two selvedges in the centre. The fabric is then cut between the selvedges and the cut edges are furnished with a chain stitch or hem.
· Fused selvedges – made of fabrics of thermoplastic fiber e.g. nylon by heating the edges of the fabric. The fiber melts and fuses together sealing the edges.
2. Warp and weft threads – when making a garment one is able to distinguish the warp and the weft. The warp yarns take most of the strain and therefore they should move up and down in the garments and in household textiles. Patterns are always laid lengthwise on the fabric or along the warp and warp yarn run up and down along the selvedges.
Warp yarns are usually more compact and highly trusted than the weft. The wefts will run across the warp or across the selvedge. Warp yarns are stronger than the wefts, most fabrics stretch less in the warp deviation but will stretch more in the weft.
3. Right side of the fabric – in most cases the R.S of the fabric is recognized, by Lustre, prints, figure weave patterns, twill ridges e.g. satin weaves has satin floats, pile, slub yarns.
4. Closeness of weave and cloth count – the count of cloth which expresses the number of warps or ends per cm gives an indication of closeness or looseness of a weave e.g. cotton fabric with a count of 24x20, meaning 24 warps and 20 wefts per cm is more closely woven than a cotton fabric with a count of 11 by 9.
A closely woven fabric keeps its shape better, shrinks less, is less likely to slip at the seams and wears longer than loosely woven one of similar construction.
CLASSIFICATION OF WEAVES
· The raising and lowering sequence of warp threads in various sequences gives rise to many possible weave structures such as
1. Plain weave
2. Satin /sateen weave
3. Twill weave
1) Plain weave
It’s the simplest way of interlacing the warp and wefts. It’s the most common type of fabric construction method, it results to the weft yarn going alternatively over and under one warp yarn. The frequent interchange of yarn results in a firm cloth
· It’s much used in cloth requiring hard wearing properties and lightness
Sample structure of plain weave
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1*1
Characteristics of plain weave
i. Both sides of the weave are identical i.e. there is no right or wrong side of the fabric unless printed or specially furnished.
ii. The threads interlace on alternate order of one up and one down
iii. The thread density is limited
iv. It produces a relatively stronger fabric
v. It’s the least expensive weave to produce
Advantages of plain weave
i. It’s simplest and least expensive type
ii. Produces a smooth and shiny surface fabrics resulting from passing the weft yarn over and under numerous warp yarns to create long floats
iii. Higher productivity rate due to large working widths and a variety of fabrics construction
iv. Durable
Disadvantages of plain weave
i. May run if snugged
ii. Curl edges may occur.
Uses of plain weave
· Clothing outfits e.g. suits
· Bed sheets
· Home furnishings
· Table cloths
· Hats
Variations of plain weave
The following are variations of plain weave
i. Rib weave
ii. Matt /basket weave
iii. Fancy weave
i) RIB WEAVE
· They are of two types i.e. the warp rib and weft rib
· The filling yarns (wefts) are larger in diameter than the warp yarns and vice versa
· The fabric produced have raised ribs either horizontally, vertically down the fabric depending on whether the heavier, thicker yarn is used for the warp or the weft
Samples of rib structures
Regular warp rib
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2/2
Irregular warp rib
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3/2
Characteristics of warp ribs
· Produces ribs or cords in the weft direction
· Warp yarn is finer than weft yarn
· Two or more weft yarns pass over or under a warp
· Weft yarns are low twisted yarns
Regular weft rib structure
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½ (2+2) weft ribs
Irregular weft rib
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½ (2+2) weft ribs
Characteristics of weft rib
· Produces ribs or cords in the warp direction
· Finer yarns are used as weft and coarser one as warp
· Two or more yarn passes over or under a weft yarn
· Normally two heald shafts are used
Advantages of Rib weave fabrics
· Fabrics are resistant to tear and abrasion
· It’s versatile hence comfortable to wear
· It’s thin, smooth and has luster
· Can have either warp or weft rib
Disadvantages of rib weave
· Frays easily
· Stretches on the bias
Uses of rib fabrics
· Used to make broad cloth
· Cord fabrics
· Poplin fabrics
· Taffeta fabrics
ii) HOPSACK /MATT/BASKET WEAVE
· Also referred to as ‘Panama weave’
· It’s a plain weave with two or more yarns woven together in a checkered pattern resembling that of a woven basket
· Two or more yarns are used in both the warp and filling direction
· The group of yarns are then woven as one producing a basket
Sample structure
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Characteristics of Basket weave
· Uses double warp and weft yarns to produce design that resembles familiar pattern of a basket
· Two or more yarns pass alternatively over and under two or more warp yarns
· Two or more yarns with little or no twist are interlaced with corresponding number of warp yarns
· They are woven in a pattern of 2*2, 3*3, and 4*4 instead of 1*1 which is the plain weave
Advantages of Basket weave
· Fabrics are decorative
· Easy to construct
· It’s flexible
Disadvantages of basket weave
· It’s time consuming
· Fabrics are not durable
Uses of basket/matt weave
· Used in coats
· Used to make suits
· Used to make hopsack
· Used to make hats
2) SATIN/SATEEN WEAVE
Typically has a glossy surface and a dull back. It’s characterized by four-nine or more fill (wefts yarns) floating over a warp yarn or four warp yarns floating over a single weft yarn
Satin is a warp faced re-arranged twill and sateen is a rearranged weft faced twill
Sample structures
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Satin 4/1
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Sateen 1/4
Characteristics of satin/Steen weave
· They produce smooth and lustrous fabrics
· The fabrics are not as strong as fabrics produced by other weaves
· The fabrics are soft to touch
· When subjected to rough surfaces, the fabric will easily tear
· They are either warp or weft faced weaves
Advantages of Satin/Sateen
i. It’s flexible
ii. It’s lustrous with a smooth surface
iii. It drapes an excellent manner
iv. Short float fabrics are more durable than long float fabrics
v. Good for styles
Uses of satin/sateen weave
· Athletic shirts
· Women’s lingerie
· Night gown
· Blouses
· Evening gowns
· Home furnishing
3) TWILL WEAVE
It’s one of the main elementary weaves. It produces diagonal ridges across the surface of the fabric. The twill or diagonals may run from left to right as in most wool and worsted twills or from right to left as in most cotton twills.
The diagonals are always at a steep or slight angle. In the simplest twill the weft passes over two warp and over one alternately in each row following one yarn is skipped and then the weft proceeds as previously.
Classification of twill weave
Twill weave can be classified according to:
i) Stepping
· Warp –way twill which is 3/1
· Weft way twill whose structure is 3/2
ii) Direction of twill on the face of the fabrics
· S-Twill or Left-hand twill weave
· Z- Twill or Right –hand twill weave:3/2 Z
iii) The face yarn (Warp or Weft)
· Warp face twill weave whose structure is 4/2 S etc.
· Weft face twill weaves which is constructed of 1/3
· Double face twill weave which is 3/3 Z etc.
Sample structure
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2x2 twill
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Left hand twill
Characteristics of twill weave
i. They form diagonal lines from one selvedge to another
ii. Creases less
iii. Do not soil but cleaning is more difficult
iv. Softer and more flexible than plain weave
v. More ends and picks per unit area than plain weave
vi. More cloth thickness
vii. Interesting surface and texture
vi. More pliable
vii. They are warmer
Examples of fabrics made from twill weave
· Jeans/denim
· Gabardine
· Cotton drill
· Khaki
· Worsted fabrics
· Tweed
· Flannelette
· Suiting materials especially wool and rayon
Variations of twill weave
· Herring bone
· Chalon
· Diamond
ASSIGNMENT
Read and make notes on fancy weaves
Pile weave
Leno/gauge
Swivel
Lappet
Dobby
Jacquard
11. KNITTING
Knitting is the formation of a fabric by the interlocking of one or more sets of yarns. Knitting has been the traditional method of producing some items, such as sweaters, underwear, hosiery, and baby blankets. The trend towards a more casual lifestyle is reflected in the increased uses of knits in furnishings and apparel. A unique advantage of knitting is that a complete product can be fashioned directly on the knitting machine. Sweaters and hosiery are good examples.
Types of knitting
There are two major types of knitting;
a) Weft knitting:
· It is a type of knitting in which yarns run horizontally from side to side across the width of the fabrics.
· The fabric is actually formed by manipulating the knitting needles to make the loops in horizontal courses built one on top of another.
· All stitches in a course are made by one yarn.
· It is the simplest form as it can be made from one yarn.
· Weft knits are made either flat or open width fabrics (like woven fabrics) on so called flat knitting machine
b) Warp knitting
· Warp knitting’s involves the preparation and use of a warp beam containing a very large number of parallel yarns mounted on the knitting machine.
· The yarn run the length of the fabrics then the yarn forms the vertical loop in the one course
· They move diagonally to the next wale to make a loop in the following course.
· The yarn zigzags from side to side along the length of the fabrics.
· Each stitch in a coarse is made by different yarn
Example of a weft and warp knit structure
Course: It is the total amount of horizontal rows in a knitted fabric
Wale: This is the total amount of vertical rows in a knitted fabric
The weft knitting is done using the following stitches;
Purl knit/links & link stitch
· It’s made by loops using needles on both ends
· The fabric looks the same on both sides
Plain knit /flat knit/jersey stitch – It’s used for up hosiery and underwear’s and usually light in weight hence inexpensive
Rib stitch
· Is done on hems of sweaters, necklines
· Have good stretch ability
· Has a high degree of elasticity
· Are warm
Disadvantages
· High cost due to large use of fabric weight
· Uses a lot of yarns
· Low output since the machine used are slow
Interlock stitch
· It is a variation of Rib stitch
· It is thicker
· It’s identical on both sides
· High dimensional stability
ASSIGNMENT
Research and make short notes on knitting elements. (30 marks)
Basic steps in knitting
· Yarn supply
· Knitting elements
· Fabrics take down
· Fabric collection
Advantages of knitted fabrics
· They permits the fabric to stretching in any direction hence uniformity
· They are warm because of the insulating air pockets contained in their construction
· They are porous and provides breathing
· They are very absorbent, light in weight and wrinkle resistance
Disadvantages of knitted fabrics
· If one loop breaks a hole is made and the whole fabric will run
· Lose of shape (sagging)
· They can easily shrink and this can be eliminated by using shrink prove finishes e.g. pat knit.
· They are not wind proof
BONDING
Produces non-woven fabric by passing together a matt of textile fibers other than wool with the aid of an adhesive bonding agent. This is making a layered fabric using an adhesive binding agents or heat.
Bonding has come to include those fibers which are technically called laminated fabrics. These are composed of two separate layers of woven or knitted cloth fused together for improved stability, capacity and handling. Sometimes a thin shit of plastic form is fused between the face and backing fabric to add texture and insulation.
Characteristics of bonded fabrics
· The presence of non-woven fabrics may be felt like paper like or very similar to that of woven fabrics
· They may be too much thicker than or thin as a tissue paper
· It may be opaque or translucent
· They are warm
· They do not fray
· They are crease resistance
· They do not drape
· They are strong in all direction
LAMINATING
This is a non-woven method of fabric construction. It is a process of forming a fabric either woven or knitted to plastic form. Can be done using some wet adhesive whereby a water based acrylic compound is applied to the fabric followed by some heat which creates a permanent bond which creates a laminate. Could be done by use of a form flame whereby the flame I form of dust flame is used on the foam that will act as an adhesive
Characteristics of laminated fabrics
i. Air permeability
ii. Warmth retention
iii. Waterproof
iv. Stiff
v. Durable
vi. Flexible
vii. Resistant to tear
viii. Resistant to stretching
ix. Waterproof
Uses of laminated fabrics
· Rain coats
· Automotive
· Jackets
· Carpets
· In garments to provide reinforcement
FELTING
It’s the process by which textile materials are produced by matting, condensing and pressing fibers together. Felting is a method of producing warm, versatile though not very durable fabric of wool or fibers by the application of heat, moisture, friction and pressure. Felting depends in the natural abilities of wool fibers to shrink, coil or lock together to form a matt.
- They can be made of natural fibers such as wool or animal fur or from synthetic fibers
Characteristics of felted fabrics
· No warp, weft or selvedge makes it easy to use felt for garment construction.
· Have good shock absorbency
· Don’t fray since there is no system for threads or grain
· Felts have no elastic or draping qualities
· It can be cut and blocked into any shape
· High thermal insulating properties make it retain/provide warmth.
· Are good absorbers
· Have good resiliency and will retain its shape unless subjected to undue tension
· Excellent polishing agent-doesn’t wear
· Since wool felts shrinks it should be dry cleaned only
Uses of felting fabrics
The properties of felts will affect it applications e.g. lack of tensile strength and durability limit the use of felts as a general fabric but it is especially applicable for:
· Blocking/molding into hats.
· Used to make carpets
· Some are used to make hats
· Used to make table mats
· Light weight felts can be used to make blankets
· Carpet under padding
· Making slippers and shoes
NETTING AND LACING
It’s any textile in which the yarns are fused, looped or knotted at their intersections, resulting in fabric with open spaces between the yarns. Net is related to lace because many of the machine lace have generally shaped nets as their background.
A net is a geometrically shaped figure open mesh of fabric construction that is held together by knots and each point where the yarns cross one another (or interlacing)
A lace is an open work fabric made by threads usually formed into designs.
NETTING
Net is a geometric shaped figure open mesh made of silk, cotton, nylon rayon or other synthetic fibers. Come in different sizes of mesh and various heights. Machine made nets are closely related to warp knitting because it is closely constructed on either the tricot or raschel warp knitting machine. On the other hand net is related to lace because most of the machine made one have geometrical shapes at the back e.g. bobbin net- hexagonal shaped mesh or rayon, nylon, silk or cotton which is popular for evening dresses, veils, curtains and trimmings.
The knotted square mesh. The type with knots on all four corners to form mesh. Originally made by hand and used by fisher men and is now made by machines. Modern kind of fish nets are used for glass curtaining in contemporary living rooms, sun porches or den.
Characteristics of netting fabrics
· They stretch
· They are flexible
· They are breathable
· They have a pattern of knots
· They are transparent
· Remarkably tough and tear resistant
· Flexible
Uses of nets
· Used to make mosquito nets
· Fishing nets
· Luggage bags to create transparent, breathable compartments that allow people to store items
· Used to make dresses
· Volley ball nets
LACES
Laces were first made by hands and were highly priced as trimmings for apparels and as decorative pieces for the home. Usually beautiful and intricately designed laces are retained in some families as heirlooms and displayed in museums as works of art.
Linen yarn are generally used for expensive laces but cotton, silk, rayon and other yarns are used for other qualities and types. Lace may be made by knotting, looping, braiding, stitching and twisting. Machine made laces are made of the following machines.
Ø Leaver’s lace – leaver’s machine was invented in 1813. It can produce the most intricate patterns from any type of yarn into fabric of up to 10 yards wide. The lever’s machine produces lace that are used in the dress making industry
Ø Nottingham – this machine produces coarser fabric than the levers and this fabric are large and used for the purposes such as table clothes
Ø Bobbin – produced by the bobbin machine. It employs braiding principle. The lace produced has a fairly heavily texture with an angular appearance and a uniform count. It lacks the fine texture and flowing lines of laces produced by other machines.
Ø Schiffli - produced by embroidery design. Although closely resembles a lace, it is produced by an embroidery technique on the Schiffli machine. This machine was developed in Switzerland and was named Schiffli meaning little boat because of the shuttle used. The technique uses 682-1020 needles to produce fine intricate designs in appliques and embroideries in all kinds of fabrics especially shear fabrics such as lawn and organdie. The finished material/fabric has the appearance of expensive hand work but will cost much less.
Use of laces
May be classified according to their uses
1. All over lace – has design spread over the width of the fabric and repeated in its length and many kinds of designs and motifs and colors are used. The fabrics can be produced in widths of more than 1 yard that are devoid of scallops. Fabric comes in bold form and is used for blouses, dresses and evening wear
2. Flouncing lace – come in 12” – 36” width and is used in ruffles. Has a straight top edge and is scalloped at the bottom.
3. Gallon – has scalloped edge on the bottom and comes in widths of up to 18”. There is a bonded applique or fabric or as an insertion between 2 pieces of fabric.
4. Insertion lace – could be sewn between 2 pieces of fabric or to the top and bottom edge of a single piece of fabric.
5. Beading lace – this is normal gallon lace that has openings through which ribbons can be interlaced
6. Edging – comes in widths of 18” or less and it has a straight top edge and a scalloped bottom. Use to form such garments as dresses, blouses and lingerie.
7. Medallion lace – a single lace design that is used as applique on the ground fabric as for dresses, blouses, lingerie and napkins.
BRAIDING
This is a method of interlacing or plaiting three or more yarns or bias cut strips of clothes over and under one another to form a flat tabular fabric. This braided textured bonds which are relatively narrow can be used as belts, tapes for pajamas and some shoe laces. Some widths of plastic or straw braiding can be sewn together to make hat shapes. Similarly braids of fabric or yarns may be sewn together to make braided rugs. Braiding can either be handmade or machine made. The handmade is primarily for trimmings.
FRINGING
Fringing is a fabric construction technique where no sewing is involved; just simple knotting that is wrapped directly onto a finished edge.
Fringe originated as a way of preventing a cut piece of fabric from unraveling when a hemming was not used. Several strands of weft threads would be removed, and the remaining warp threads would be twisted or braided together to prevent unraveling. In modern fabrics, fringe is more commonly made separately and sewn on. Modern "add-on" fringe may consist of wool, silk, linen, or narrow strips of leather. The use of fringe is ancient, and early fringes were generally made of unspun wool (rather than spun or twisted threads).
MACRAME
Macramé is the art of decorative knotting, making chains, braids or fabric without aid of either hook or needle and with practically any string or yarn. Macramé is a form of textile produced using knotting (rather than weaving or knitting) techniques.
The primary knots of macramé are the square (or reef knot) and forms of "hitching": various combinations of half hitches. It was long crafted by sailors, especially in elaborate or ornamental knotting forms, to cover anything from knife handles to bottles to parts of ships.
Cavandoli macramé is one variety that is used to form geometric and free-form patterns like weaving. The Cavandoli style is done mainly in a single knot, the double half-hitch knot. Reverse half hitches are sometimes used to maintain balance when working left and right halves of a balanced piece.
Leather or fabric belts are another accessory often created via macramé techniques. Most friendship bracelets exchanged among schoolchildren and teens are created using this method. Vendors at theme parks, malls, seasonal fairs and other public places may sell macramé jewelry or decoration as well.
History
One of the earliest recorded uses of macramé-style knots as decoration appeared in the carvings of the Babylonians and Assyrians. Fringe-like plaiting and braiding adorned the costumes of the time and were captured in their stone statuary.
Arab weavers knotted excess thread along the edges of hand-loomed fabrics such as towels, shawls, and veils into decorative fringes. The word macramé is derived from the Arabic macramia, believed to mean "striped towel", "ornamental fringe" or "embroidered veil". Another school of thought indicates that it comes from Turkish makrama, "napkin" or "towel". The decorative fringes also helped to keep flies off camels and horses in northern Africa.
The Moorish conquest took the craft to Spain, then Italy, especially in the region of Liguria, then it spread through Europe. In England, it was introduced at the court of Mary II in the late 17th century. Queen Mary taught it to her ladies-in-waiting.
Macramé was most popular in the Victorian era. It adorned most homes in items such as tablecloths, bedspreads and curtains. The popular Sylvia's Book of Macramé Lace (1882) showed how "to work rich trimmings for black and colored costumes, both for home wear, garden parties, seaside ramblings, and balls—fairylike adornments for household and underlinens ."
It was a specialty in Genoa, and was popular in the 19th century. There, "Its roots were in a 16th-century technique of knotting lace known as punto a groppo"
Sailors made macramé objects while not busy at sea, and sold or bartered them when they landed, thus spreading the art to places like China and the New World. Nineteenth-century British and American sailors made hammocks, bell fringes, and belts from macramé. They called the process "square knotting" after the knot they used most often. Sailors also called macramé "McNamara's lace"
Macramé's popularity faded, but resurged in the 1970s for making wall hangings, clothing accessories, small jean shorts, bedspreads, tablecloths, draperies, plant hangers and other furnishings. Macramé jewelry became popular in America. Using mainly square knots and granny knots, this jewelry often features handmade glass beads and natural elements such as bone and shell. Necklaces, anklets and bracelets have become popular forms of macramé jewelry. By the early 1980s, macramé again began to fall out of fashion, only to be revived by millennials.
Tools and materials
Materials used in macramé include cords made of cotton twine, linen, hemp, jute, leather or yarn. Cords are identified by construction, such as a 3-ply cord, made of three lengths of fiber twisted together.
Jewelry is often made in combination of both the knots and various beads (of glass, wood, and so on), pendants or shells. Sometimes 'found' focal points are used for necklaces, such as rings or gemstones, either wire-wrapped to allow for securing or captured in a net-like array of intertwining overhand knots. A knotting board is often used to mount the cords for macramé work. Cords may be held in place using a C-clamp, straight pins, T-pins, U-pins, or upholstery pins.
For larger decorative pieces, such as wall hangings or window coverings, a work of macramé might be started out on a wooden or metal dowel, allowing for a spread of dozens of cords that are easy to manipulate. For smaller projects, push-pin boards are available specifically for macramé, although a simple corkboard works adequately. Many craft stores offer beginners' kits, work boards, beads and materials ranging in price for the casual hobbyist or ambitious craftsperson.
CROTCHETING
Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term crochet, meaning 'small hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.
Tools and Materials used in crocheting
Basic materials required for crochet are a hook and material that will be crocheted, most commonly yarn or thread. Yarn, one of the most commonly used materials for crocheting, has varying weights which need to be taken into consideration when following patterns.
Additional tools are convenient for keeping stitches counted, measuring crocheted fabric, or making related accessories. Examples include cardboard cutouts, which can be used to make tassels, fringe, and many other items; a pom-pom circle, used to make pom-poms; a tape measure and a gauge measure, both used for measuring crocheted work and counting stitches; a row counter; and occasionally plastic rings, which are used for special projects.
In recent years, yarn selections have moved beyond synthetic and plant and animal-based fibers to include bamboo, hemp, and banana stalks, to name a few. Many advanced crocheters have also incorporated recycled materials into their work in an effort to "go green" and experiment with new textures by using items such as plastic bags, old t-shirts or sheets, VCR or Cassette tape, and ribbon.
Crochet hook
The crochet hook comes in many sizes and materials, such as bone, bamboo, aluminium, plastic, and steel. Because sizing is categorized by the diameter of the hook's shaft, a crafter aims to create stitches of a certain size in order to reach a particular gauge specified in a given pattern. If gauge is not reached with one hook, another is used until the stitches made are the needed size. Crafters may have a preference for one type of hook material over another due to aesthetic appeal, yarn glide, or hand disorders such as arthritis, where bamboo or wood hooks are favored over metal for the perceived warmth and flexibility during use. Hook grips and ergonomic hook handles are also available to assist crafters.
- Steel crochet hooks range in size from 0.4 to 3.5 millimeters, or from 00 to 16 in American sizing. These hooks are used for fine crochet work such as doilies and lace.
- Aluminium, bamboo, and plastic crochet hooks are available from 2.5 to 19 millimeters in size, or from B to S in American sizing.
- Artisan-made hooks are often made of hand-turned woods, sometimes decorated with semi-precious stones or beads.
12. PROCESSING OF TEXTILES
· Processing involves conversion of grey cloth or loom state fabric into usable state
· Grey cloth/loom state fabric-this is a fabric that comes from the loom or knitting machines and which is not suitable for immediate use or for dyeing
· Such materials has impurities such as size, oil and dirt that is picked up during processing
Stages involved in processing
They include:
a) Fabric preparation or preliminary processing
b) Coloration –dyeing and printing
c) Finishing
a) FABRIC PREPARATION/PRELIMINARY PROCESSING
1) Grey cloth inspection
This is done to detect fabric faults and the purpose of this inspection is to find, mend the defects and give feedbacks to the weaving and knitting department
These faults include:
· Reed marks-This is a warp way split in a woven fabric caused by a damaged or a defective reed
· Broken picks-This is a weft that is inserted only in path of cloth width and is due to the weft breakage during the weft insertion
· Missing picks-It’s a missing weft or incomplete sequence of weft during weft insertion in multi-shuttle
· Slub –Are spinning short abnormally thick places in a yarn
· Neps –this are spinning faults which appear as small knots of entangled fibers usually in cotton fibers
· Knots –This is a mark where a weft or warp yarn gets entangled when weaving
· Oil stains –this are stains connected from machine during weaving or knitting
2) Singeing
The grey cloth has fibers projecting from the surface giving a hairy appearance. This projecting fiber are removed to get good results in dyeing or printing
Singeing is done by burning the hairy surfaces away
3) Scouring /washing
It aims at uniform removal of waxes and fatty compounds or oil so that the material can be wetted out ready for dyeing
Scouring cotton
· Scouring in cotton is referred to as Kiering, cotton fabric is treated with boiling alkali which is usually in large iron vessels known as Kiers
· The alkali used is always sodium hydroxide, when the alkali meets with fats it forms a soap which splits the fatty compounds in a process known as saponification
· The impurities are kept suspended in the detergent solution
· During scouring process the Kier’s are enclosed so that cotton can be boiled under pressure in the alkaline solution to reduce the scouring time
Scouring wool
· This is done by moving the fabric through warm soap solution
· It can also be done by use of Dolly scouring machine
· A synthetic detergent or sodium carbonate is used for this purpose
4) Bleaching
It aims at whitening fabrics. We have bleaching that have reducing agents and oxidizing agents. Animal fibers are bleached with reducing agents while fibers are bleached with oxidizing agents
· Examples of bleaching agents use include sodium peroxide, sodium chloride, Sulphur dioxide, Hydrogen peroxide and Sodium hypochlorite
5) Mercerizing process
It’s a chemical process in cotton and linen fabrics aiming at increasing absorbency and improving affinity to dyes. The fabric is usually treated with alkalis which is usually sodium hydroxide solution which causes the fibers to swell.
The alkalis is then removed by washing in water then exposed to warm dilute acid rinsed again and then dried
6) Desizing
This is the removal of excess size applied to yarns during weaving. The process entails breaking down the size so that it is soluble in water without damaging the fibers
This is done by steeping the fabric in dilute acid
7) Caustic Reduction - the surface of the polyester fibers is eroded away in a caustic bath which reduces the weight of the fabrics and gives them a silk-like feel.
FABRIC COLORATION
It is the application of color to the fabric. Dyeing and printing are the steps that impart color to a fabric, making finished products such as garments much more attractive. Dyeing and printing is highly complex, requiring years of study and / or experience. Only the highlights will be summarized here.
Dyes and application methods vary greatly. Colorfastness is the degree to which a fabric will retain its color when subjected to adverse conditions such as sunlight, detergent, bleach, or other agents. Different types of dyes, and different methods of application produce substantially different levels of clarity and colorfastness. For optimal quality of the fabrics and final products, dye types and application methods must be carefully selected according to the fiber type, fabric type, and expected end use.
Color can be imparted at any one of several stages in textile and garment production, from the fiber to the sewn garment. As with the types of dye and the application method used, the point at which the color is introduced affects the clarity and fastness of the color.
Table 2. Stages at which color can be applied to a textile product.
Stage |
Step |
Fiber |
The chemical solution used to make synthetic fibers may be dyed before being extruded into fibers. |
Yarn |
Yarn may be dyed to allow weavers or knitters to build colored patterns into the fabric itself, as in the case of woven stripes or plaids, ikat patterns, or knitted stripes or plaids. |
Fabric |
Fabric can be dyed a single color, or it can be printed with a colorful pattern using one or more of several different printing techniques. |
Garment |
Fully assembled garments can be dyed, though this is seldom done. |
Fiber Each point at which color is imparted has its own advantage. Solution – dyed fiber generally enjoys very high colorfastness. Fiber dyeing is really only suitable for man – made fibers that can be dyed in solution form (before the actual fiber is formed) however, as attempts to dye loose fibers easily tangles and mats fibers into an unusable mess.
Yarn. Yarn can be dyed after spinning. Dyed yarn can be used to create woven stripes or plaid designs in fabric. However, dyeing at the yarn stage is relatively difficult, often resulting in uneven color application. At this stage, yarn can be dyed either in skein form (large bundles of loosely wrapped yarn) or wound on tubes or cones. The former allows yarn to move more freely in the dye bath or dye solution, helping ensure greater uniformity of dye penetration and therefore better color uniformity. It may also result, however, in tangled yarn. For dyeing on cones, yarns must be wound on special perforated tubes or cones that allow the dye solution to be force through the layers of yarn from the interior as well as the exterior. Dyeing cones of yarn requires high – pressure equipment that can force dye through hundreds of layers of yarn wrapped tightly around the cone, but this method generally produces fewer tangling problems.
Whether dyed in skein or cone form, each batch of yarn dyed together is referred to a dyelot. While color should be uniform within a single dyelot, there is often a discernable difference in color between dyelots. For quality control is it vital to segregate dyelots so only one is used in a single garment, helping ensure that within the garment, yarn (hence fabric) color will be uniform.
Fabric. Dyeing and / or printing fabric allows the greatest design flexibility but varying levels of colorfastness, depending upon the dyes and methods used. It also requires that substantial quantities of fabric be dyed or printed the same color or pattern to be cost effective. As with yarn dyeing, each batch of fabric dyed becomes an individual dyelot. With fabric, individual dyelots should also be segregated at the apparel manufacturing stage to help avoid color – related problems in the finished garment.
Modern technology and computers are allowing designers to print only select areas of a fabric, depending upon the shape of the garment to be made from the fabric, effectively eliminating a split in the printed pattern where fabric is seamed. To date, however, this remains more a laboratory experiment than a commercially viable printing method. (For greater detail on fabric dyeing and printing, see Fabric dyeing and printing section below.)
Garment. Last, fully - constructed garments can be garment - dyed, allowing retailers to wait until the last point in the manufacturing chain to make decisions on the number of garments to produce in each color, thereby reducing the risk of unsold inventory from bad color decisions. With garment dyeing, however, more highly specialized equipment is required, the entire garment must be dyed the same color, threads must accept dye in the same way as base fabric or off quality results, and it may be more difficult or impossible to do certain additional types of fabric processing normally done after dyeing or printing many apparel fabrics.
· There are two methods used mainly dyeing and printing
1. Dyeing
Different dyeing materials are used for different fiber materials. Various dyeing materials exist, as the fibers possess different reactive groups due to their chemical structure. These are available for the absorption of the dyeing material.
In the following specific dyeing materials are mentioned for some fiber materials
i. Cellulose:
- Substantive/direct dyes
- Diazotization dyes
- Developing dyes
- Vat dye
- Reactive dyestuff
- Sulfide dyes.
ii. Wool:
- Acid dyes
- Metallic complex dyes
- Chrome developed dye.
iii. Polyester:
- Disperse dye.
A fabric can be dyed as a result of an affinity of the dyes for the fabric (adhesive powers = physical linkage) or via genuine chemical linkage of the dye with the fiber (with reactive, acid, and cationic dyes).
These mechanisms produce a very high color fastness. In the case of dispersion dyes a solution process takes place in which the dye molecules are dissolved in the textile fibrous material. The dyeing of fiber blends is difficult owing to the different affinities, the different dyeing material stabilities of individual dyes in the liquor, and so forth. In this case, both fibrous materials have to be dyed directly and evenly
In principle, the following coefficients have to be considered for the decision on which plant the material will be dyed:
· Fiber raw material or raw material mix
· Future field of application (authenticity)
· Costs
· Structure of the textile fabric
· Feel of the fabric
· Job size
· Reproducibility, and so forth
Dyeing Methods
(a) Batik Dyeing
● Part of the fabric is coated with wax and dyed. Dye can only penetrate fabric area without wax. The waxed area is left blank.
(b) Dope Dyeing (Pigmentation)
● Dope dyeing refers to the coloration of man-made fibers that takes place in polymer extrusion.
(c) Cone and Beam Dyeing
● Cone and beam dyeing are yarn dyeing.
(d) Batch Dyeing
● Batch dyeing refers to the process of dyeing fabrics in a batch of a few tens of yards to a few hundred yards.
2. Printing
Multicolor patterns can be manufactured either by a processing of dyed yarns or by printing textiles with dyes. Textile printing mills provide textile fabrics with colorful motifs, as well as tasteful and appealing scenography and pattern.
Special attention has to be paid on high color brilliance, exact and sharp outlines of the pattern, as well as a high degree of color fastness. In contrast to dyeing of textiles, in which the dye is absorbed evenly out of aqueous dye liquor owing to chemical and physical processes on the textile fiber material, textile printing is the locally limited staining (sampling) of the textile fabric. The pattern can result from one or more colors. The same chemical and physical processes that occur in dyeing also take place between the textile fiber material and the dye
Printing Methods
(a) Direct Printing
● A process of printing dyes directly on fabrics to create print patterns. This technique creates colored patterns on white fabrics.
(b) Resist Printing
● Resist printing refers to the application of a resisting agent such as wax or colorants to specific patterns to prevent the penetration of another dye.
(c) Discharge Printing
● The function of discharging agents is to remove colors from fabrics.
(d) Transfer Printing
● The printing is then transferred to textile fabrics through ironing.
FINISHING
Mechanical and chemical treatments or finishes may be added to fabrics to enhance appearance and / or performance of the finished apparel product. Common treatments or finishes include physical treatments such as calendaring, napping, brushing, sanding, and chemical treatments such as permanent press, water repellant, and / or flame retardant finishes. Flame retardant finishes are required for certain types of clothing sold in the United States, such as children’s sleepwear. Examples of specialty finishes and their uses are listed in the table below.
Table 3. Textile finishes
Finish |
Temporary / permanent |
Purpose |
Example of use |
Physical finishes |
|
|
|
Calendaring |
temporary |
give shine |
girls’ party dresses |
Napping |
semi-permanent |
give softness, and “direction” to fabric |
flannel shirts |
Brushing |
Semi-permanent |
give softness, and “direction” to fabric |
flannel shirts |
Sanding |
permanent |
give distressed or worn appearance |
faded jeans |
Chemical finishes |
|
|
|
Permanent press |
Semi-permanent; wears off with repeated washing |
prevent wrinkling, reduce need for ironing after laundry |
men’s tailored (business) shirts |
Water repellant |
Semi-permanent; wears off with repeated washing |
cause water to run off fabric surface |
raincoats |
Flame retardant |
Semi-permanent; wears off with repeated washing |
reduce speed at which fabric or garment will burn when exposed to an open flame such as a lighted match or burning cigarette |
children’s sleepwear |
(a) Mechanical Treatments/Physical finishes
i. Calendaring – to produce high luster fabrics
Involves running fabric between heavy metal drums that turn at varying speeds. Heat and pressure are used to produce a smoothness and sheen on the surface of the fabric similar to that sometimes caused by ironing a piece of dark – colored cloth i.e. compression of the fabric between two heavy rolls to give a flattened, smooth appearance to the surface of a fabric. One drum may be engraved, thus imparting a pattern to the sheen, creating a subtle watermark – type effect on the surface of the fabric. The effect created by calendaring disappears with repeated laundering or dry cleaning
ii. Embossing – to produce raised or projected figures or designs
iii. Brushing (raising or napping) – A technique used to produce a brushed or napped appearance. Achieved by teasing out the individual fibers from the yarns so that they stand proud of the surface. To raise the fibers on the surface. Plucking the fibers from a woven or knitted fabric to give a nap effect on the surface.
By using wire brushes to scrape the surface of the fabric, raise fibers from the surface of the exposed yarns, and thereby creating a more matte appearance and softer feel to the fabric surface. If done too harshly, these treatments abrade the fabric weakening it and even wearing holes in the fabric. They nonetheless remain popular, particularly in such wearing apparel as men’s flannel shirts.
iv. Sueding or emerising or sanding and peaching – This process involves the use sandpaper to abraid the surface of the fabric to produce a suede-like appearance. i.e. to produce a raised surface similar to suede on fabrics
v. Cropping – This is a process by which the fibers which protrude from the surface of a fabric are cut at even height. Cutting the surface hairs from the fabric to give a smooth appearance, often used on woolen goods where the removal of surface hair by a singeing process is not possible
vi. Shrinkage control (sanforizing process) – to preshrink cotton fabric
vii. Pleating – to press pleats permanently
viii. Felting – to compact masses of wool fiber
ix. Decatizing - to stabilize wool fabrics.
x. Eat setting – to stabilise thermoplastic (synthetic) fabrics
xi. Laser trimming – to produce shapes of hole on fabrics
(b) Chemical Treatments
Chemical process may be described as those processes which involve the application of chemicals to the fabric. With the development of higher performance yarns, and the popularity of distressed looks in fashion apparel, and consumer concern about processing chemicals such as formaldehyde. The most common for wearing apparel are permanent press or no – wrinkle finished, water repellant finishes, and flame retardant finishes. Each serves a separate and distinct purpose for the consumer.
i. Permanent press - finishes are most commonly used for fabrics destined for men’s dress shirts. These finishes help prevent wrinkling of cotton or cotton / polyester fabrics when laundered, thereby improving the appearance during wear, and reducing the ironing required after home laundry. Permanent press finishes have been popular with businessmen and their wives.
ii. Water repellant finishes - These chemical treatments help prevent hydrophilic fabrics such as cotton or cotton blends repel water that touches the surface of the fabric. Such finishes are widely used for fabrics intended for raincoats and some other outerwear. Although they do not prevent water from soaking into the fabric in heavy rains or under prolonged exposure, they do help substantially. Similar finishes may be applied to help prevent soiling when fabric is exposed to dirt.
iii. Flame retardant finishes - These finished are mandated by law for certain types of wearing apparel. Most notable, are the requirements for children’s sleepwear. Anyone considering manufacturing children’s sleepwear should take care to research the current legal requirements for flame retardant finishing.
iv. Shrinkage resistance and Crease recovery/wrinkle free – cellulose molecules are cross-linked by resin, the resulting fabric from such a process would have an improved crease recovery. However, in addition to improving the crease recovery, it was also found that resin finishing improved the dimensional stability of the fabric washing
v. Soil release (stain release) – the ability of a treated texture to shed soil during the washing process. One of the problems in the laundering of textiles is the ability of the fabric to be wetted by the cleaning solution. Ant treatments which encourage the wetting of the textile will act as soil release agents. (Easy care finishes)
vi. Antistatic finishes – static electricity is formed when two dissimilar materials are rubbed together, it cannot be formed if the materials are identical. When this dissimilar materials are rubbed a separation of charges occurs and one of the materials becomes positively charged and the other negatively charged. Antistatic treatments are based on the principle of making the fiber conductive so that high charge densities are dissipated before sparks can form
vii. Mothproofing finishes and insect damage – in the face of the widespread occurrence of keratin-eating pests, there is a very great need for the application of agents which would effectively stop destruction of fibers
13. IDENTIFICATION OF FABRICS
1. Burning test
A simple burn test is done to identify unknown fabrics. The burn test for the identification of fabric should be done only by skilled burners. It is usually done by many fabric stores and designers to determine the exact fiber content. Some fabrics ignite and some melt. Burn test fail to distinguish between cotton and other cellulose fibers. Some fabric also have finishes that effect burn results.
Precaution:
i. The burning test method for recognizing fabric must be conducted cautiously. Use a small piece of fabric and hold it with tweezers.
ii. Wear non-inflammable clothes when using the test.
iii. When using flammable materials do so with utmost caution.
iv. Keep damp woolen cloth nearby to put out a fire.
v. Keep hair out of flame and do not allow the burning material to touch skin.
The result of fabric burning test may prove ambiguous sometimes when different fibers are twisted together. Different finishes used on the fabric also may result in varying results
2. Chemical solubility tests
These are tests that help to determine the fiber content of a fabric. Here solvents are used to identify one fiber from another. Reactions of fibers to common acid and alkaline solutions are used in these tests. Acetate fabric will dissolve in acetone nail polish remover.
3. Identification of Fabric by Feel
Fabrics can be identified based on the texture, which means the surface feel of a fabric. Example the feel of gauze bandage, cotton sari and a denim pant material. All these have different feel when touched. Thus, the texture is observed and based on that the fabrics can be identified for its suitability to a chosen end application area, like whether the fabric can be used for pant, shirt or frock.
Different types of fabrics and their feel
NAME OF THE FABRIC |
FEEL |
Chiffon (Synthetic) |
Soft |
Georgette |
Silky |
Denim |
Rough |
Leather |
Rough and grainy |
Gauze cotton bandage |
Light and netted |
Door mat |
Pricky |
Terry towel |
Bumpy |
Silk |
Soft |
4. Identification of Fabric by Look/visual
Fabrics can be assessed by the appearance. This is generally based on how it takes up light and reflects or absorbs it. There are different types of fabric dull, bright, shiny, glossy, transparent, embellished, thick, heavy, light, fine, semi-transparent, embroidery, lace, knotted to mention a few.
Different types of fabrics and their appearance
FABRIC |
LOOK |
Denim |
Dull |
Silk |
Shiny |
Wool |
Hairy |
Satin |
Shiny |
Linen |
Coarse |
Embroidered fabric |
Rough |
Velvet |
Very smooth |
Sweater |
Ribbed |
Pile |
Fibrous |
Woolen |
Soft |
4. Identification of fabric by labelling
You can identify a fabric by checking its label, a label indicates the fiber content. The label should be durable, easily legible, visible and accessible. A textile product consisting of two or more fibers accounting for 85% of the finished product should be marked with the fiber followed by a percentage - for example, 'cotton 80%, polyester 15%, nylon 5%'.
FABRIC CHARACTERISTICS FOR APPAREL MANUFACTURING
Physical properties are generally the static physical dimensions of a fabric. The physical properties used for describing a fabric are given next.
1. Fiber or filament – type, size and length
2. Yarn – linear density, diameter, twist and number of ply
3. Weight – grams per metre or yards per pound
4. Thickness
5. Fabric structure – for woven fabrics: type of weave, count of warp and weft, ends per inch (EPI), picks per inch (PPI). For knitted fabrics: type of knit, wales per inch (WPI), course per inch (CPI) and loop length
6. Non-fibrous matter – residual chemicals left over the fabric
7. Finishes – chemical and mechanical finishes applied to woven fabric to improve the durability and utility values
8. Fabric width – the length of the filling or course
9. Color, hue, value and intensity
10. Fabric density – weight per unit volume
11. Surface contour – the geometric dimension of the surface plane
Six major categories of fabric characteristics that are of significance for the apparel manufacturer
· Style characteristics
· Hand characteristics
· Visual characteristics
· Utility characteristics
· Durability characteristics
· Product production working characteristics
a. Style characteristics
Style characteristics generally change, which has an effect on the emotional appeal the fabric imparts to the customer. This is validated when a customer handles a fabric and rates the fabric with adjectives like stiff, soft, hard etc.
b. Hand characteristics
The characteristics that influence the fabric hand are;
- Thickness compressibility – the degree in which fabric can be compressed with a given pressure
- Elongation – extent to which the fabric can be stretched without breaking
- Elasticity – the extent to which the fabric can be extended and still have capacity to come back to its original length after stretching force is removed.
- Malleability – the degree with which a fabric can be moulded into a surface by moving more than one straight line element through space
- Flexibility
- Resilience
c. Visual characteristics
This are the changes in color values when either the fabric or light is moved.
d. Utility characteristics
Refers to the comfort, fit and wearing characteristics of a garment while the fabric experiences mechanical, thermal or chemical conditions during the usage of the garment. The transmission and transformation are the two main types in this category.
Ø Transmission characteristics – transmits mass or energy through the fabric. It alters physical properties of the fabric without obliterating the fabric.
· Weight
· Thickness
· Elongation
· Moisture transmission
· Radioactive transmission
· Water permeability
Ø Transformation characteristics
· Color fastness
· Crease resistance
· Crease retention
· Crack resistance
· Dimensional stability
· Felting
· Fusing
· Mildew resistance
· Moisture absorption
· Moisture retention (drying)
· Pilling
· Soiling
· Shrinkage
· Static electricity
· Yarn slippage
e. Durability characteristics
Ability of a fabric to retain the utility and style characteristics during wear. It is an indirect measure of stress, which destroys the fabric or its capability to retain the required styled or utility characteristics. The durability characteristics are
· Abrasive strength
· Bursting strength
· Corrosive strength
· Dry cleaning durability
· Fire resistance
· Launder ability
· Moth resistance
· Tearing strength
· Tensile strength
· Yarn severance
FACTORS DETERMINING FABRIC USE
i. Suitability
Some fabrics and colors are suitable for winter while others are not, for example synthetics; silk and wool are suitable for winter as they are bad conductor of heat. Cotton and blends of cotton with synthetics are good for summer as they are good conductor of heat and absorptive. There are cool and warm colors. The cool colors are associated with coolness, for example, blue, green, white etc. Warm colors are bad conductors of heat and associated with warmth for example, red, golden yellow and orange. So warm colors are suitable for winter, whereas cool colors are chosen for summer.
ii. Care
Special fabrics are used for industrial purposes, for interiors in institutions for heat and sound insulation and for bandages, masks etc. in hospitals. Since fabrics with specific properties are selected for specific usage and functionality, it becomes important that these characteristics are retained for the expected life of the material. This is attainable only with proper care.
iii. Durability
Choosing quality fabrics that will last and safeguarding them with soil and stain protection are the final steps in making a professional selection.
While no one can determine how long a certain fabric will last, making selections with these criteria in mind should certainly help you and your client conclude that you have done your best to choose the best!
iv. Fabric Drape
The drape determines how the fabric flows. In other words, stiff fabrics have less drape, and fluid fabrics have more drape.
A fabric with more drape will make the skirt float away from your body, contrary to a fabric with a soft drape which will make it fold close to your body. For example, if you want a flowing skirt, you should pick a thin and well-draping fabric, but if you want a more structured skirt, choose a stiff and thick fabric.
v. Fabric Stretch
Fabrics have different elasticity (ability of textile fibers to “bounce back” when they are stretched). When you are choosing a fabric with stretch, you have to be sure that it works for your pattern, because it can change how the final product fits the body.
vi. Color
The grade of color fastness directly manifests the inner quality of clothing. Color is an influential element of fashion and aesthetics of clothing, it has great value for both the user and the brand. Color is one of the most significant features in attracting customers and inclines to buy a product/garment. Retaining the original color is one of the important quality parameter of colored textiles. Color fastness is rated poor if it does not comply with the tests by exposing to laundry, light, rubbing and other agencies such as perspiration. Color fastness also directly form a linkage to the health and safety of wearer. Dye molecules and heavy metal ions in textiles with low color fastness may be absorbed through the skin and cause skin damage, or even pose a threat to the health of the wearer intangibly. Therefore, choosing textiles with high color fastness is a guarantee for health to some extent.
vii. Texture
Soft and smooth cloth are comfortable. Therefore suitable for apparel manufacture e.g. nightwear, baby cloths and home furnishing e.g. pillow cases, seat covers
Stripes and other patterns present a variety of potential design challenges, such as whether the pattern runs the width of the roll (railroaded) or the length of it (non-railroaded). Certain solid fabrics, such as velvet, can also have textural qualities that need to be taken into consideration when cutting and sewing the fabric panels.
viii. Finishes
Various garment finishes can affect the selection of fabrics for use. In order to impart the required functional properties to the fiber or fabric, it is customary to subject the material to different types of physical and chemical treatments. For example, wash and wear finish for a cotton fabric is necessary to make it crease-free or wrinkle-free.
In a similar way, mercerizing, singeing, flame retardant, water repellent, waterproof, anti-static and peach finishing achieve various fabric properties desired by consumers. You can therefore chose various fabrics depending on their finishes i.e. they can be shiny, rough, smooth and soft.
14. CARE AND MAINTANANCE OF TEXTILE PRODUCTS
LAUNDRY WORK AGENTS
INTRODUCTION
In our first topic, we looked at the most commonly used laundry agents, which are water, soaps and soap less detergents. There are other agents used in laundry work, for other purposes other than removing dirt in the traditional way of using soap and water. This is because laundry work involves more than the removal of dirt from textile articles, in this topic, we are going to learn more other agents that are used in laundry work. They include fabric conditioners, bleaches and grease solvents.
Objectives of the topic
i. List the different agents that are commonly used in laundry –work.
ii. Describe how to blue, starch and disinfect clothes.
iii. Explain the importance of different laundry work agents.
Fabric conditioners /softeners.
These are used in laundry work to:
a) Make fabric softer, therefore, improve draping quality.
b) Reduce creasing, therefore, make it easier to iron.
c) Reduce formation of static electricity in synthetics (synthesis generate static electricity, therefore, they collect dust and thus the articles soil readily, in time giving white fabrics a grey look) and to
d) Give the fabric a pleasant smell
How to use fabric conditioner
· Use in the final rinse
· Fellow instructions on the label
· Ensure the water can reach all the parts of the articles
1. WHITENING AGENTS
Whitening agents are either bleaches or optical whiteners.
Bleach
Bleach is used for improving or whitening white garments, removing stains and killing germs. (This is why it is also used in toilets and sinks).
There are two main types of bleaches:
Types of bleaches
· oxidizing bleaches
These add oxygen to the stain to form a colorless and soluble compound, for example, sunlight on a damp cloth acts as natural oxidizing bleach. Hydrogen peroxide is used on silk and wool, while sodium hypochlorite is used cottons and linens.
· Reducing Bleaches
These remove oxygen from the stain, forming a colorless compound. They are used for all types of fabrics
How to use bleaches
· Follow manufacturer’s instructions.
· Do not use on baby’s and young children’s clothes as their skins are very sensitive’s.
· Uses gloves, sticks or laundry tongs as they affect the skin.
· Use in dilute form; dilute repeat closes are better than heavily concentrated ones.
· Do not pour neat (concentrated) bleach directly on to a fabric.
Blue and optical whiteners
Blue dye and whiteners are usually added to detergents. Optical whitener is a whiter dye which forms a coating on the fabric. This converts the invisible ultra violet light found in sunlight into visible light, which is reflected back in the eye; making the fabric appear whiter.
The fabric must be completely clean for this to happen. On the other hand, blue works by absorbing the yellow colors (light) reflected from white fabric; making the fabric appear whiter. Blue is sold in small cubes.
How to use blue
· Tie blue cube in a piece of cloth then soak in the final rinse water. The cube will release the blue dye into the water.
· Mix the water till it turns sky blue.
· Remove the tied cube.
· Put the article into the water, ensuring the water gets to all parts of the article.
· Squeeze the article gently to remove excess water than hang.
2. STIFFENING AGENTS
Stiffening agents are used in laundry work for the following reasons:
- To improve the whiteness of white fabric (this is because they are white)
- To restore natural stiffness of a fabrics
- To give body to a fabric.
- To give a glossy and shiny finish to a fabric. This prevents the fabric from catching dirt easily
Types of stiffening agents include plastic stiffeners, spray on starches and instant starch. Sources of starch include cassava, potatoes, maize and rice.
How to prepare boiling water starch
Ingredients
- 1 table spoon starch powder
- ½ a liter of boiling water
- 2tablespoons cold water
Procedure:
- Blend starch powder with cold water
- Add the paste to the boiling water, stirring all the time until it is semi-clear and slightly think
- Add ½ a litre of a cold water.
- This is 1.1 strength starch, which is very strong. This is then diluted according to the stiffness desired, such as:
For aprons – 1cuo of starch 4 cups water.
For shirts – 1cup of starch to 6 cups of water
Preparation of coldwater starch.
This is also referred to as instant starch. It is used for articles requiring a lot of stiffness such as belts, cuff, collars and cuffs for men’s shirts
Ingredients:
- 2 tbsp. starch
- ½ tbsp. borax
- ½ liter cold water.
Method:
- Put the starch into a bowl.
- Dissolve borax in boiling water then mix with the starch.
- Add cold water to the starch, stir well, and then leave undisturbed for 30min.
- Stir well before use, and then immerse the article into the mixture.
- Squeeze the starch into the fabric.
- Remove the article and squeeze out the starch.by rubbing the article lightly with a cloth to remove the starch grains from the surface of fabric.
- Iron immediately with a hot clean iron, applying even pressure all through.
GREASE SOLVENTS.
Dry –cleaning is a process of cleaning fabrics in other solvents other than water. These solvents are known as grease solvents, because they clean fabrics by dissolving the grease in dirt, thereby loosening the dirt particles. They do not react with the fibers or the dyes in the fabrics. This means they do not cause shrinking, loss of color or cause damage to fabric finishes, hence they are more advantageous to use than water. Grease solvents used for commercial dry –cleaning include perchlorethylene, white spirit, and carbon tetrachloride and trichloroethylene .other grease solvents that can be used for home or simple dry –cleaning include fuller’s earth, benzene, talcum powder and petrol.
Precautions to take when using grease solvents
- Cover the hands, as the solvent are harmful to the skin.
- Work quickly as liquid solvent evaporate very fast.
- Liquid solvents are highly inflammable, therefore work away from fire.
- Cover the containers tightly to prevent the solvents from evaporating.
- Work in a well –ventilated area.
- Air garments well after dry cleaning to get rid of the smell.
Method of using powder grease solvents.
- Spread the solvent on the dirty area.
- Leave for sometimes to allow absorption to take place.
- Brush off with a soft brush.
Methods of using liquid solvents
- Collect all necessary equipment and materials.
- Place a polythene paper on the working table.
- Spread the dirty item on the table.
- Brush with a brush dipped in the solvent.
- Repeat till the area is clean.
- Hang in open air to air or
- Immerse the article in liquid then knead and squeeze lightly ill it is clean.
- Hang in open air to air.
- Let the solvent settle, and then drain off the clean part in to a container. Pour away the dirty part, and then close the container tightly to prevent evaporation of the solvent.
15. LAUNDRY WORK PROCESSES.
Introduction
In the last two topics, we looked at the various agents that are used in laundry –work .we defined laundry -work as the general care of clothes and household articles. It may also be defined as the washing, rinsing, drying and finishing of textile products.iin this types of washing .we shall also look at how to remove stains.
By the end of this topic, you should be able to:
i. list the various laundry work processes
ii. Differentiate between the regular and special laundry work processes.
iii. Starch a white garment.
iv. Disinfect napkins handkerchiefs.
Regular laundry work processes.
There are various processes that a textiles article should go through as it is being laundered. They Include:
a. Sorting
a) Color –similar colors should be grouped.
b) Age of wearer –whether babies, elderly, teenagers, or others.
c) Use of articles such as bed sheets, foundations garments or tablecloths.
d) Amount of dirt, for example, overalls for mechanics as opposed to Sunday wear.
e) Types of fiber(s) such as cotton, Terylene.
f) Health status of wearer, for example, one suffering from a skin disease versus a healthy person.
g) Fast and loose colored fabrics
h) Whether they are heavily stained or not.
b. Mending
- This refers to repairing worn out parts. It is done before washing soap to prevent increase of tears as well as to wash off any dirt that may be incurred while mending .mending may involve repairing seams, fixing hems, patching ,darning holes ,fixing buttons or replacing zippers .mending prolongs the life of garment and enhances the appearance of clothes as well as the water.
c. Soaking /steeping
Soaking is done only for fast colored clothes or articles, and for those that do not stretch. It may be in plain or soapy water.it is done to loosen dirt or stains. It also helps in wetting the article by loosening the surface tension of water.
d. Stain removal
This is removal of fixed dirt according to its nature and the type of fabric. Depending on the nature of the stain, it may be done before or after soaking .we shall learn more about stain removal later.
e. Washing
This is actual removal of dirt from the article by use of water detergent and pressure. The temperature of washing water may vary depending on the type of fiber present.
There are 2 methods of washing
i) Friction or rubbing method is used for fabrics which are quite strong when wet such as cotton and linen, as well as for fabrics which do not stretch or lose color.
ii) Kneading and squeezing method is used for delicate fabrics like wool, and for those fabrics that stretch or lose color.
f. Rinsing
This is the process that gets rid of the dirt which is removed during washing, as well as the traces of the detergent used. This is done in order:-
i) To avoid discoloration of the garment
ii) To prevent weakening the fibers
iii) To avoid skin irritation
iv) To give a fresh smell
v) To improve the hang or drape of a garment or article
Garment should be rinsed in warm water severally till the water is clear, and then given a final rinse in cold water to freshen them. However, no cold rinse should be given to wool as it may shrink or matt.
g. Drying
This refers to the removal of moisture from article by different methods; for example, hanging, drying flat, under direct sunlight, drying in indirect sunlight or under shade, or machine drying.
Advantages of drying fabrics in direct sunlight
i. It’s cheap
ii. Enhance freshness and helps remove strong odour
iii. A natural bleach i.e. helps in whitening clothing e.g. sheets, towels and cloth diapers
iv. Natural disinfectant
v. Gentle on clothing (tossing and tumbling cause wear, tear and strain)
vi. Conserves resources and energy
h. Ironing /Pressing
This is the removal of creases or wrinkles from a fabric. It is done to:-
i) kill germs
ii) Removal creases or straighten an article
iii) Give a fresh look
iv) Help a garment retain its original shape.
v) Make it easier to store an article, or to
vi) Warm a garment or article such as bed linen and babies ‘clothes
Garments may be ironed or pressed while slightly damp for easier straightening. In ironing, the iron box moves up and down, or to and fro, across the garment. It is done on fabrics that do not stretch or shine. In pressing, the box is lifted, placed in one area, then lifted and placed in another area till all creases are removed .it is done on fabrics that shine or stretch if ironed.
i. Airing
This is putting a garment in an airy space so as to either freshen the garment, or to dry the garment completely especially if it was ironed damp. This prevents formation of mildew in cellulosic fibers.
j. Storing
Storing is the process of keeping away clothes in their respective storage places, for example, drawers, suitcases, boxes, cartons, wardrobes and clothing bags. Garments should be folded or hang depending on their nature and/or convenience of the user.
SPECIAL LAUNDRY WORK PROCESSES
These are processes that are not done on all types of fabrics or articles, but on those that require specialized care. They include:
i. Use of salt
Salt is used for various reasons. They are
i) To emulsify mucus in hankies
ii) To remove ink, protein and blood stains.
iii) To fixes color on loose colored garments.
iv) To disinfect articles such as handkerchiefs.
ii. Use of vinegar and lemon juice.
Vinegar and lemon juice are used in the final rinse of colored clothes to brighten their color
iii. Bleaching
Bleaching is done before washing so as to kill germs, whiten garments or remove attains.
NOTE WELL:
Babies’ and children’s clothes should not be bleached as this may cause skin irritation. Garment must be thoroughly washed and rinsed after bleaching to remove all traces of the bleach.
iv. Bluing
This is done on white garments to whiten them. Done on white garments which tend to yellow with age. The blue agent absorbs the yellow light so that less yellow is reflected. The surface therefore, reflects blue or ultra-violet rays which make it look whiter.
Blue is made from soda ash, sodium sulphate, charcoal, Sulphur and clay. The ingredients are heated until a colored substance is formed. It is then ground and compressed into cakes and cut into cubes.
v. Boiling
This involves putting clothes which have been thoroughly washed and rinsed into water and bringing it to boil. The articles are held at boiling temperatures for 10-20 minutes. Boiling is done so as to brighten whites, kill germs and to remove stains.
Points to observe when boiling
- Items to be boiled must be washed and rinsed thoroughly before boiling
- During boiling items must be turned occasionally using a stick or pair of tongs.
- After boiling the items, they should be rinsed in cold water to freshen the fabrics
- Boiling is suitable for disinfecting white cottons and linen articles
vi. Use of steam
Germs are killed by putting the articles in a chamber with hot steam. This treatment best suits white cotton and linen articles. It is commonly used in institutions such as hotels, hospitals and prisons.
vii. Starching
Starching is done on white garments after the final rinse, to stiffen, whiten and give a crisps appearance to a garment. Starched articles after ironing become smooth and glossy and does not get dirty easily. Starching is done after the final rinse.
viii. Sponging
Sponging is given to garments made of dark-colored fabrics which are soiled on the surface, such as woolens. The surface is cleaned with a cleaning fluid and a laundry brush or cotton pad with no fluff. Different solutions may be used depending on the fabric being cleaned. They include warm water, warm soapy water, salt, ammonia and vinegar.
Method of sponging an article.
· Shake the garment to remove surface dirt.
· Spread on the working surface
· Remove any stains
· Dip a cloth or sponge in the solution and squeeze out extra moisture.
· Cleaning systematically from the wrong side, then to the double portions such as cuffs.
· Rinse each section with clean, warm water.
· Turn to the right side and clean a little at a time.
· Rinse well using the same procedure.
· Hang in fresh air to rid of the smell(to air)
Advantage of sponging
· Saves time and money
· Solutions are easy to make at home.
· There is no loss of color or shape especially in bulky garments.
ix. Spotting
This is treatment given to dark-colored garments which happen to accidentally get soiled on small areas and need to be cleaned immediately. Spotting may be useful in situations where people are away from home and there are no clothes to change into.
x. Fixing colors
This is a treatment given to loose-colored articles during laundry to prevent loss of color.
Process of fixing color
- After washing and rinsing
- Use 1 tbs of sodium chloride (table salt) to every 4litres of cold water to make a solution
- Immerse the loose colored garment and knead in the solution.
- Squeeze out as much of the solution as possible from the garment
- Dry in the shade with the wrong side out
Precautions taken to prevent loss of color
- Using kneading and squeezing method of washing
Using mild detergent
- Using moderate temperatures
- Dry in shade
16. STAIN REMOVAL
INTRODUCTION
In the last chapter, we defined stain removal as the removal of fixed dirt according to its nature and the type of fabrics. There are different types of stains such as ink stains, tea stains and grass stains .we are going to going to look at how to handle stains in laundry –work.
Objectives of the topic
By the end of this topic, you should be able to:
i) Differentiate between normal dirt and stains.
ii) Identify stains according to their origin
iii) Discuss the rules of stain removal.
iv) Apply the skills learnt to remove various stains effectively.
v) Use locally available products in stain removal.
Classification of stains.
Stain is a stubborn discoloration on an article that does not come off with normal washing. There are three types of stains; absorbed stains are usually liquids that penetrate the fabric, built –up stains are found on the surface of the fabric, while compound stains are both absorbed and built up. Attention given to any `stain will depend on its origin, age and fabric type e.g. Coffee, tea, cocoa, fruit juice, soups and stews, oil and grease, chewing gum and perspiration .To remove stains, one need to follow the following rules so as to achieve positive results:
Rules of stains removal
· Identify the type of stain.
· identify the type of fabric on which the stain is
· Identify the right stain remover for the stain on the fabric.
· Remove the stain when it is fresh.
· Remove the stain before washing the garment.
· Test the fabric for color –fastness to the remover on an unseen part of the garment first.
· Work quickly and lightly on a clean surface.
· Work from strong side of the garment.
· Remove the stain inwards.
· There is different strength of removers. Try weak ones first before moving on the stronger ones.
· Use dilute concentrations of the removers first, and then move on to stronger ones if it does not work.
· Work in a well-ventilated area as some of the fumes produced by the removers are dangerous.
· Wash the garment immediately after removing the stain.
· If the stain is stubborn, send the garment to a reliable drycleaner.
· Keep all stain removers away from the reach of children.
Let us now look at how to remove a few common stains.
How to remove common stains
Types of stain |
Removal method |
Perspiration |
· Wash the area immediately by dampening it in soapy water. If the stain is on a white fabric, bleach it naturally through the sun or commercial bleaches. |
Paint |
· Rub the stain with turpentine, paraffin or petrol can also be used when the stain is still fresh. Then rub it in cold water and wash normally |
Iron Rust |
· Cover the stain with salt and lemon juice and leave it for an hour, then wash thoroughly · Cover the stained part with salts or lemon and pour boiling water through. |
Blood ,Egg, Mucus |
· These are protein –based stains and are fixed with hot water, therefore, soak in cold water with little salt, then wash according to fabric type. |
Fruit and Foods |
· Soak in warm water, treat as teas or coffee, dilute hydrogen peroxide may also be used. |
Chewing Gum |
· rub the stain with ice if available .once it hardens ,scrape off the chewing gum, then wash normally · Or apply blue band on top of the stain then treat it as grease stain and wash the garment normally. |
Banana or Matoke |
· When fresh rub with paraffin or turpentine and wash normally. Banana stain is difficult to treat when old, therefore should be removed when it is fresh.
|
Mildew |
· Caused by fungus rub due to dampness on fabrics, treat it with water and soap as in perspiration .hydrogen peroxide may be used but not on white cotton and linens. |
Grass |
· Rub the stained part with methylated spirit to remove the green coloring matter and then wash normally |
Tea, Coffee ,Cocoa and related Beverages |
· Soak in cold water immediately or pour it on the stain and repeat until the stain is removed, then wash normally, paying special attention on the part. · The article can also be soaked in washing soda and hot water depending on the fabric type. |
Writing Inks |
· blot out as much ink as possible · Cover the stain with milk and squeeze lemon juice on top and leave if for an hour. · Tomato juice may also be used and still left for an hour. · Rinse thoroughly and wash the article normally. |
Biro Pen Ink |
· treat immediately with surgical or methylated sprit ,then wash the article normally |
Grease, Oil, Fat and Wax |
· Scrape off as much as possible. · Put the stain over blotting or sugar paper, cotton pad or news print. Using a moderately hot iron work around the stain towards the centre using the tip of the iron, then wash as normal. · Paraffin may also be used to remove grease. |
Activity
i) Look for some clothes which have various types of stain, remove these stains following the guideline given above.
ii) Discuss the rules of stain removal.
Summary
i) A stain is a turban discoloration on an article that does not come off with normal washing.
ii) There are three types of stains; absorbed stains, built –up stain and compound stains.
ELECTRIC WASHING.
Topic outline
Ø Electric washing
Ø Types of washing machines
Ø Care and maintenance of washing machines
Ø Electric dry cleaning
Ø Simple or home dry cleaning
Ø Sponging
Ø Commercial washing centers.
INTRODUCTION
So far, we have looked at how to wash textile articles manually .this is the most common method of washing used in our country. However, there are other types of washing that are less commonly used. They include electric washing, electric dry cleaning, home dry –cleaning and sponging .we are now going to learn about these types of washing.
ELECTRIC WASHING
Electric washing is done by use of electric washing machines .The method of removing dirt from clothes varies according to the type of washing machine used.
There are three different methods
i. Agitator method
There is a paddle or agitator fitted with four blades fixed to the bottom of this type of machine. When the motor is on, the blades make 50 to 80 half turns per minutes, moving the clothes and pushing the water through them.
ii. Pulsate method
A revolving disc or pulsator is fitted to the side or bottom of the machine. The disc revolves rapidly in a clockwise direction, moving the clothes and pushing the water through them.
iii. Tumbler method
A revolving drum, rotating horizontally, tumbles, lifts and drops clothes back into the soap suds, dislodging dirt in process.
The efficiency of a washing machine is determined by;
· Correct temperature of water for the fabric.
· Use of a suitable washing agent.
· Use of amount of agitation in the ratio of water and agent to fabric, so that the dirt is suspended and removed from clothes.
· Effective extraction of water from the clothes.
Factors to consider when choosing a washing machine
There are various factors that one should think about before deciding the washing machine to buy. These are;
· The amount of money available to buy the machine.
· The space available for using it and storing it as well.
· whether it will be plumbed in (that is, in built) or not
· Whether it has to fit under working surfaces.
· The size of the family wash
· The type of the family wash
· The time available for washing
TYPES OF WASHING MACHINES
There are various types of washing machines. The choice of machine will depend on the user’s financial capability, convenience and purpose. The types include:
· Single tub with wringer
· The twin tub
· The semi- automatic
· The full automatic
Let us now look at each of these types of washing machines:
- SINGLE TUB WITH WRINGER
This machine has a single tub with a wringer attached. The wringer is turned either on either manually or electrically. The machine may be fitted with a water heater, whereby it may be used to boil clothes .this type of machine is relatively cheap. It does not require a lot of space. This type of machine only washes. Rinsing is, therefore, done manually.
- TWIN TUB
This machine consists of a large unit divided into two; a washing tub and a separate spin drier. clothes are washed in 1st tub then lifted across to the spin drier where the soapy water is wrung out and the clothes rinsed. It is quite expensive and requires more space. It can be pre-set for temperature of water and length of time for washing. This means one does less work when washing.
- SEMI-AUTOMATIC.
Washing, rinsing and spin-drying take place in one unit (in one tube). washing time, temperature of water, rinsing and spin –drying is pre-set, one stage after the other. This machine is more expensive to run and buy .it is possible to store the soapsuds for re-use.it means less work, but needs a good source of water to run effectively
- FULLY AUTOMATIC
The entire laundering process is done once the controls are set. It is very expensive, bulky and also needs a good source of water. Since it needs a lot of space, it should be plunged in. It sets one free since every process is automated.
CARE AND MAINTENANCE OF WASHING MACHINES.
· Correct wiring is essential for safety; therefore, they should be installed by a skilled electrician.
· Always keep clean and wipe out after uses.
· Keep the outside sparkling clean by regularly spraying with furniture polish
· Always read and follow the manufacturer’s instructions.
· Keep the machine in the best running condition.
ELECTRIC DRY CLEANING
This is the cleaning of fabrics by immersion and agitation in other liquids other than water. Some of the solvents used are:-
· Perchloroethylene
· White spirit
· Carbon tetrachloride
· Trichloroethylene
· Petrol
· Diesel
Articles that require dry cleaning
The following types of articles need to be dry –cleaned:
· Those that shrink or stretch when in contact with water.
· Those that are much stained with grease.
· Pleated garments, as use of water may cause loss of pleats.
· loose –colored fabrics
· Those with a poor finishing which can easily be lost by washing.
· Those with stiff linings such as tailored coat, as the stiffness may be spoilt by water.
· Those labeled dry clean only
The process of dry –cleaning
· The articles are received, labeled, and areas that require special care are marked out, the articles are then sorted out.
· Accessories that may be spoilt by dry –cleaning, e.g. buttons and buckles are removed. Pleats are also stitched down.
· Similar fabrics in a similar state of soiling are cleaned together.
· The machines work by drawing the dirty solvent out of the fabrics, filtering the solvent to clean it then pumping it to the top of the machine to be reused on the garments which are kept agitating.
· Garments are then pressed or ironed; pleats are heat set, plastic buttons and buckles re-sewn before they are labeled and packed ready for collection.
SIMPLE OR HOME DRY CLEANING
This is a manual method of dry-cleaning done at home on items or garments which get spoiled when washed with soap and water. The cleaning is done using grease solvent, examples of which are:
· French chalk
· Fuller’s earth
· Benzene
· Talcum powder
· petrol
· Carbon tetrachloride.
Precautions to take when using grease solvents
· Cover the hands as the solvents are harmful to the skin.
· Work quickly as liquid solvents evaporate very fast.
· Liquid solvents are highly inflammable, therefore, work away from fire.
· Cover the containers tightly to prevent the solvents from evaporating.
· Work in a well –ventilated area.
· Air garment well after dry cleaning to get rid of the smell.
Examples of items that may require simple dry –cleaning are:
· Ties
· Scarves
· Belts
· Hats
· Seats
· Carpets
Advantages of home dry cleaning.
· Useful for un washable garments/articles
· Maintains shape and size of garments
· Fabrics keep their original body
· Colors do not run.
Disadvantage of home dry cleaning
· Quite expensive
· Quite smelly
· The chemicals used are quite dangerous
COMMERCIAL WASHING CENTERS
There are certain places where one can take their clothes to be laundered at a price. One of these is the dry –cleaners we have already talked about. Other centers are:
5.7.1 Launderettes
There are premises equipped with coin-operated, fully automatic washing machines of varying load capacity, with tumbler driers. They may include a dry cleaning area with several dry cleaning machines and steam presses.
Commercial laundry
One takes laundry (dirty articles) to the commercial laundry where all the processes are carried out. Clothes then collected or delivered to the owner when they are ready for wear.
DRYING AND IRONING APPLIANCES
INTRODUCTION
Once clothes are washed either manually .electrically or by other methods they need to be dried to removes all traces of moistures before they can be stored. They also need to be ironed or pressed before use so as to improve their appearances, among other reasons. In this topic, we are going to look at the various items used to dry, as well as iron textiles.
Drying Appliances.
- Clothes’ lines
These may be made of sisal, nylon, metal wire or plastic. They should be strong enough to support the washing and be the firmly fixed to the supports to prevent accident. They should be tightened and replaced occasionally as they tend to loosen and wear out with time. The line is best with hangers and or pegs. These may be wooden, plastic or metallic. They should be kept clean and firm and stored way from the sun.
- Drying Cabinet
These are cabinets fitted with an electric element at the base, and several adjustable rails. Clothes are hanged on the nails, the element is switched on, and then the doors are closed .heat is controlled by the flicks of a switches, which is used to select the temperature for drying.
- Spin drier
This is an electric tube, whereby clothes are placed in a metal cylinder with holes. An electric motor rotates the cylinder at a high speed throwing out the water through the holes. It is often a part of a bigger machine (please refer to the section on electric washing).the disadvantage is that the clothes more creased due to the spinning
- Tumble drier
The clothes are held in an inner drum with holes. This drum revolves in one direction, while an outer drum surrounds it holding hot air which is dry through the holes to reach the tumbling clothes .some driers finish with a cold tumble to reduce creasing
IRONING /PRESSING EQUIPMENT.
Factors to consider when choosing an iron box:
There are various factors that one should think before deciding the iron box to buy. These are:
· it should feel comfortable therefore try out the feel in your hand .it must feel balanced and suit your hand
· Aluminum soleplate gives good heat distribution whereas stainless steel soleplates are less likely to scratch.
· The edges of the soleplate should be level to allow for easy access round buttons and other forms of fastening.
· Amount of ironing to be done. Some are suitable for heavy duty ironing, others for domestic uses.
· The ease of using the iron box.
There are six types of irons for domestic use. They are
a. Charcoal irons
These are heated by hot charcoal. They are heavy, and the temperature cannot be controlled .care must be not to pour ash onto the garments when ironing
b. Flat irons
These are only placed on a hot surface, which heat them up, example of such surface are electricity plate, kitchen stove and hot charcoal. Hence they cannot be regulated .one needs to wipe after heating to avoid soiling the garment.
c. Automatic electric irons
These are electric irons which have a control disc which can be used to set the required temperature.
d. Steam irons
These are also electric irons that contain a chamber where water is converted in to steam. The steam then flows out of grooves in the soleplate. This means there is no need to use a pressing cloth. They have a larger surface and are lighter in weight .They are a bit more expensive and can be used either when wet (with steam) or when dry.
e. Steam and spray irons
These have a button which produces fine jets of water when pressed. It gives extra dampness on badly creased or heavier articles in addition to the steam.
f. Travelling irons
These are small and light weight electric irons, whose temperature can be regulated .They can be easily dismantled and assembled for ease in packing for travel.
CARE OF IRONS
· Handle with care
· If using a steam iron, fill with water while it is disconnected using a clean container, and empty immediately ate rude while it is still hot.
· Do not store a hot iron, allow cooling first.
· Never wind the flex around a hot iron.
· Store in a safe ,dry place out of the reach of children
· Do not leave switched on or connected after use.
· Do not iron over anything which might scratch the sole plate
· Check the flex for fraying and replace if necessary.
· check that plug is earthed if using stein iron
· stand it on a wire gauge when hot or in use
N.B to Keep the Sole Plate Clean
· Wipe with a clean, damp cloth and dry immediately.
· if the soleplate is sticky ,warm the iron box first, disconnect from the power supply (for electric irons),then rub with a gentle abrasive such as very fins steel wool, a nylon pad ,salt or sand.
There are other types of irons used for commercial purposes .They includes:
ROTARY IRONS
This is a costly and bulky iron, which takes up space but saves time and energy .it is used when one is sitting down. A padded roller is turned by an electric motor situated behind the roller .the article is pulled along automatically as it is ironed .it can be controlled by hand, knee or foot .The heat is thermostatically controlled.
FLAT BED DRESS.
This consists of a heated metal pressing head, which is raised and lowered on to a padded bed over the article to be pressed is laid on a Rotary Iron /A flat bed press .
IRONING BOARDS /SURFACES
It is important to have a clean, flat surface on which to iron. You may use a table with blanket for padding, plus a white sheet or an ironing board. The sheet prevents fluff from the blanket from sticking on to the garments as they are being ironed.
Factors to consider when choosing an iron board
Before buying an ironing board, you should think about the following.
· It should be possible to adjust the height of the board.
· Ensure it is steady on its legs.
· it should have no sharp edges
· The board should be well padded with a removable top cover for washing purpose.
· It must have a heatproof base for the iron to rest on.
· The legs should not protrude too far where they could be knocked
· It should be appropriate for the intended use.
SLEEVE BOARD
A sleeve board is useful for pressing tubular parts of a garment. It should be well padded and stand firmly on the base.
A Sleeve Board
Sleeve board
17. INTERNATIONAL CARE LABELING
INTRODUCTION
In our last few topics, we looked various ways of laundry textile products. We learnt that some fabrics can be washed by water, while others are damaged when in contact with water. We also saw that some fabrics run color when in contact with water, while others do not .earlier on, we learnt that different fibers require different types of care. The variety of fabrics in the market makes it very difficult to tell the type of care labeling code was first developed in 1972 to help consumers understand how to launder a garment or textile article correctly .It is useful in avoiding damages caused by incorrect laundering. The code rules were revised in 1984 to ensure the care labels had more detailed information and were more uniform globally.
The code contains words and symbols which mean the same the world over .it is based on five symbols, usually presented in the same order. These are the washing, bleaching, ironing, dry –cleaning and drying symbols.
The combination of symbols varies with both the fiber content, finish and fabric structure. They are found on the neckline, waist seam, side seam or any other convenient place in other textile articles. The symbols and or signs maybe arranged vertically (UK) or horizontally (European). Most care labels contain the size, brand and fiber composition of the garment as well.
- WASHING SYMBOLS
Washing is indicated by:
i. A tub for hand washing only; hand is drawn in the water.
A cross on the tub means the article should not be cleaned with water. A bar under the tub indicates the group of fibers to be selected on the washing, whereby one bar is for synthetics and synthetic blends, two for wool and /or silk, none is for cotton.
Machine wash, dental or delicate means articles should be laundered with gentle agitation or reduced time
Machine wash, permanent press. Means the articles may be laundered only on the setting to preserve the permanent press. Give a cold rinse before a reduced spin time.
A comprehensive care label also provides information on:
· The maximum washing temperature that should be used.
· The method of agitation that should be used during the wash, and
· The method of water extraction that may be used.
Let us look closely at these instructions:
The maximum washing temperature of water.
There are various temperatures of water that can be used. The choice depends on the type of fabric being cleaned. They include:
· Cool – 300C - feels cool to the touch
· Warm - 400C - feels pleasantly warm to touch
· Hand hot - 500C – as hot as the hand can bear
· Hot – 600C – hotter than the hand can bear
· Very hot -950C – near boiling temperature
· Boil – 1000C – boiling
The method of agitation during the wash
Three types of friction may be must used. They are:
· Minimum wash – least movement possible (20% -30%) of the maximum agitation.
· medium wash – 40% - 60% friction
· Maximum wash – greatest friction possible.
Methods of water extraction
These include
· Do not wring- either by hand or machine
· Do not hand wring- may wring by machine but not by hand.
· Short spin or dry spin- spin for up to 20 seconds only or hang drip dry
· spin or wring- can spin dry at high speed or wring by hand or machine
- BLEACHING SYMBOLS
Bleaching is indicated by a triangle. The bleaching symbols are as follows:
i. House hold bleach (chloride bleach) may be used
ii. May bleach
iii. Do not use chloride bleach
iv. Do not bleach
- IRONING SYMBOLS
Ironing is indicated by an iron box. The number of dots in the ironing symbol indicates the correct temperature setting. The fewer the dots, the cooler the iron setting. Ironing symbols are as follows.
i. Cool Iron/low temperature
ii. Warm iron/medium temperature
iii. Hot Iron
iv. Do not iron
v. Steam
vi. Do not steam
- DRY –CLEANING SYMBOLS
Dry –cleaning is indicated by a circle. The letter in the circle refers to the solvent which may be used in dry –cleaning.
Dry cleaners use chemicals, heat, and steam to clean and press clothing and other fabrics. While helping their customers look spotless, dry cleaners need to be aware of their workplace hazards.
The use of chemicals is the primary hazard in a dry cleaner. Almost all dry cleaning is done with perchloroethylene (PERC), a solvent. Inhaling PERC can lead to serious health effects such as liver and kidney damage, dizziness, headache, sleepiness, confusion, nausea, difficulty in speaking and walking, unconsciousness, and death. PERC is also a suspected carcinogen.
Safety precautions during dry cleaning
a. Wear safety shoes with non-skid soles
b. Do NOT allow open flames or smoking on the premises
c. Check periodically electrical equipment for safety and call a professional electrician if needed
d. Install effective ventilation and air conditioning to control excessive temperatures or humidity
e. Protect hands with chemical-resistant gloves; if impractical, use a barrier cream
f. Use tongs when handling clothes treated with chemicals
g. Wear protective clothing such as dust coats, face mask etc.
The symbols are as follows.
i. Dry –clean
ii. Do not dry clean
iii. Dry clean all solvent
The letters P and F in a circle are for the different solvents used in professional dry cleaning.
iv. Dry clean any solvent except tetrachloroethylene (PCE)
v. Gentle cleaning with PCE
vi. Very gentle cleaning with PCE
vii. Dry clean petroleum only
viii. Gentle cleaning with hydrocarbon solvents
ix. Very gentle cleaning with hydrocarbon solvents
x. Dry clean short cycle
xi. Dry clean no steam
xii. Wet clean
xiii. Do not wet clean
xiv. Wet clean delicate
xv. Wet clean very delicate
- DRYING SYMBOLS
Drying is indicated by a square. A circle in the square symbolizes a clothes dryer. One dot requires drying at reduced temperature and two dots for normal temperature. The crossed symbol means that the clothing does not tolerate machine drying.
The drying symbols are:
Natural drying
i. Drying symbol
ii. Line dry
iii. Dry flat
iv. Drip dry
v. Dry in the shade
vi. Line dry in the shade
vii. Dry flat in shade
vii. Drip dry in shade
Tumble drying
i. Tumble dry
ii. Tumble dry (low temperatures)
iii. Tumble dry (Normal)
iv. Do not tumble dry
LAUNDERING DIFFERENT FABRICS
Introductions
Textile products are given laundry treatment in order to prevent them from deteriorating to maintain their appearance or to improve their performance. For one to be able to perform these tasks successfully, it is important to have some knowledge on fabrics and expected performance on end use.
The different treatments given to products are determined by the fiber content, type of yarns used, fabric construction method, the fabric finishes used, as well as the use of the article. In this topic, we are going to look at how to launder fabrics from different fibers .let us first remind ourselves how fibers8956 are classified
Textile fibers are classified as follows
Regenerated fibers - viscose .e.g. viscose rayon - acetate /triacetate .e.g. tricel |
Synthetic fibers - Polyamides .e.g. Terylene - polyolefin .e.g. polythene - Polyoacry lonitriles e.g. acrylics - polyurethanes e.g. lycra - polyvinylS e.g. ,PVC
|
Natural fibers - animals e.g. Wool, silk - Vegetable .e.g. linen cotton - Mineral e.g. asbestos, gold
|
Textile fibers |
A. LAUNDERING COTTONS
- Cotton is the most common vegetable fiber .some of the fabrics made from cotton are calico ,denim, jinja flannel, corduroy, lawn, voile, terry toweling ,gingham and drill. Cotton if often used to make school uniforms, adult garments, bed and table linen, towels, kitchen cloths and children’s wear it is also used for industrial or protective wear such as overalls and aprons ,cotton is available in a variety of colors and finishes and is commonly blended with other fibers. Laundering of cotton is divided into that of white cottons, colored cottons and loose colored cottons. Cotton & linen have similar characteristics and therefore, they are laundered similarly
Characteristics of cotton that influence its laundering
· It is a strong fiber, especially when it is wet .This makes it making is suitable for boiling, and using friction method of washing.
· It is highly absorbent making it suitable for towels is baby napkins, mops and table wipes.
· It is not damaged by alkalis or grease solvents; therefore, most detergents can be used without harm.
· It can withstand high temperature, therefore, can be boiled, bleached and ironed with a hot iron.
· It creases badly unless given a crease resistant finish, this makes it consume more heat and time when ironing /pressing.
· It is affected by mineral acids, therefore strong bleaches and stain removers should be used with care.
· It is affected by fungus such as molds and mildew; therefore, it should not be stored when damp, or soaked for a long time.
· It loses strength when dry, making it easy to tear.
Laundering white cottons
The main challenge we face when caring for white and colored cotton articles is to maintain the color.
· Shake the article to remove loose dirt.
· Soak in cold water for about 30min or less to soften dirt and starch as well as remove soluble stains. Heavily soiled article e.g. overalls should be soaked separately overnight.
· Wash in hot, soapy water by friction method.
· Rinse thoroughly in cold water to remove all traces of detergent
· Starch and blue if necessary.
· Dry in direct sunlight the right side (R.S) out. This will enhance the whiteness due to bleaching by the sun.
· For apparels, remove before it is completely dry, or it is dry, damp it and roll to spread moisture evenly.
· Iron with a hot iron
· Towels, handkerchiefs, babies’ napkins and stickpersons, bedding, may be boiled to bleach and kill germs.
· Do not store damp as it may cause mildew to develop.
Laundering colored cottons.
The main challenge we face when caring for colored cotton articles is to maintain color .To do this, we need to do the following:
· Wash similar colors together, to avoid colors bleeding in to one another.
· Wash in lukewarm water with a mild detergent to avoid bleaching the color .this fade from the cottons.
· Kneed and squeeze gently between hands.
· Rinse well to remove all detergents.
· Add table salt to the last rinse to fix the color.
· Dry with the wrong side (W.S) out, under a shade .this reduces the bleaching effect of the sun.
· Iron or press from the W.S so as to avoid glazing or shining of the fabric, or use an ironing cloth.
Laundering colored cottons
Loose colored fabrics are those that release color when they are in contact with water. They are also termed as having ‘running color’. The main challenges in washing are to reduce the loss of color and to avoid blending of colors from different articles.
To do this, we need to:
· Do not soak as this would encourage further loss of color from the fabric.
· Wash each article separately to avoid mixing different colors.
· Apply little friction by using kneading and squeezing method.
· Add some salt to the final rinse water to fix color on the fabric for the next wash.
· Add vinegar, or lemon juice to the final rinse water so as to brighten the color.
· Hang/press on the W.S or use an ironing cloth to avoid glazing
B. LAUNDERING LINEN
This is a plant fiber obtained from the bark of the stem of flax plant. Some examples of linen fabrics are lace, brocade, gingham organdie, velvet and seersucker. Linen is used for table linen, bedding and personal garments. Linen has similar characteristics as cotton; therefore, it is given the same treatment as cotton fabrics, but linen will require higher temperatures than cotton during ironing.
C. LAUNDERING WOOL
Woolen fabrics are manufactured from the hair of animals such as sheep’s, goats, camels and rabbits. They are generally expensive, but prices vary according to the quality of wool. In Kenya the use of wool is slowly being replaced by synthetics fibers mainly acrylic, which has been made to imitate the warmth and crimpness in wool .wool is mainly used for knitted garments such as shawls, cardigans, pullover, scarves, and socks, woolen suits ,blankets and personal wear. It is also used for carpets, rugs and seat-covers .examples of wool fabrics are gabardine, whipcord and serge, made from worsted yarns. While tweeds, wool georgette, jersey cloth and flannel are made from woolen yarns.
Properties of wool that influence its laundering.
§ Wool absorbs a lot of moisture which makes it stretch thus spoiling its original shape. It should, therefore be kept under water while washing, and do not lift it above the water unnecessarily.
§ It is affected by sudden changes in temperature, resulting to felting and hardening, no cold rinse.
§ Wools is weaker when wet when dry, making it stretch out of shape if hanged wet.
§ It is affected by strong alkalis, therefore, mild soaps or soap less detergents should be used and bleaches should be avoided.
§ Woolen fibers interlock and felt easily, therefore, kneading and squeezing method should be used while washing.
§ It should be rinsed thoroughly with warm water to remove all detergent, and then rolled in a towel to remove any extra moisture.
§ To avoid strengthening, woolen articles should be dried under shade and spread flat on newspapers or towel, spread it to shape. To remove creases, use pressing rather than ironing, to prevent stretching.
§ It tends to turn yellow when exposed to high temperatures: therefore, if any pressing is to be done, then it should be with a warm iron to avoid ‘yellowing ‘of the fibers.
Laundering wool fabrics.
The following precautions should be observed when washing articles made of wool:
§ Shake and brush woolen garments after each wearing.
§ Air the garments often to prevent development of bad odors on the fabrics.
§ Dry clean unless labeled washable to prevent matting, shrinking or stretching.
§ Measure or draw woolen articles before washing and when drying to ensure they do not stretch or shrink during laundering.
§ Do not soak as this may cause stretching or shrinking.
§ Use kneading and squeezing method.
§ Avoid high heat when laundering .use a warm iron and warm water.
§ Do not use cold water in the final rinse as this may cause felting. Instead, use lukewarm water.
§ Dry flat under a shade to prevent stretching and bleaching by the sun.
§ Roll out excess water in a towel to reduce stretching.
D. LAUNDERING SILK
This is an animal fiber produced by the silk worm.
It is lustrous and luxurious fabric, which requires a lot of care to maintain its lustrous appearance .silk is rarely used in this region due to its high cost and complication in care: however, it has been replaced by polyester satin which is produced to imitate the characteristics of silk to a large extent. Silk can be use for making apparel such as shirts, blouses, jerseys, stockings, underwear, ties and dresses, evening wear and garments for special accessions, glove linings, lace and other types of trimmings.
Properties of silk that influence its laundering.
· It is light in weight and absorbent therefore, easy to clean.
· It is a strong fiber, but looses a bit of strength when wet.
· It is crease resistant due is high resiliency and elasticity, therefore .it is easy to iron.
· It can be laundered or dry cleaned easily.
· It is damaged by strong alkaline and acidic substances: therefore, strong detergents should be avoided.
· It decomposes with very strong sunlight.
· Discoloration may occur with temperatures.
Laundering Silk
The following precautions should be observed when washing silk articles.
§ Use warm, soapy water.
§ Use a mild detergent such as soap flakes and bar soap.
§ Use kneading and squeezing method.
§ Use cold water in the last rinse so as to renew the gloss and spring of the fabric
§ Do not soak, boil, rub or twist.
§ Do not use household bleach.
§ Remove moisture gently and drip dry it in moderate sun or under a shade and ensure they dry completely.
§ Use a cool or warm iron box and do not sprinkle water marks.
§ Do not machine wash as this may damage the fabric.
§ Dry cleaning may be done without damaging the fibers.
E. LAUNDERING SYNTHETIC FABRICS (NYLON & TERYLENE
Synthetics are made from raw materials that do not suggest fibers in nature. They are made from coal and petroleum products, Which are heated to form a polymer then produced in to yarns .examples of these fabric are polyester ,such as Dacron or Terylene , kodel, fortel and crimplene ; nylons such as nylon 6, nylon66,acrylics such as orlon, acrilan, courtelle and mod acrylics.
Nylon fabrics are used for making apparels, carpets, curtain, table and beeline, such as blankets. They are not good for bed-sheets as they do not absorb moisture, moisture, making them cold and slippery in use. Examples of nylon fabrics include brocade, damask, gabardine, lace, net satin, seersucker, taffeta, velvet and knitted fabrics (jersey).
Terylene is used in the making of general apparel such as underwear and rain wear, household articles such as curtains, damask table cloths, candlewick bedcovers and carpets.
Properties of synthetics that influencing their laundering
· They are strong, resilient and spring back to shape easily
· They are not damaged by alkalis insects or fungus
· Have high an abrasion résistance, therefore they can be scrubbed and rubbed depending on the fabric type and use.
· They can be heat-set to get pleats /retain them.
· They wash and dry easily
· They need little or no ironing, especially if drip dried.
· They loose color with continuous exposure to strong sunlight /heat
· They accumulate static electricity, which makes them uncomfortable to wear next to the skin, as well as attract dirt easily.
· Unless blended, some may melt with high temperatures.
Laundering Nylons
· For colored nylons, use hand hot water
· For whites ,use very hot water
· Wash whites separately as nylon pulls color from other fabrics
· Drip dry under shade ,inside out ,as it is deteriorated by sunlight
· Use a warm iron when almost dry
· Do not bleach
· Do not boil as it may crease permanently
Laundering Terylene
· Sort out articles according to their colors, washing bright colors first.
· Articles do not require soaking as most dirt does not penetrate in to the fibers, making them easy and quick to wash.
· Use warm water as hot water or boiling will crease the garment.
· Dissolve powdered soap in to the washing water or if bar soap is preferred, put the articles into water and ensure soap has been applied on to all the parts.
· Kneed and squeeze gently but badly soiled parts can be rubbed, though this depends on the type of weave.
· Rinse thoroughly in cold water until all traces of soap have been removed.
· Do not rub, twist, wring or dry flat, as this may create creases and wrinkles that cannot be removed.
· Drip –dry by handing on a smooth hanger or a cloth –line pegging along the strong point of the garments. Hang the article under a shade .This is because it is more vulnerable to sunlight deterioration when it is damp.
· If necessary press with a warm iron, when it is either dry or damp.
Laundering acrylics and mod acrylics
acrylics are synthetic fibers ,manly used for making knitted garments ,lining fabrics, baby shawls ,scarves ,blankets ,bedcover, carpets ,rugs and furnishing .It has replaced the use of wool due to its affordable cost and easy care properties, although it similar to wool in its feel and appearance .Mod acrylics are closely related to acrylics ,and are used for making furnishings in public building ,children’s nightwear ,racing drivers’ overalls, wigs and hair pieces.
Properties of acrylics and mod acrylics that influence their laundering.
· Fabric is light in weight.
· They are resistant to heat and chemicals
· They are strong and hard wearing.
· They are easy to wash and dry as they do not felt or shrink
· They are safely dry cleaned.
· Acrylics melt with high temperatures
· knitted articles stretch out of shape
Laundering acrylics and mod acrylics
· Prepare warm lathered water using a mild detergent
· Wash by kneading and squeezing taking care not to lift the article from the water especially if it is knitted .This will prevent stretching.
· Squeeze extra if the garment is highly soiled
· Heavily soiled articles can be soaked for a few minutes.
· Hand squeeze carefully to remove much of the soapy water.
· Put it into the rinsing water, and rinse thoroughly to remove all traces of soap.
· Do not wring as this damage the fibers and the shape of the article
· Use cold water to rinse & freshen the garment and to void creases
· If the fabric is not knitted, drip –dry it by hanging it on a cloth line. Hang under shade .if knitted, dry flat under shade.
· If knitted roll it in a towel to remove extra moisture, then dry flat on surface to retain the shape.
· Use a warm iron to finish it when dry or almost dry.
F. LAUNDRY REGENERATED FIBERS
Regenerated fibers are processed from natural substances, such as cotton lint, treated with chemicals, such as sodium hydroxide. Examples of regenerated fibers include viscose rayon, acetate rayon’s and triacetate rayon. Rayon’s are quite versatile and therefore ,it is used for apparel, industrial clothing and household furnishings such as table linen ,curtains, carpets, blankets and bedspreads .example of rayon fabrics include crepe ,damask, flannel ,brocade ,gabardine ,jersey ,lace taffeta and velvet.
Properties of regenerated fibers that influence their laundering
· Rayon’s are readily absorbent.
· They are quite strong
· They can damaged by strong acids and bleaches
· They can be dry-cleaned comfortably
· They are damaged by twisting, friction and wringing .Therefore, machine washing and tumble drying should be avoided.
· Acetates are weaken by long exposure to sunlight.
Laundering regenerated fibers
· Rayon is weak when wet. Therefore handle it with care and do not soak
· use kneading and squeezing method
· Iron on the W.S to avoid shinning
· Rayon dries slowly, so give it enough time.
Laundering acetate rayon
§ Check if washable or dry cleaned
§ Avoid over soiling –wash frequently and quickly
§ Do not use chlorine bleach, may use sodium per borate bleach.
§ Do not wring –use kneading and squeezing.
Laundering triacetate rayon
§ When washing triacetate rayon fabrics
§ Use kneading and squeezing method
§ Do not wring but dry instead
§ It can be ironed with a steam iron or when it is very damp.
THE HOUSEHOLD WASH
The weekly, or house hold wash is a term used to refer to clothes and articles that accumulate during the week and require laundering .however, the household wash is not necessarily done only weekly .depending on the convenience of the homemaker ,as well as the family needs, it may be done daily or even bi-weekly .articles that need laundering may include apparels ,bed- linen ,table –linen ,towels ,aprons ,school bags ,uniforms napkins and general apparel .it this topic ,we are going to look at how to do the household wash.
Preparing for the household wash
Ø Select an appropriate day when you have enough time for the task .this may be a day when you do not have visitors, have minimum cooking to do, the weather is favorable ,water is available ,etc.
Ø Start early, so as to make maximum use of the sun.
Ø Ensure that all the necessary materials, agents and equipment are ready a day before the wash is to be done. This will help in saving time and energy on the material day.
Ø Sort out all the clothes and articles to be cleaned.
Ø Do all the necessary repairs
Ø Remove stains where necessary.
Ø Soak any clothes than need overnight soaking.
Order of the household wash
· Prepare starch if needed and store.
· Soak articles that require brief soaking.
· Wash delicate fabric, such as silks, synthetics and rayon. This is because they dry faster, giving you space on the lines to hang more clothes.
· Wash the heavier and knitted articles, as they take longer to dry.
· Wash colored cottons, then white cotton and linens, this is because they often need a lot of treatments, hence requires more time. As you wash them, the other articles are already drying.
· Wash handkerchiefs separately .soak in cold, salty water first, then wash in hot soapy water. Add some disinfectant to the water. Alternately, rinse in cold water, boil for 30mins, rinse again in hot water then in cold water to freshen. This will disinfect them effectively.
· wash household articles such as tablecloths separately
· Clean all the equipment used; dry and keep away
· Check and remove dry clothes from the lines as you go on with the washing. Finish all articles appropriately.
Disinfecting Clothes.
It is advisable to disinfect handkerchiefs, towel, bed sheets and pillowcases where possible. Linen and personal garments used by sick people must be disinfected to reduce chances of spreading infections to other people. Items to be disinfected should be treated separately. To disinfect
· Soak the clothes in a bucket of water which has disinfectant, egg ditto. salvon, for 12hours.
· wash as appropriate ,and then boil for about 30minute if the fabric is not damaged by
· Boiling .hot ,soapy water may be used where boiling may damage the fabric.
· Tablemats and try-cloths are ironed the same way but are not folded, instead, they should be rolled up for storage .this is to make sure they lie flat what they are being used.
Ironing pillowcases.
Iron along the length on both sides. Fold once lengthwise and once width wise.
Activity
i) collect your weekly wash and launder it accordingly
ii) Finish a set of table cloths, shirts and pillowcases.
CHOOSING TEXTILE FABRICS FOR VARIOUS USES
Introduction
The selection, care and use of fabrics depend on many factors .The importance of appearance, durability, comfort and maintenance are relative. One needs to evaluate the qualities of a fabric in terms of its ultimate and use and then decide on its appropriateness. The following is a simple guide on the qualities to look for in fabrics for specific uses.
1. Fabrics for children’s clothes
a. Should be warm especially because children dislike wearing many clothes
b. Should be non- flammable as children often play with fire and are victims of fire
c. Should be durable as they need frequent laundering.
d. Should be washable .children need clothes which can be easily cared for at home.
e. Should be attractive in color .Light colors show when washing and are attractive to children.
f. Should be light in weight to allow for easy movement of the children.
g. Should not snarl easily as they are often subjected to a lot of abrasion.
h. Should be soft to the skin as children have sensitive skins.
i. Should be color –fast so as to resist dampness from saliva ,urine tears and sweat
j. Should be flexible enough to allow for growth
k. Should be absorbent.
Examples of suitable fabrics include mixtures, brushed rayon, piled fabrics and resin treated cotton.
2. Fabrics for school uniforms
a) Should be durable and hard wearing
b) Should be fast –colored as they need frequent laundering
c) Should be light in weight to allow for easy movement
d) Should be easy to launder
e) Should be spot resistant
f) Should be absorbent
g) Should be warm
h) Should be non-flammable
3. Fabric for casual /daily wear
a) Should not snarl easily
b) Should be absorbent
c) Should be non-flammable
d) Should be durable
e) Should not create static electricity
f) Should have good dimensional stability
g) Should drape well.
h) Should be flexible to allow for easy movement.
4. Fabrics for occasional wear
a. Should drape well
b. Should be lustrous
c. Should be attractive
d. Should be strong
e. Should not be easily soiled
f. Should have dimensional stability
g. Should be flexible to allow for easy movement
Examples of suitable fabrics include satin, silk and metallic fabrics.
5. Fabrics for nightwear.
a. Should be absorbent
b. Should resist snarling
c. Should be warm
d. Should be non- flammable
e. Should resist pilling
f. Should be non-static
g. Should be light in weight
h. Should be abrasion resistant
i. Should be crease resistant or elastic
j. Should be flexible.
6. Fabrics for household linen
i. Should drape well
ii. Should be absorbent
iii. Should resist snarling
iv. Should be abrasion resistant
v. Should be strong
vi. Should be spot resistant
vii. Should be non-flammable
viii. Should be durable
ix. Should have good dimensional stability
x. Should be resistant to sunlight
xi. Bed-sheets should be smooth
7. Fabrics for protective clothing
a. Should be light in weight as they are often worn over other clothes
b. Should be durable as they need frequent laundering
c. Should be non- flammable as they frequently worn near fire
d. Should be easy to launder as they often get very dirty
e. Should not be easy damaged by acids or alkalis
f. Should not be easily soiled as they are worn in very dirty environments
g. Gloves should be poor conductors of heat
h. Rainwear .e.g. raincoats should be waterproof
8. Fabrics for sports wear
a) should be strong and hardwearing
b) should have a high stretching ability
c) should have a high recovery rate
d) should resist perspiration
e) should be resistant to sunlight
f) should be light in weight
g) should be easy to launder
STORAGE OF CLOTHES AND HOUSEHOLD ARTICLES
In order to take good care of clothes and household articles, it is important to store them properly. Proper storage keeps clothes free from wrinkles and dusts. Clothes and articles should never be stored when dirty.
STORAGE FACILITIES
The following can be used to store clothes and household articles
1. Wardrobes – they can be inbuilt i.e. installed when the house is being constructed or free standing type that can be moved around. Wardrobe have an area for hanging clothes, shelves for folded clothes and drawers for small garments such as inner wear, socks and scarves.
2. Dressing table – used to store small clothing articles such as underwear, socks, scarves and handkerchiefs. It also has a mirror and a flat surface that can be used to place make-up, jewellery and lotions.
3. Chest drawers – used to store clothes and household items that are not hung. Like the wardrobe they can be built in the house or can be bought as a separate item.
4. Suitcase/trunk – clothes are folded appropriately and kept in the suitcase/trunk
General points to consider when storing clothes
a.Clothes must be well prepared for storage and grouped as: personal clothes, underwear, nightwear, outwear, bed linen, table linen, soft furnishings and kitchen linen
b. Ample Space - Do not overload the drawers with clothes as they may be difficult to close and open. The articles my also crease
c. Where woollens are stored, it is important to use mothballs to protect clothes against pests.
d. Stored clothes should be neatly hanged or folded for easy access when removing them
e. Clothes that are not worn often, such as evening wear and suits can be stored in polythene bags to protect them from dust and pests.
f. Dryness - This prevents moisture retention and mildew, which can rot and destroy your band fabric.
METHODS OF STORING CLOTHES
Clothes and household articles are stored either by hanging or folding and keeping in storage facilities such as drawers and boxes.
1. Hanging clothes
There are various types of hangers that are used for hanging clothes. They may be made of metal, wood or plastic. They should be smooth and durable
Padded hangers are used for storing articles that are made of delicate materials which would crease if stored on other types of hangers.
2. Folding clothes
Whereas some clothes are hung after ironing, others are folded for storage in drawers, cartoons, boxes or trunks.
Clothes should be folded properly to avoid creasing and to make them fit in the storage space.
REFFERENCES
§ Gitobu J.K (1986) principles and practices of home management. Trans Africa press.
§ Makokha j. (1990) Textile for schools and colleges. Nairobi English press.
§ Onyango, R.O (1997) .Textiles: a Home science handbook. Nairobi university press.